Series consists of images pertaining the Collison family, North Coastal First Nations communities, means of transportation along North Coastal British Columbia, and various church structures and religious events.
Series consists of records reflecting the activities of the Dezell and Rustad families. Series include mayoral records from Bea and Garvin Dezell when Garvin served as Mayor of Prince George. Series includes materials celebrating Bea Dezell's life created by her family. Series also includes fundraising efforts for the Northern Medical Programs Trust. Finally, series includes a collection of "spruce" dollars and commemorative coins.
Photograph depicts a First Nations family consisting of a woman and four children standing underneath or next to a lean-to style tent. Meat is drying above the campfire and a horse's head is visible in the foreground.
Photograph depicts a family consists of a woman and four children standing underneath or next to a lean-to style tent. Meat is drying above the campfire and the head of a horse is visible in the foreground.
Photograph depicts a large group of people sitting on a rock on the shoreline with trees in the background.
Photograph depicts four men sitting on the front steps of a porch.
Photograph depicts a First Nations family with five young children, three women, and a man seated on the ground in front of a tent with wooden houses and trees in the background.
Photograph depicts a First Nations family with a mother, father, and young girl posed for the camera in front of the house.
Photograph depicts a First Nations family with a father, mother, two young girls, and a dog seated on a porch in front of a house.
Photograph depicts a First Nations women seated with a young child and infant in front of a fence with a house in the background.
Photograph depicts a First Nations family with a mother, father, and two sons posed for the camera in a grassy area.
Photograph depicts a First Nations family with two older girls both holding young children, two young boys and one older boy all posed for the camera on a porch.
Photograph depicts four women cleaning a rug on a wooden walkway with three houses in the background behind the walkway.
Photograph depicts a man and woman resting on the hood of a car with a rocky, tree covered cliffside in the background.
Photograph depicts a young First Nations man with his little sister posed for the camera on a porch. Annotation on verso of photograph states: "Canada B.C. Indian missions A Present day Edwardian Indian boy and his little sister"
Photograph depicts dog on chain in yard. Lumber pile, fence, and buildings in background. Typed caption on note accompanying photo: "Lassie of Atlin - the Glasseys pride and joy."
File consists of family photographs of Bertha Schenk (Wood) and her husband, James Wood.
Photograph depicts a grave, covered in flowers and surrounded by snow. The grave is marked with what appears to be cement grave markers bordering the burial. The location of the grave is unknown.
Image depicts an old house in Penny and a woman, possibly Sue Sedgwick, standing in front of it. The location is uncertain.
Image depicts three unidentified children standing in the doorway of a house, with two goats ascending the porch steps. The location is uncertain, likely Sinclair Mills, B.C.
This fonds illustrates the life of Bertha Wood (nee Schenk) before, during, and after the Second World War. Most of Bertha Wood's records were created in Ontario, where she lived most of her life. Later in life, Bertha Wood moved to Sechelt, B.C. and this is reflected in her personal records.
The fonds is divided into two series: the Personal Life series and the War Experience series. The Personal Life series includes the records of Bertha Wood that do not pertain directly to her military career. These files relate to her education, family, real estate, and daily activities, which include day books and family photographs. The War Experience Series explores Bertha’s time during World War II, with materials such as her enlistment papers, wartime photographs, newspaper clippings related to the war, and uniform objects.
Wood, BerthaThis fonds illustrates Bridget Moran’s careers as a writer, a social worker and a social activist primarily within the Prince George region of British Columbia. This fonds also contains records pertaining to her personal relationships with family and friends and her receipt of various honours and awards.
Types of records reflective of her career as a writer include: published articles and unpublished manuscripts, drafts and front cover mock-ups, correspondence with editors from Arsenal Pulp Press, grant applications, notebooks, background material, writer’s workshop invitations and overviews, photographs, oral history interviews and transcripts, and VHS recordings of classroom talks given by Bridget Moran, Mary John and Justa Monk re: her publications.
Types of records reflective of her career as a social worker and social activist include: annual reports, work journals, correspondence and published newspaper articles re: social policy, photographs, and general background material. Correspondence, photographs and newspaper clippings highlight her personal relationships, while her receipt of honours and awards is demonstrated through copies of letters of recommendation, newspaper clippings, photographs, VHS recordings of award ceremonies, event itineraries, congratulatory correspondence, and invitations.
