Photograph depicts Iona Campagnolo and Sharon Hitchcock in front of the Haida Council Office in the Queen Charlotte Islands (Haida Gwaii).
Photograph depicts Prime Minister Pierre Trudeau and MP Iona Campagnolo at the opening ceremony for Skidegate Museum in the Queen Charlotte Islands (Haida Gwaii).
Photograph depicts Prime Minister Pierre Trudeau and MP Iona Campagnolo at the opening ceremony for Skidegate Museum in the Queen Charlotte Islands (Haida Gwaii).
Photograph depicts Iona Campagnolo looking at a fallen Haida totem pole with Peter Jones in Ninstints on Anthony Island. Peter Jones is facing away from the camera.
Two carved wooden figures stand side by side to mark the burial of a Haida medicine man. Each figure has one arm up with a hand under or over the chin, while the other arm is down. Carved chiefly headdresses adorn each of their heads.
Handwritten annotation in pen on verso reads: “Illustration for insertion at end of Chapt XIX no. 2. Medicine man’s tomb Queen Charlotte Islands.” Photograph has pen markings made on its recto tracing the outline of these two shapes.
Profile perspective of a model totem pole standing upright on the floor against a blank wall. Handwritten annotation in pen on verso reads: “W.E. Collison.” Stamped annotation on verso reads: “Department of Mines and Resources, Photographic Section. Oct. 6, 1939”. Numeric annotation on verso: “35-2”
Frontal perspective of a model totem pole standing upright on the floor against a blank wall. Handwritten annotation in pen on verso reads: “W.E. Collison.” Stamped annotation on verso reads: “Department of Mines and Resources, Photographic Section. Oct. 6, 1939”. Numeric annotation on verso: “35-3”
Three model totem poles carved out of argillite and of various heights standing as a trio against a white backdrop. Handwritten annotation in pen on verso reads: “W.E. Collison.” Stamped annotation on verso reads: “Department of Mines and Resources, Photographic Section. Oct. 6, 1939”. Numeric annotation on verso: “43-5”
Carved wooden flute. Stamped annotation on verso reads: “Department of Mines and Resources, Photographic Section. Oct. 6, 1939”. Numeric annotation on verso: “33-6”
Double-ended, double-edged metal dagger with leather (?) strips covering the grip. Both blades are triangular-shaped with a double ridge running across the middle in line with the handle in between. One blade is longer than the other. Intricately beaded pouch appears to be made of felt and was constructed to sheath both heads of the dagger. Stamped annotation on verso reads: “Department of Mines and Resources, Photographic Section. Oct. 6, 1939”. Numeric annotation on verso: “50-5”
Wooden club carved in the image of a fish. Handle has a hole through which is strung some sort of twine. Metal knife with tapered blades at either end with a leather strip wound around its flat center grip; one blade longer than the other. Stamped annotation on verso reads: “Department of Mines and Resources, Photographic Section. Oct. 6, 1939”. Numeric annotation on verso: “50-4”
Wooden raven rattle composed of two complementary parts in the form of raven. Reclining figure on raven's back connected to a frog by protruding tongue. Carved wooden face, perhaps a frontlet for a headdress. Handwritten annotation in pen on verso reads: “W.E. Collison.” Stamped annotation on verso reads: “Department of Mines and Resources, Photographic Section. Oct. 6, 1939”. Numeric annotation on verso: “47-5”
An unidentified carved wooden tool or utensil with twine attached, leans against a sheet covered wall behind a carved wooden platter. Stamped annotation on verso reads: “Department of Mines and Resources, Photographic Section. Oct. 6, 1939”. Numeric annotation on verso: “50-3”
Intricately carved argillite dish inlaid with abalone shell. Imagery suggests a killer whale and man motif. Handwritten annotation in pen on verso reads: “W.E. Collison.” Stamped annotation on verso reads: “Department of Mines and Resources, Photographic Section. Oct. 6, 1939”. Numeric annotation on verso: “51-2”
Pedestal bowl carved out of argillite into the shape of a bird next to a table top bowl featuring a seated human figure looking into its centre. Handwritten annotation in pen on verso reads: “W.E. Collison.” Stamped annotation on verso reads: “Department of Mines and Resources, Photographic Section. Oct. 6, 1939”. Numeric annotation on verso: “49-4”
Intricately carved argillite dish featuring inlaid triangular pieces of stone or shell material around its perimeter and a series of seven faces within its centre. Handwritten annotation in pen on verso reads: “W.E. Collison.” Stamped annotation on verso reads: “Department of Mines and Resources, Photographic Section. Oct. 6, 1939”. Numeric annotation on verso: “49-1”
Carved wooden mask, perhaps a portrait mask. Stamped annotation on verso reads: “Department of Mines and Resources, Photographic Section. Oct. 6, 1939”. Numeric annotation on verso: “32-6”
Carved wooden portrait mask. Stamped annotation on verso reads: “Department of Mines and Resources, Photographic Section. Oct. 6, 1939”. Numeric annotation on verso: “45-3”
Carved wooden mask featuring inlaid teeth and a halo surrounding the face. Stamped annotation on verso reads: “Department of Mines and Resources, Photographic Section. Oct. 6, 1939”. Numeric annotation on verso: “44-5”
Small booklet containing handwritten notes of what appears to be a speech prepared by W.H. Collison on the topic of traditions and events he had been witness to along the northwest coast of British Columbia.
