Champagne bottles sit on table in right foreground. Carved masks and eagle doll can be seen in background.
Handwritten annotation accompanying photograph reads: “Nisgaa Pole raising, Tait, Aiyansh”.
Handwritten annotation accompanying photograph reads: “Nisgaa Pole raising, Tait, Aiyansh”.
Buildings and forest in background.
Framed button blanket, framed photographs of Northern B.C., a potted plant, and a red couch visible in background.
Handwritten notation attached to photo backing reads: “Spt. Minister Office”.
Photograph taken at potlatch held in honour of the late Mary George, Louise Ellen George, Dale Francis George, Paul Dwayne George and Gregory James LaFitte.
Handwritten annotation on verso reads: “Gloria George + Brother Leonard George at Telkwa”.
Campagnolo stands beside unidentified man next to podium. Group sits in rows in background under banner reading "TAI CHI CHUAN ASS'N 14TH ANNIVERSARY".
Photograph depicts May Diver dressed as Mary Stuart in white and gold costume dancing with a man wearing black and red costume.
Preceding notation on UNBC Chancellor letterhead: “my theatre days, Ionasphere group. I made personally or designed (for Blue - Rosemary Gilbert) all these costumes, May Diver - Mary Stuart by Friedrich Von Schiller, 1972” (see also items 2009.6.1.12 - 2009.6.1.17).
Packed gymnasium applauding after the April 1972 production (see items 2009.6.1.11 - 2009.6.1.17).
Photograph depicts man in Russian costume holding hand of unidentified woman in peasant costume.
Handwritten annotation on verso reads: “Fiddler on the Roof, Feb. 1974.”
Photograph depicts a quilted tapestry entitled "Rainbow" for Project Mobilization under project manager N. McCreary.This tapestry was on display at the Queen Charlotte City community hall.
Photograph depicts Iona Campagnolo and three young women holding up a quilt entitled "Nature's Panorama" from the Queen Charlotte City recycling project grant funded by Project Mobilization Canada Works.
Photograph depicts a young woman holding up a quilt tapestry entitled "Community Panorama" from the Queen Charlotte City recycling project grant funded by Project Mobilization Canada Works.
Photograph depicts a sculpted bull's head by Cuban artist Rita Longa. Photograph was used to request aid from Canada Council to finish the sculpture; the request was denied.
Photograph depicts a man building the wooden frame of the Queen Charlotte Islands museum at Skidegate.
Photograph depicts Kispiox community members helping to raise a totem pole at the official opening of the new Kispiox Cultural Building. Photograph was taken on Campagnolo's Skeena riding tour.
Photograph depicts Kispiox community members watching a totem pole being raised at the official opening of the new Kispiox Cultural Building. Photograph was taken on Campagnolo's Skeena riding tour.
Handwritten annotation on verso reads: “Chief Skidegate (Dempsey Collinson), Feast 1978, Q.C.I.”
Two unidentified men and an unidentified woman look on. Bottles of champagne and baking can be seen in foreground, and carved masks hang on wall in background.
Carved masks and bench can be seen against wall in background.
Handwritten annotation accompanying photograph reads: “Nisgaa Pole raising, Tait, Aiyansh”.
Power poles and buildings visible in background.
Neighbourhood, forest, and hills in background.
Handwritten annotation on verso reads: “wearing Rod Robinson’s leather coat at the raising of Eli Gosnell’s great pole at Aiyansh, Nov./78”
Photograph taken in a hall with large glass windows at the University of British Columbia. Six indoor totem poles visible in background.
Handwritten notation included with photograph reads: “June 1982, First National Networking Conference, Compliments of Katherine Roth, Windsor, Ontario”.
Handwritten annotations on verso read: “In the great hall of the B.C. Museum of Anthropology, in front of Ninstints Totem wearing cape of Sahn-nag-x-wha (One who sits high) gift of Chief Skidegate ‘Dempsey’ Collinson - Q.C.I. made by his wife Irene for ‘naming feast’ Autumn - 1977. June 5, 1982, Address to the First National Womans Network. Age - almost 50.” And “Alive Again 82”.