The Bridget Moran fonds has been divided into the following four series:
- Published and Unpublished Materials
- Career Related Materials
- Personal Papers and Correspondence
- Honours and Awards.
Series consists of newspaper clippings, correspondence, photographs, pamphlets, newsletters, advertisements, contracts, notebooks, audiocassettes of oral interviews and readings, transcripts, book launch announcements, front cover mock-ups, edited drafts, manuscripts, fact sheets, poems, catalogues, bookmarks, skits, conference events programme, poster, grant applications and related correspondence, a wooden placard, handwritten notes, book reviews, inquest reports, background material, VHS recordings of classroom talks given by Bridget Moran, Mary John and Justa Monk re: her publications, and ephemera. This series contains material from all five of her publications:
- (1988) Stoney Creek Woman: The Story of Mary John. Vancouver: Arsenal Pulp Press.
- (1990) Judgment at Stoney Creek. Vancouver: Arsenal Pulp Press
- (1992) A Little Rebellion. Vancouver: Arsenal Pulp Press.
- (1994) Justa: A First Nations Leader. Vancouver: Arsenal Pulp Press.
- (1996) Prince George Remembered. Prince George, British Columbia: Moran Publishing.
This series also consists of, but is not limited to, a number of unpublished manuscripts and drafts and/or writing contest submissions also written by Bridget Moran, such as:- "Mary and Me" (ca. 1998)
- "Where Winds Come Sweet" (ca. 1981)
- "The Horizontal Land" (ca. 1992)
- "The Summer of '81"
- "The Relief Cheque" (ca. 1998)
- "The Case of the Box of Matches" (ca. 1987)
- "Unholy Deadlock" (ca. 1990)
- "The Numbers Game"
- "Reflections on Theme" (ca. 1967)
- "Come Hell or High Water" (ca. 1976)
- "Man Alive"
- "The Deadbeat Mystique"
- "Hell on Wheels"
- "Backstairs at the Palace"
- "James MacCallum" (ca. 1984)
- "Hushaby, Baby" (ca. 1981)
- "The Decline and Fall of Mr. Sullivan"
- "Case History of a Gadfly"
- "Welfare and the Good Life"
- "Childhood Memories" (ca. 1976)
- "The Three Musketeers" (ca. 1974-75)
- "A Child's Christmas in Saskatchewan" (ca. 1979)
- "Diary of Success Homecoming"
- "My Old Flame" (ca. 1992)
- "O Ye Dry Bones" (ca. 1996)
- "Supper, Little Children" (ca. 1983).
Series consists of annual reports, correspondence, newspaper clippings, records of employment, a Retirement Party guest book, business cards, invitations, speeches, appointment announcements, pamphlets, Bridget Moran's "Oath of Allegiance; Office and Revenue to the Government of British Columbia", social work reports, contracts, copies of Employee Earnings Statements, background material on the case Hale vs. Her Majesty the Queen, and social work notebooks all pertaining to Bridget's career as a social worker with the Province of British Columbia and the Prince George School District, and as a member of the College of New Caledonia (CNC) Board, the Legal Services Society of B.C. and People on Welfare.
Two women stand in walkway cleared of snow in front of tall brick home with a detailed porch, believed to be in Victoria, B.C. The women wear long winter coats, fur hand-warmers, and large hats. It is believed that one or both of these women is a cousin to Violet Baxter's family, through the Taylor line.
Handwritten annotation on verso of photograph reads: "W.E. Collison Masset. Interior of Chief [Weah's?] house".
Caption under printed version of photo in W.H. Collison's book 'In the Wake of the War Canoe': "The house is about 40 feet square, forming one large room. The upper cubicles are on a level with the ground, which in front of them is excavated so that the fireplace in the centre is twelve feet below the surface. A ledge, for the use of slaves and dependents, is left half-way down."
Item is a photograph of Mr. and Mrs. Williston cutting an anniversary cake in front of some of their grandchildren in the West Burnaby United Church Hall in April 1979.
Item is a photograph of Ray Williston in Fredericton, NB.
Item is a photograph of Ray and Gladys Williston in front of their home in Princeton.
Item is a photograph of Mr. Williston after receiving his honourary degree. Mrs. Williston is pictured with him.
Item is a photograph of Ray and Gladys Williston sitting on the steps of their home in Princeton on March 30, 1940.
Three men stand in centre, each wearing a chief's dress and head-dress. Family members stand and sit on either side. Carved boxes and masks are positioned in foreground. The group poses in front of drapery hung against tall wooden wall.