Notebook contains two stories: "The Finding of the Crystals" and "Tit for Tat or The Porcupine and the Beaver". These stories are also found in the Collison manuscript.
Notebook contains Collison's recollections of local history as he heard it, and of the events he encountered during some of his time in ministry.
Handwritten annotation on verso of photograph reads: "Tombs. ? Massett".
Caption under printed version of photo in W.H. Collison's book 'In the Wake of the War Canoe': "At Masset, Queen Charlotte Islands, B.C. The side-posts are solid and sunk in the ground. The horizontal piece is hollow, and contains the corpse. These tombs are now falling through decay." (see page 216).
Large bear carving sits on top of wide pole, erected in memory of a chief of the Bear crest. Lines of houses stand in background.
Printed below image: "Totem Pole. Old Massett. Q.C.I / J.D. Allen photo Co."; handwritten below: "Mortuary Pole Bear [Crest?]"; on verso: "For Chapt. XIX. The old style and the new. Mortuary Pole & modern houses. No. 3. W.H.C. Oct. [6/ ?] 13".
Photograph depicts village buildings along shore.
Handwritten annotation on verso reads: "Massett in Winter dress."
Photographs depict large building in fenced area, trees in yard and in background.
Handwritten annotations on verso read: "Mission House at Massett QCIs"; "Mission House at Massett - Mother & Dad lived there."
Group of eight men wearing suits and ties pose with Reverend Collison (oldest son of Marion & Archdeacon W.H. Collison).
Handwritten annotation on verso reads: “Rev. W. E. Collison & his Lay Readers at Massett, Q.C.Is.”
Photograph depicts an unidentified individual leaning against a large overturned dugout canoe; barrel, bucket, and wood planks in foreground. Houses and other buildings can be seen on shore above beach, and two unidentified individuals stand in distance on far right.
Handwritten annotations on verso read: “Haida canoe on beach at Masset / ? 1898”; “No. 4 Page 5. Haida Canoe ready for steaming to [widen?] out and finish.”
An original negative of this photograph is held by the Canadian Museum of Civilization, no. 26664.
Two carved wooden figures stand side by side to mark the burial of a Haida medicine man. Each figure has one arm up with a hand under or over the chin, while the other arm is down. Carved chiefly headdresses adorn each of their heads.
Handwritten annotation in pen on verso reads: “Q.C. Is.”
Two carved wooden figures stand side by side to mark the burial of a Haida medicine man. Each figure has one arm up with a hand under or over the chin, while the other arm is down. Carved chiefly headdresses adorn each of their heads.
Handwritten annotation in pen on verso reads: “Shaman’s grave”.
