Showing 149 results

Photograph depicts a close-up of twelve Royal Irish Constabulary badges. Item believed to be a part of J.J. Claxton's collection of police memorabilia.

Photograph depicts a close-up of twenty Royal Irish Constabulary badges and pieces of an arm crest. Item believed to be a part of J.J. Claxton's collection of police memorabilia. Sticker on verso reads: “Ulster Museum Copyright not to be reproduced without written permission.”

Photograph depicts a close-up of four sword hilts of the Royal Irish Constabulary. Item believed to be a part of J.J. Claxton's collection of police memorabilia.

Photograph depicts a close-up of Royal Irish Constabulary helmet. Item believed to be a part of J.J. Claxton's collection of police memorabilia.

Photograph depicts a close-up of thirty-seven badges of the Royal Irish Constabulary, Belfast Harbour Police and the Royal Irish Rangers(?). Item believed to be a part of J.J. Claxton's collection of police memorabilia.

Photograph depicts a framed collection of thirty-one University crests from across Canada. Item believed to be a part of J.J. Claxton's collection of police memorabilia.

Photograph depicts a close-up of twenty-eight Royal Irish Constabulary badges, a buckle and a whistle chain. Item believed to be a part of J.J. Claxton's collection of police memorabilia. Sticker on verso reads: “Ulster Museum Copyright not to be reproduced without written permission.”

Photograph depicts James Joseph Claxton seated beside an unidentified man on a floral patterned couch with Claxton’s framed badge collection visible on the wall behind them.

Photograph depicts a close-up of five Royal Irish Constabulary badges.

Photograph depicts a Royal Irish Constabulary belt buckle with metal work that depicts a three-leaf clover surrounded by a wreath and a crown. Handwritten annotation on verso reads: “Constabulary of Ireland W/B clasp 18h0”. Item believed to be a part of J.J. Claxton's collection of police memorabilia.

Photograph depicts a Royal Irish Constabulary brooch featuring metal work of a harp surrounded by text stating "Constabulary of Ireland" and clovers. Handwritten annotation on verso reads: “Shako Date previous to 1869”. Item believed to be a part of J.J. Claxton's collection of police memorabilia.

Photograph depicts a Royal Irish Constabulary helmet badge depicting metal work of a harp surrounded by a clover wreath, a crown, and writing stating "Royal Irish Constabulary". Handwritten annotation on verso reads: “Rank and File Helmet badge worn after 1887 officer same pattern but of white metal R & F bronze”. Stamp on verso reads: “CHAS. B. HILL-TOUT 1650 Hampshire Road, oak Bay Victoria, B. C.” . Item believed to be a part of J.J. Claxton's collection of police memorabilia.

Photograph depicts a Royal Irish Constabulary ornament with metal work that depicts a harp with a crown on top surrounded by a circle of writing that states "Royal Irish Constabulary". Handwritten annotation on verso reads: Handwritten annotation on verso reads: “Silver Celtic ornament worn by all officers after 1884 on the shoulder belt up to disbandment - 1922” Stamp on verso reads: “CHAS. B. HILL-TOUT 1650 Hampshire Road, oak Bay Victoria, B. C.” Item believed to be a part of J.J. Claxton's collection of police memorabilia.

Photograph depicts a collection of sixty-seven military badges in a frame believed to be a part of J.J. Claxton's collection of police memorabilia.

Photograph depicts a collection of eighty-four military badges in a frame believed to be a part of J.J. Claxton's collection of police memorabilia.

Photograph depicts a close-up of Royal Irish Constabulary leather belt and case with attached gold badges and chain. Item believed to be a part of J.J. Claxton's collection of police memorabilia.

Photograph depicts a close-up of Royal Irish Constabulary helmet. Item believed to be a part of J.J. Claxton's collection of police memorabilia.

Photograph depicts a close-up of Royal Irish Constabulary helmet. Item believed to be a part of J.J. Claxton's collection of police memorabilia.

