Unidentified tool leaning against a sheeted backdrop. Carved wooden bark shredder, used to soften and break up fibres of cedar bark lying on sheet covered table. Stamped annotation on verso reads: “Department of Mines and Resources, Photographic Section. Oct. 6, 1939”. Numeric annotation on verso: “48-3”
Wooden club carved in the image of a fish. Handle has a hole through which is strung some sort of twine. Metal knife with tapered blades at either end with a leather strip wound around its flat center grip; one blade longer than the other. Stamped annotation on verso reads: “Department of Mines and Resources, Photographic Section. Oct. 6, 1939”. Numeric annotation on verso: “50-4”
Pump drill consisting of a length of wood with a heavy wooden whorl fixed toward the bottom end and a crossbar-like pump arm attached to the upper end; pump arm is free to move up and down the main length of wood through a hole in the arm's center. The notched ends of the pump arm are attached to the top of the pump by twisted gut cord. The central length of wood is rounded and handle-like at the base, tapering towards the top. Handwritten annotation in pen on verso reads: “W.E. Collison.” Stamped annotation on verso reads: “Department of Mines and Resources, Photographic Section. Oct. 6, 1939”. Numeric annotation on verso: “48-6”
Double-ended, double-edged metal dagger with leather (?) strips covering the grip. Both blades are triangular-shaped with a double ridge running across the middle in line with the handle in between. One blade is longer than the other. Intricately beaded pouch appears to be made of felt and was constructed to sheath both heads of the dagger. Stamped annotation on verso reads: “Department of Mines and Resources, Photographic Section. Oct. 6, 1939”. Numeric annotation on verso: “50-5”
Conical woven hat with a flat top and circular brim. Shells sewn to hat.
Handwritten annotation in pen on verso reads: “W.E. Collison.” Stamped annotation on verso reads: “Department of Mines and Resources, Photographic Section. Oct. 6, 1939”. Numeric annotation on verso: “50-2”
Unidentified carved and painted wooden object. Stamped annotation on verso reads: “Department of Mines and Resources, Photographic Section. Oct. 6, 1939”. Numeric annotation on verso: “46-5”
Carved wooden flute. Stamped annotation on verso reads: “Department of Mines and Resources, Photographic Section. Oct. 6, 1939”. Numeric annotation on verso: “33-6”
Close up perspective of the top of the two carved wooden staffs, both inlaid with abalone shell, leaning against a wall side by side, a white sheet serving as a backdrop. Handwritten annotation in pen on verso reads: “W.E. Collison.” Stamped annotation on verso reads: “Department of Mines and Resources, Photographic Section. Oct. 6, 1939”. Numeric annotation on verso: “52-1”
Two carved wooden staffs, both inlaid with abalone shell, leaning against a wall side by side, a white sheet serving as a backdrop. Handwritten annotation in pen on verso reads: “W.E. Collison.” Stamped annotation on verso reads: “Department of Mines and Resources, Photographic Section. Oct. 6, 1939”. Numeric annotation on verso: “50-6”
Three model totem poles carved out of argillite and of various heights standing as a trio against a white backdrop. Handwritten annotation in pen on verso reads: “W.E. Collison.” Stamped annotation on verso reads: “Department of Mines and Resources, Photographic Section. Oct. 6, 1939”. Numeric annotation on verso: “43-5”
Three model totem poles carved out of argillite and of various heights standing as a trio against a white backdrop. Handwritten annotation in pen on verso reads: “W.E. Collison.” Stamped annotation on verso reads: “Department of Mines and Resources, Photographic Section. Oct. 6, 1939”. Numeric annotation on verso: “43-3”
Profile perspective of two model totem poles carved from argillite, set against a white backdrop. Handwritten annotation in pen on verso reads: “W.E. Collison.” Stamped annotation on verso reads: “Department of Mines and Resources, Photographic Section. Oct. 6, 1939”. Numeric annotation on verso: “43-2”
Close-up perspective of the top of the model totem pole which is standing upright on the floor against a blank wall. Handwritten annotation in pen on verso reads: “W.E. Collison.” Stamped annotation on verso reads: “Department of Mines and Resources, Photographic Section. Oct. 6, 1939”. Numeric annotation on verso: “35-4”
Frontal perspective of a model totem pole standing upright on the floor against a blank wall. Handwritten annotation in pen on verso reads: “W.E. Collison.” Stamped annotation on verso reads: “Department of Mines and Resources, Photographic Section. Oct. 6, 1939”. Numeric annotation on verso: “35-3”