Group features Charles Jago, Mike Hammar, Jacob McKay, Bert McKay, Deborah Poff, Alex Michalos, Dennis Macknak, Margaret Anderson, David Fish, Dean Doug Nord, and Fred Beil. Photograph was taken during the chancellor's tour of Nass Valley, ca. 1992.
Group features Charles Jago, Mike Hammar, Jacob McKay, Bert McKay, Deborah Poff, Alex Michalos, Dennis Macknak, Margaret Anderson, David Fish, Dean Doug Nord, Fred Beil, and Chancellor Iona Campagnolo. Photograph was taken during the chancellor's tour of Nass Valley, ca. 1992.
Stamped annotation on verso reads: "MAY 1994".
Four unidentified women and one unidentified man pose in costume in front of theatre sets. Play produced and directed by Iona Campagnolo.
Four unidentified women and one unidentified man pose in costume in front of theatre sets. Play produced and directed by Iona Campagnolo.
Iona Campagnolo stands beside unidentified woman in front of male chorus still in costume.
Handwritten annotation on verso reads: “My last production, Fiddler on the roof, Male Chorus —Feb/74 —Pr. R.”
Iona Campagnolo stands beside unidentified woman in front of male chorus still in costume.
Handwritten annotation on verso reads: “Fiddler on the Roof, Director Producer! —1974.”
Photograph depicts a quilted tapestry of Queen Charlotte City entitled "Community Panorama" for Project Mobilization under project manager N. McCreary.This tapestry was on display at the Queen Charlotte City community hall.
Photograph depicts a First Nations art mural on an interior wall at Hartley Bay school, designed by North Vancouver architect Ib G. Hansen.
Photograph depicts Iona Campagnolo with John C. Lundquist and others in front of the Stewart Historical Museum. This photograph was taken with the intention of including it in Campagnolo's householder newsletter which was regularly sent to her constituents.
Photograph depicts the construction of the Queen Charlotte Islands museum at Skidegate by a residence.
Photograph depicts an architectural model of the Royal Ontario Museum. Photograph was located in a publication entitled "Renovation and Expansion of the Royal Ontario Museum."
Photograph depicts Iona Campagnolo crouching near a carved wooden totem pole in order to help other members of the Kispiox community with its transportation at a pole raising ceremony. Photograph was taken on Campagnolo's Skeena riding tour.
Photograph depicts elders, chiefs, and councillors outside the new Kispiox Cultural Building while a totem pole was raised at the official opening of the facility. Photograph was taken on Campagnolo's Skeena riding tour.
Photograph depicts a young women holding up a quilt entitled "Community Panorama" from the Queen Charlotte City recycling project grant funded by Project Mobilization Canada Works.
Photograph depicts a close-up view of a quilt tapestry entitled "Community Panorama" from the Queen Charlotte City recycling project grant funded by Project Mobilization Canada Works.
Photograph depicts Iona Campagnolo and a young woman examining and folding a quilt tapestry from the Queen Charlotte City recycling project grant funded by Project Mobilization Canada Works.
Costumed gentleman standing next to lady wearing a formal purple gown. Handwritten annotations on verso read: “To Angie, Love Donna Penner,” and “another of costumes I made”.
Preceding notation on UNBC Chancellor letterhead: “my theatre days, Ionasphere group. I made personally or designed (for Blue - Rosemary Gilbert) all these costumes, May Diver - Mary Stuart by Friedrich Von Schiller, 1972” (see also items 2009.6.1.11 - 2009.6.1.17).
Four unidentified women and one unidentified man pose in costume in front of theatre sets. Play produced and directed by Iona Campagnolo.
Crowd gathered around front steps of large building, Muriel Brown in costume in foreground.
Handwritten annotation on verso reads: “Folkfest - July 1/74, Muriel Brown, English Flower Firl, What a happy time for all of us! M.”
Forest in background.
Handwritten notation included with photograph reads: “The ‘Beloved North,’ Skeena Riding (always)”.
Unidentified building stands in midground, water and hill on opposite shore visible in background.
An unidentified woman and man look on. Bottles of champagne and baking can be seen in foreground, and carved masks hang on wall in background.
Handwritten annotation accompanying photograph reads: “Nisgaa Pole raising, Tait, Aiyansh”.