A bentwood box sitting on a pedestal in front of a bookcase in the office of W.E. Collison. Handwritten annotation in pencil on verso reads: “Carved ‘hope chest’ sent to New York. The box was carved by -- Luke Watson Skidegate. The photo was taken in the office – not bad for a --”
Three model totem poles carved out of argillite and of various heights standing as a trio against a white backdrop. Handwritten annotation in pen on verso reads: “W.E. Collison.” Stamped annotation on verso reads: “Department of Mines and Resources, Photographic Section. Oct. 6, 1939”. Numeric annotation on verso: “43-3”
Unidentified carved and painted wooden object. Stamped annotation on verso reads: “Department of Mines and Resources, Photographic Section. Oct. 6, 1939”. Numeric annotation on verso: “46-5”
Unidentified tool leaning against a sheeted backdrop. Carved wooden bark shredder, used to soften and break up fibres of cedar bark lying on sheet covered table. Stamped annotation on verso reads: “Department of Mines and Resources, Photographic Section. Oct. 6, 1939”. Numeric annotation on verso: “48-3”
Stone figure carved in the likeness of a fish. Stamped annotation on verso reads: “Department of Mines and Resources, Photographic Section. Oct. 6, 1939”. Numeric annotation on verso: “48-5”
Wooden fish, complete with carved fins and moveable (?) tail. Stamped annotation on verso reads: “Department of Mines and Resources, Photographic Section. Oct. 6, 1939”. Numeric annotation on verso: “48-1”
Two carved wooden bentwood boxes. Box on the left containing three carved wooden spoons, box on the right containing one carved wooden spoon; between the two lies one large spoon resting against a box. Handwritten annotation in pen on verso reads: “W.E. Collison.” Stamped annotation on verso reads: “Department of Mines and Resources, Photographic Section. Oct. 6, 1939”. Numeric annotation on verso: “49-6”
Carved wooden mask depicting a bird/human face painted with a stylized design of feathers and animal's ear to one side of the forehead. Stamped annotation on verso reads: “Department of Mines and Resources, Photographic Section. Oct. 6, 1939”. Numeric annotation on verso: “44-2”
Carved and painted wooden mask in the shape of a mythic creature with flaring nostrils and oblong eyes. Stamped annotation on verso reads: “Department of Mines and Resources, Photographic Section. Oct. 6, 1939”. Numeric annotation on verso: “44-6”
Carved wooden mask in the shape of a mythic creature with distinct eyebrows, a wide and flattened nose and a thin lipped mouth. Stamped annotation on verso reads: “Department of Mines and Resources, Photographic Section. Oct. 6, 1939”. Numeric annotation on verso: “44-3”
Ermine-tail headdress with wooden frontlets carved with mythic animal and inlaid with abalone. Sea lion whiskers extending upwards from top of frontlet. Handwritten annotation in pen on verso reads: “W.E. Collison.” Stamped annotation on verso reads: “Department of Mines and Resources, Photographic Section. Oct. 6, 1939”. Numeric annotation on verso: “45-6”
This file contains handwritten and typed notes and drafts of First Nations legends, addresses and manuscripts. It is believed this material was authored by W.H. and W.E. Collison although none is signed or dated.
File includes "In the Wake of the War Canoe" Chapter XX revisions and a note from donor Jean Whiffin on behalf of Joyce Collison regarding the revisions.
Handwritten annotation on verso of photograph reads: "W.E. Collison Masset. Interior of Chief [Weah's?] house".
Caption under printed version of photo in W.H. Collison's book 'In the Wake of the War Canoe': "The house is about 40 feet square, forming one large room. The upper cubicles are on a level with the ground, which in front of them is excavated so that the fireplace in the centre is twelve feet below the surface. A ledge, for the use of slaves and dependents, is left half-way down."
Handwritten annotation on verso of photograph reads: "No. 54. Old tombs & totems. / to Haida graves Massett".
Two tombs stand in foreground, each consisting of a horizontal box held by two hollow posts sunk in the ground.
Three unidentified men stand by poles in foreground, wood houses and crest poles visible in background.
Printed below image: "Totem Poles, Massett, Q.C. Island, B.C. "; "T.N. Hibbon & Co., Victoria, B.C. [crossed through with ink]"; handwritten below: "The old style giving way to the new."
Photograph depicts large church in fenced area, mission house visible behind trees in background.
Printed on image: "The Church. Old Massett. Q.C.I. / J.D. Allen. Photo. C."
Young boy stands among bushes in snow, totel pole in background.
Handwritten annotation on verso reads: “WE Collison Totem on QCIsl."
Totem poles (crest poles?) stand in front of forest trees, fallen logs on beach in foreground.
Handwritten annotation on verso reads: "Indian Totems along beach on Q.C. Islands"
Totem poles (crest poles?) stand in front of remains of wood structures, forest visible in background.
Handwritten annotation on verso reads: "A deserted Village, Q.C. Islands [...]" (various notes crossed through on verso).