Photograph depicts a close-up of nine Dublin Metropolitan Police badges. Item believed to be a part of J.J. Claxton's collection of police memorabilia.

Photograph depicts a close-up of twenty-eight Royal Ulster Constabulary badges and pins. Item believed to be a part of J.J. Claxton's collection of police memorabilia. Sticker on verso reads: “Ulster Museum Copyright not to be reproduced without written permission.”

Photograph depicts a collection of exhibit badges of the Royal Air Force. Photograph accompanied by 3 pages of textual material describing each badge. Exhibit on loan to [?] by Cap. F. Durand. Item believed to be a part of J.J. Claxton's collection of police memorabilia.

Photograph depicts a close-up of a Royal Irish Rangers bagpipe banner featuring embroidery of a harp with a crown on top. Embroidered banner on pipe banner states "Royal Irish Rangers". Handwritten annotation on verso reads: “Pipe Banners presented to 2nd BN Royal Irish Rangers by Van. Irish Fug Assn. St Patricks Day 1982”. Item believed to be a part of J.J. Claxton's collection of police memorabilia.

Photograph depicts a Royal Irish Rangers bagpipe banner featuring embroidery of a maple leaf with a harp and crown in the centre. Embroidered banner on pipe banner states "Presented by the Irish Fusiliers of Canada the Vancouver Regiment Association 1982". Handwritten annotation on verso reads: “Pipe Banner 2nd B R. 1. Rang Presented by I. F. (VR) Assn 1982”. Item believed to be a part of J.J. Claxton's collection of police memorabilia.

Photograph depicts the a painting of three men in the Royal Highland military uniforms. Typed annotation glued to verso of photograph provides an interpretation of this piece of art: "The 42nd (Royal Highland) Regiment of Foot - 1782. The first battalion of this British regiment arrived in New York in 1756. After serving in numerous campaigns and engagements in North America, the 42nd (Royal Highland) Regiment of Foot garrisoned in Nova Scotia. It is from this famous regiment that the Black Watch (Royal Highland) Regiment of Canada derives its name and much of its colorful dress and traditions."; "Le 42nd (Royal Highland) Regiment of Foot - 1782. Le premier bataillon de ce régiment britannique arriva à New-York en 1756. Après plusieurs campagnes en Amérique du Nord, il fit garnison en Nouvelle-Ecosse. C'est de ce fameux régiment que s'inspirent les uniformes et les traditions du Black Watch (Royal Highland) Regiment of Canada. Cornemuses et tambours y ont toujours joué un rôle important et pittoresque."

Photograph depicts a painting of a battle regiment consisting of six men holding rifles and one man looking on. Typed annotation glued to verso of photograph reads: "Le Régiment de Carignan-Salières - 1665. This famous regiment was dispatched to Canada (then called New France) by King Louis XIV and disembarked from its small sailing vessels on eastern shores in the spring of 1665. Historically it was an important event. Until then, the colonists had been obliged to provide their own defence and the French regiment was the first military protection they enjoyed."; "Le Régiment de Carignan-Salières - 1665. Ce fameux régiment fut envoyé au Canada (appelé alors Nouvelle-France) par Louis XIV. Au printemps de 1665, il débarquait sur les rivages de l'est. Jusque-là, les colons avaient dû se défendre par leurs propres moyens; c'était la première protection militaire qui leur était offerte. L'arrivée des troupes régulières ramenèrent l'espoir aux colons découragés."

Photograph depicts a painting of a naval gun race with men in striped shirts pulling canons and an onlooking officer in uniform. Typed annotation glued to verso of photograph provides an interpretation of this piece of art: "Course de canons de la Marine. Deux équipes, en costumes de la Marine de 1812, réalisent une variante sensationnelle de la course de canons traditionnelle de la Marine. Elles doivent démanteler complètement les canons antiques, les porter en une course d'obstacles difficile et les réassembler pour faire feu. Il faut du courage, du muscle, et des mois d'entraînement."; "Naval gun race. Two teams in naval costumes of 1812 stage a thrilling variation on the traditional naval gun race. They must completely dismantle the antique cannons, carry them over a grueling obstacle course and reassemble the guns for firing. It takes courage, muscle and months of training."

