Item 2008.3.1.147.14 - Justa

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Title proper

Justa

General material designation

  • Sound recording

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Item

Reference code

2008.3.1.147.14

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Issuing jurisdiction and denomination (philatelic)

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Date(s)

  • 1994 (Creation)

Physical description area

Physical description

1 audiocassette (78 min.)

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Name of creator

(1923 - 1999)

Scope and content

Item is a audio interview recorded by Bridget Moran with Justa Monk.

Audiocassette Summary

00’ 05” Justa is talking about cutting wood for heat at home. He talks about wrecking his father’s axe. He continues to tell amusing stories about his childhood, which include his siblings and his father.

04’ 45” Moran asks Justa about how many employees he had when he was band manager. Justa talks about his work as band manager. They continue to talk about sawmills in the area. Justa discusses land rights as a result of the sawmills in their territory. Justa talks about tree farm licenses and the disputes between the band and the government. He talks about agreements the band has with Northwood Pulp and Timber Ltd.

16’ 35” Moran asks Justa about the note Theresa left him about being either a father or a band manager. They talk about this briefly.

18’ 23” Moran asks Justa about stories in his diary, such as trying to quit smoking. They talk about Justa becoming band leader. They continue to talk about Justa’s duties as general manager for the band and the politics surrounding the position.

25’ 14” Moran asks Justa about developing a school board for Tachie that is run by First Nations people. He wants to develop a proper curriculum that embraces the old way of life to maintain their culture.

30’ 40” Moran asks Justa why he stepped down as general manager for the band. Justa talks about someone else wanting the position. He also talks about the restraints on him. He talks about becoming tribal chief. He was given the mandate to deal with Kemano II, land claims, and developing forms of self-government.

41’ 15” Moran asks about the spread of AIDS in Tachie. Justa says, like cancer, it has spread because of stupidity. His people were healthy until the modernization of their society.

42’ 22” They return to discussing the opening of sawmills in the Tachie area, as well as tree licenses.

49’ 00” Moran asks Justa how many bands have dropped out of land claims issues. Ten remain, he tells her. They continue to discuss the issue of land claims.

50’ 47” Moran asks about when the tribal chiefs came together to have a common goal with regard to land claims. They continue to discuss land base, the progress of land claims, and the amount of people in each area. Justa talks about private companies entering their land and building private roads to log the area. They continue to talk about the politics of the position.

1:00’ 13” Moran asks Justa about his tribal chief position. He tells her it is a ‘twenty-four hour machine’ and to develop working relationships between the bands and the government, particularly with land claims and poverty issues. Justa continues to talk about his position.

1:09’ 11” Moran asks Justa which position he feels has helped his people the most. He tells her being band manager and tribal chief because he feels he has the right vision for his people that he can implement through clear direction and demanding certainty from the government, particularly with land claims. He talks about wanting to save the future of the nations and saving the river from the Kemano II Project. They continue to discuss the history of the Kemano II Project.

1:17’ 38” End of tape.

Notes area

Arrangement

Language of material

  • English

Script of material

    Location of originals

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    Access copy available.

    Restrictions on access

    No restrictions

    Terms governing use, reproduction, and publication

    Personal or academic use of materials is welcomed under the standard fair use and educational use clauses of Canadian Copyright Law. Commercial use is, however, forbidden without the express permission of the copyright holder. For information on obtaining written permission from the copyright holder, please contact the Northern B.C. Archives and Special Collections.

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    Part of the Bridget Moran fonds

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