Profile perspective of a model totem pole standing upright on the floor against a blank wall. Handwritten annotation in pen on verso reads: “W.E. Collison.” Stamped annotation on verso reads: “Department of Mines and Resources, Photographic Section. Oct. 6, 1939”. Numeric annotation on verso: “35-2”
Profile perspective of a model totem pole standing upright on a sheet covered table against the backdrop of an additional sheet. Stamped annotation on verso reads: “Department of Mines and Resources, Photographic Section. Oct. 6, 1939”. Numeric annotation on verso: “47-3”
Frontal perspective of a model totem pole standing upright on a sheet covered table against the backdrop of an additional sheet. Stamped annotation on verso reads: “Department of Mines and Resources, Photographic Section. Oct. 6, 1939”. Numeric annotation on verso: “47-2”
Model totem pole standing upright on a chair against the backdrop of a sheet. Handwritten annotation in pen on verso reads: “W.E. Collison.” Stamped annotation on verso reads: “Department of Mines and Resources, Photographic Section. Oct. 6, 1939”. Numeric annotation on verso: “46-4”
Model totem pole standing upright in front of a blanket backdrop. Handwritten annotation in pen on verso reads: “Dad’s totem pole (W.E. Collison)”
A bentwood box sitting on a pedestal in front of a bookcase in the office of W.E. Collison. Handwritten annotation in pencil on verso reads: “Carved ‘hope chest’ sent to New York. The box was carved by -- Luke Watson Skidegate. The photo was taken in the office – not bad for a --”
Two model totem poles flank a bentwood box sitting on a pedestal in front of a bookcase in the office of W.E. Collison. Handwritten annotation in pen on verso reads: “Totem & carved chest in Dad’s office.”
Photograph depicts close-up of unidentified skeletal remains situated on the ground. Handwritten annotation in pen on verso reads: “skeleton fallen from burial box at Masset QCIs. Remains were buried near original site”.
Two carved wooden figures stand side by side to mark the burial of a Haida medicine man. Each figure has one arm up with a hand under or over the chin, while the other arm is down. Carved chiefly headdresses adorn each of their heads.
Handwritten annotation in pen on verso reads: “Illustration for insertion at end of Chapt XIX no. 2. Medicine man’s tomb Queen Charlotte Islands.” Photograph has pen markings made on its recto tracing the outline of these two shapes.
Two carved wooden figures stand side by side to mark the burial of a Haida medicine man. Each figure has one arm up with a hand under or over the chin, while the other arm is down. Carved chiefly headdresses adorn each of their heads.
Handwritten annotation in pen on verso reads: “Shaman’s grave”.
Two carved wooden figures stand side by side to mark the burial of a Haida medicine man. Each figure has one arm up with a hand under or over the chin, while the other arm is down. Carved chiefly headdresses adorn each of their heads.
Handwritten annotation in pen on verso reads: “Shaman’s grave nr. --Masset QCIs.”
Two carved wooden figures stand side by side to mark the burial of a Haida medicine man. Each figure has one arm up with a hand under or over the chin, while the other arm is down. Carved chiefly headdresses adorn each of their heads.
Handwritten annotation in pen on verso reads: “Q.C. Is.”
Two carved wooden figures covered in moss stand side by side with a fallen wooden plank lying between them. Wooden figures have pen marks applied to the surface of the photo.
Handwritten annotation in pen on verso reads: “Chapt. XIX No. 3. A medicine man’s tomb guarded by two figures, one of which has two heads following a tradition. They are both ie (?) the two headed figure, arranged in the headdress containing the swan’s down which is the sign of peace”.
Two carved wooden figures stand side by side with a horizontally placed wooden plank between them.
Handwritten annotation in pen on verso reads: “Chapter XIX near Skidegate, Shaman’s Grave”.
Close up of a carved wooden rattle featuring one side which is in the shape of a sun with face.
Handwritten annotation on verso reads: “Medicine man’s rattle. One side representing The sun and the other side The Moon. For heading of Page 20 Medicine Man’s rattle, Haida, Q.C. Islands.”
Display of the tools of the Medicine Man: rattles, statues, hats (crowns), masks, spoons apron and body ornamentation.
Handwritten annotation in pen on verso reads: “A medicine man’s outfit. Crowns of bear’s claws, aprons of skins adorned with carved charms of bone and ivory, also rattles. Would illustrate Chapt. XIII for no. 2”
Display of the tools of the Medicine Man: snow shoes, rattles, trumpet, hats (crowns), mask, apron and body ornamentation.
Handwritten annotation in pen on verso reads: “No. 26 Medicine Man’s Outfit. Bear claw crowns, aprons with charms, rattles, trumpet, for insertion at close of chapt.”
