Totem poles (crest poles?) stand in front of wooden houses on right. Hills on shoreline visible in background.
Handwritten annotations on verso read: "West Coast QCIs."; "[Old?] Kassan Alaska."
Totem poles (crest poles?) stand in front of wooden houses on right. Hills on shoreline visible in background.
Handwritten annotations on verso read: "West Coast QCIs."; "[Old?] Kassan Alaska."
Totem poles (crest poles?) stand in front of forest trees, fallen logs on beach in foreground.
Handwritten annotation on verso reads: "Indian Totems along beach on Q.C. Islands"
Totem poles (crest poles?) stand in front of remains of wood structures, forest visible in background.
Handwritten annotation on verso reads: "A deserted Village, Q.C. Islands [...]" (various notes crossed through on verso).
Totem poles (crest poles?) stand in front of remains of wood structures built along sandy shore. View from above, forest on hill in background.
Handwritten annotation on verso reads: "[? illegible] Deserted village West Coast QCIs."
Totem poles (crest poles?) stand in front of wood building, hills visible in background.
Handwritten annotation on verso reads: "Poles on QC Isl."
Totem poles (crest poles?) stand in front of a line of houses. Sandy beach in foreground, forest on hill in background.
Handwritten annotation on verso reads: "Kai sun W. Coast Q.C.I."
Series contains publications on the following subjects: linguistics, First Nations studies, anthropology, museum studies, the Missionary Society of the Church of England, the Metlakatla Inquiry, material culture and Canadian geography. It is believed that items published prior to 1922 had been collected by the Archdeacon W.H. Collison, while those published post 1922 (the year W.H. Collison passed away) were collected by both his son W.E. Collison and then his grandaughter Joyce Collison.
Two carved wooden figures stand side by side to mark the burial of a Haida medicine man. Each figure has one arm up with a hand under or over the chin, while the other arm is down. Carved chiefly headdresses adorn each of their heads.
Handwritten annotation in pen on verso reads: “Q.C. Is.”
Two carved wooden figures stand side by side to mark the burial of a Haida medicine man. Each figure has one arm up with a hand under or over the chin, while the other arm is down. Carved chiefly headdresses adorn each of their heads.
Handwritten annotation in pen on verso reads: “Shaman’s grave”.
Two carved wooden figures stand side by side to mark the burial of a Haida medicine man. Each figure has one arm up with a hand under or over the chin, while the other arm is down. Carved chiefly headdresses adorn each of their heads.
Handwritten annotation in pen on verso reads: “Shaman’s grave nr. --Masset QCIs.”
Two carved wooden figures stand side by side to mark the burial of a Haida medicine man. Each figure has one arm up with a hand under or over the chin, while the other arm is down. Carved chiefly headdresses adorn each of their heads.
Handwritten annotation in pen on verso reads: “Illustration for insertion at end of Chapt XIX no. 2. Medicine man’s tomb Queen Charlotte Islands.” Photograph has pen markings made on its recto tracing the outline of these two shapes.
Image depicts a house with some Firts Nations' art painted on the front, somewhere on Haida Gwaii, B.C.
Handwritten annotation on verso reads: “Chief Skidegate (Dempsey Collinson), Feast 1978, Q.C.I.”
Carvings sit among bushes in front of what appears to be a totem pole.
Handwritten annotation on verso reads: "Eagle & whale Monument Tanu".