Community members have stated that the people in this photo are from the Gitwilluyaxw clan from the wolf tribal house of Ksdiyaawak. The photo was taken at Gitlax̱t’aamiks along the Nass River.
Handwritten annotation on verso reads: "Tsimpshian Chiefs & family. Goods [for or fr.] Potlatch".
Handwritten annotation on verso reads: "A very old Tsimpsion women - said to be over 110 yrs old."
Canoe with mast floats close to shore in foreground, mountains visible across river in background.
Handwritten annotation on verso reads: "Arch. W.H. Collison & wife with native friends en route up Skeena River."
Group of men, women, and children pose in front of large building. Rev. William Edwin Collison stands on far left (son of Archdeacon W.H. Collison).
Handwritten annotation on verso reads: "Early Church Workers at Metlakatla BC / Bishop & Mrs Ridley in centre / (Approx 1898 - 1899)".
Group of men, women, and children pose in front of large building.
Handwritten annotation on verso reads: "Metlakatla BC / with Bishop Ridley - 4th from left - back row / Mrs Ridley - 4th from left - front row / [?] - [super?] of Ridley Home (beside the Bishop) / Father Hogan - behind the Bishop".
Group of men and women pose by large building. W.H. Collison sits second from left in front, W.E. Collison stands third from right in back.
Handwritten annotation on verso reads: "Anglican Church Synod / Prince Rupert".
Group of men and women pose by large building. W.H. Collison sits second from left in second row, W.E. Collison stands third from right in back.
Handwritten annotation on verso reads: "Early synod of the Anglican Church at Prince Rupert B.C."
Group stands and sits on front steps of rectory. Left to right: Rev. William Edwin Collison, Mabel and John Maxwell Collison, Alice Collison. (William, Max, and Alice are sons and daughter of Archdeacon W.H. Collison).
Handwritten annotation on verso reads: "Dad & Auntie Al with Aunt May & Uncle Max at the rectory St. Luke's church [...?]".
Bertha Collison stands on lawn in front of house (wife of Rev. W.E. Collison).
Handwritten annotation on verso reads: "Mother / Prince Rupert".
Bertha Collison stands on front steps, to left of second woman standing below.
Handwritten annotation on verso reads: "Mother & Aunt Rose Davies at our house in Prince Rupert".
Rev. William Edwin Collison stands to left of wife Bertha who sits on front steps of large shingled home, flower pots in background (oldest son of of Archdeacon W.H. Collison).
Handwritten annotation on verso reads: "Dad & Mother Prince Rupert".
Photograph depicts Bertha Collison standing with daughters Katherine and Muriel on front steps of large house. Boardwalk in foreground.
Handwritten annotation on verso reads: "Our house at Prince Rupert 1912 (Just completed).
Photograph depicts Bertha Collison standing with daughter on front steps of large house.
Handwritten annotation on verso reads: "Our house at Prince Rupert (Just completed) 1912".
Rev. William Edwin Collison stands in centre of boat, with wife Bertha and daughters Muriel and Katherine seated behind. Unknown man and woman are also seated in boat, and an unknown man stands on shore holding rope.
Handwritten annotation on verso reads: "Will Collison with wife & children leaving Metlakatla to catch steamship en route to England (1910)".
Joyce stands knee-deep in water, holding a long wrapped object, with a bundle resting on her shoulder (daughter of Archdeacon W.H. Collison's eldest son William Edwin). Trees and bushes visible on opposite shore in background.
Handwritten annotation on verso reads: "Joyce circa 1937 at Kincolith".
Rev. William Edwin Collison stands waist deep in water, with axe resting on shoulder (oldest son of Archdeacon W.H. Collison). Trees and hill on opposite shore visible in background.
Handwritten annotation on verso reads: "Dad at Kincolith".
Photograph depicts Archdeacon William Henry Collison to left of wife Marion, who stands bent over garden on right. Church steeple visible behind wood fence in background. Hills can be seen in distance.
Handwritten annotation on verso reads: "Grandad & Grannie in garden at Kincolith".
Photograph depicts Marion and William Henry Collison standing on left with shovel, Bertha Collison on right, and young Muriel and Katherine Collison in centre with shovel (eldest daughters of W.E. Collison). Wood buildings cross midground, trees and hills visible in background.
Handwritten annotation on verso reads: "Garden at Kincolith / Grandad, Grannie / Mimi, Katie / Mother".