Eight unidentified medicine men in full regalia stand in a row within a long house. Handwritten annotation in pen on verso reads: “Yaulalet Dum guna al git dkdin (?) Party of medicine men Nishka Indians ready for medicine dance. W.H. Collison”. Stamped annotation on verso reads: “Haldane & Bro. Alaskan Photographers, 7 West Street, Metlakahtla – Alaska.”
Rocky shoreline featuring a small dwelling, totem pole, net rack, canoes pulled up to shore, barrels and boxes and a tent.
Handwritten annotation in pencil on verso reads: “Kunhalas [sic] at entrance to C--- Harbour”.
Carvings visible on a moss covered rocky outcrop. Handwritten annotation in pencil on verso reads: “Rock carvings. Copper Mountain, Al”.
Petroglyphs featuring coppers painting onto a rock face next to a lake.
Handwritten annotation in pencil on verso reads: “As seen from the R.R. track. By Harlan I. Smith. 4 poles E of 92 mile or about 1 ½ meter E. of Tyce, B.C., Red Pictograph, Note: head above and to the right at the left of log top in shadow of cedar.” Stamped annotation on verso reads: “Department of Mines Geological Survey Photographic Division, January 21 1926” – in pen above this stamped date is written “7-10-1925”.
Totem pole stands alone against a mountainous background.
Photograph depicts a mortuary pole situated against a snowy landscape.
Handwritten annotation on verso reads: “Chapter XVIII, Nom. 1 Chief Gwaksho’s totem pole. The Great Hunter.”
Photograph features an arranged collection of Chief’s ceremonial regalia: Chikat robe and Amalayt (headdress), two carved wooden rattles and two leggings.
Handwritten annotation in pen on recto reads: “Qush ahlied (?) or Chilcat [sic] Robe worn by Chiefs when entertaining. Also 'Ahm Ahlied'(?) or Head Ornament Indian Coronet and leggings." Verso also has additional handwritten annotations which have been crossed out.
Chief’s ceremonial Chilkat robe hung for portrait; associated headress is attached to wall above it. Woven headress features the inset face of a carved wooden bird.
Handwritten annotation in pen on verso: “Chief’s Dancing Robe surmounted by Dancing Headress for page 8.” Verso also has additional handwritten annotations which have been crossed out. Stamped photographers mark on recto: “Werner & Son; 39 Grafton St. Dublin.”
Photograph features a portrait of an elder taken from the neck up. Handwritten annotation on recto, along bottom of photo reads: “Chief Stlaituk”(?)
Mark Sutton, in Christian Army uniform, is seated while his wife stands next to him. A drum is visible in the background.
Handwritten annotation in pen on recto reads: “Saved to serve. Mark Sutton & wife. Mark Sutton Indian name ‘Chean’ (?) & wife.” Handwritten annotation in pen on verso reads: “Chapter VI. No. 1. Mark Sutton & wife. Only survivor of crew of canoe shot by war party. Twice doomed but “Saved to Serve.”
Three Indigenous men stand in a canoe poling their craft along a shoreline while one man sits and steers. An unidentified village is visible along the opposite shore.
Seven young boys enjoying a game of tug-a-war alongside a wooden track. Track runs along a picket fence through a village. A small girl watches the fun from the sidelines and older woman carries a basket in the background. Handwritten annotation in pen on verso reads: “Native children at play”.
Shoreline perspective of an unidentified coastal village situated on B.C.’s north coast. European style houses run parallel to a rocky shore. Seven men and one child stand within this frame and totem poles and a mortuary pole are also visible along the shoreline.
Canoes sit on shore in foreground beside village buildings. A dock is visible above water in background.
Handwritten annotation on verso reads: "Alert Bay Indian Ranch No. 14 Alert Bay. To be shown on page 69 or 70, re Alert Bay Mission."
Four women and one child stand on shore in foreground. Village buildings and totem poles (crest poles?) stand in background against forest.
Photograph depicts community buildings on shoreline, water in foreground.
Handwritten annotation on image reads: "Wrangle, Alaska."; on verso: "Fort Wrangle, Alaska Territory. visited by W.H.Collison, C.M.S. 1877. Prior to the establishment of any mission, [...? illegible] 1875 - 1876. Presbyterian. Insert this illustration of Wrangle on Page 77 as marked."
Totem poles (crest poles?) stand in front of wooden houses on right. Hills on shoreline visible in background.
Handwritten annotations on verso read: "West Coast QCIs."; "[Old?] Kassan Alaska."