Photograph depicts an unidentified man standing on the porch of a large house in front of a forest.

Two men stand below a large upright hose that is spraying a powerful stream of water against the side of a rocky hillside. Annotation on verso of photograph states: "Placer Mining Hixon (Hungry Thirties) This picture taken on top off Hill Across from Ques. Qarts. Maybe 800 Ft. west of Quarty There pictures taken approx 45 years ago Your friend(?) Box 156 Squamish B.C. Dec. 19/78"

Annotated overview of the Quesnel Quartz Mine Camp, with buildings numbered and a corresponding legend provided. Annotation on recto of photograph states: "1. BRIDGE OVER CREEK 2. BLACKSMITH SHOP 3. POWEROUSE 4. HEADFRAME OVER 200' SHAFT 5. OFFICE 6. WATER TANKS FROM POWERHOUSE 7. BUNKHOUSE 8. TRUCK 9. COOKHOUSE BEHIND #6 CANNOT BE SEEN" Additional annotation associated with photograph states: "We were always able to find the cookhouse even though hidden in this picture. Taken about 1935 by Russell Ross Supt. Quesnel Quartz Mine"

Photograph depicts a dam and wooden spillway along a creek. Annotation on verso reads: "This is the dam and spillway about 9 miles up Hixon Creek belonging to the Hixon Creek Cariboo Gold Co. Original handwritten annotations on verso of photograph are signed by Tom Marsh and covered by mounting the photo on paper. Photograph is taped to paper. Typed annotation on recto of paper reads: “This is the dam and spillway about nine miles up Hixon Creek belonging to the Hixon Creek Cariboo Gold Co., whose main camp on Hixon Creek was at the falls. A fellow Sterling or (Bill) Tordiffe & I took a contract to cut the logs for this dam in January 1934. The first few winters Quesnel Quartz had to shut down for snow."

Photograph depicts an unidentified woman standing with a man in uniform, believed to be an officer aboard the S.S. Tutshi. Stamped annotation on verso: "Yukon Archives, Whitehorse. Print No. 82/378 #1; Please credit: Poirer Collection, Yukon Archives."

Photograph depicts a bride signing the register while a priest and her husband look on at an open air wedding at Surge Narrows. Handwritten annotation on verso states: "An open air wedding - at Surge Narrows" Stamped annotation on verso reads: “National Film Board Photograph (please credit)”

Photograph depicts a large unidentified house along the shoreline with a forested area in the background.

Photograph depicts two unidentified men standing on a log in front of the boat "Columbia", each holding a fish in one hand and a fishing pole in the other.

Photograph depicts an unidentified man, woman, and child sitting on a docked boat. Floating house and workshop visible behind boat while a step forested slope is visible in the background. Photographer’s stamp on verso reads: “W.E. Nicholson.”

Photograph depicts an unidentified woman (Public Health Nurse?) looking back over the water towards some buildings and a lighthouse on a rocky shore (Pine Island?).

Photograph depicts men and women standing on the floating platform of Mrs. Lanes’ floating home with two boats docked in the foreground. Handwritten annotation on verso reads: “This taken after service at Mrs. Lanes”. Photographer’s stamp on verso states: “W.E. Nicholson”

Photograph depicts the boat "John Antle" motoring on the water near a rocky, tree covered cliff. Handwritten annotation on verso states: "M.S. John Antle on her rounds entering Smuggler Cove". Stamped annotation on verso reads: “The National Film Board”

Photograph depicts an unidentified man holding the lever of a piece of wharf machinery on a dock.

Photograph depicts families at Dedrickson’s Camp at Drury Inlet standing on a wharf on baptism day.

Photograph depicts a group of people standing on the boat "Columbia" with a forested environment visible in the background. Handwritten annotations on verso read: “Christening at Dedricksons Camp. Drury Inlet”; “Three babies baptized this time”