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Photograph depicts two young women holding up a quilt entitled "Nature's Panorama" from the Queen Charlotte City recycling project grant funded by Project Mobilization Canada Works.

Photograph depicts a young women holding up a quilt entitled "Community Panorama" from the Queen Charlotte City recycling project grant funded by Project Mobilization Canada Works.

Photograph depicts Iona Campagnolo and three young women holding up a quilt entitled "Nature's Panorama" from the Queen Charlotte City recycling project grant funded by Project Mobilization Canada Works.

Photograph depicts a young woman holding up a quilt tapestry entitled "Community Panorama" from the Queen Charlotte City recycling project grant funded by Project Mobilization Canada Works.

Photograph depicts a totem pole along a shoreline with canoes overturned at its base. A forested area is visible in the background. Pole is likely on the territory of the Wuikinuxv Nation, also known as the Oweekeno Nation whose traditional territory includes the shores of Rivers Inlet and Owikeno Lake. Annotation on recto of photograph states: "Indian Totem Pole, Rivers Inlet, B.C"

Image depicts two snow sculptures near a wooden bridge on an ice rink, possibly during the Winter City Conference, in Prince George, B.C. Taken at the Prince George Civic Center. Map coordinates 53°54'45.6"N 122°44'59.6"W

Image depicts a woman, wearing clothes reminiscent of traditional First Nations, who appears to be dancing in the street outside of a Native Friendship Centre in Prince George, B.C. A large crowd is looking on.

Photograph depicts numerous copies of 'Stoney Creek Woman' (by Bridget Moran) in glass case. Display also features article on Mary John's receipt of the Order of Canada (see items 2008.3.1.22.61 and 2008.3.1.22.64 for photographs displayed in this image).

Photograph depicts numerous copies of 'Stoney Creek Woman' (by Bridget Moran) in glass case. Display also features article on Mary John's receipt of the Order of Canada (see items 2008.3.1.22.61 and 2008.3.1.22.64 for photographs displayed in this image).

Image depicts a sign, labelled "The White Pass Snow Fleet," which details the history of the fleet; it is located in Skagway, Alaska.

Image depicts the Wells Museum in Wells, B.C.

Lucy stands next to Violet on far right in group with six other unidentified young girls. Each girl wears a white dress and holds a holly branch. They stand on material laid out in snow in front of unidentified building. Handwritten annotation on recto of photograph: "Violet. Lucy. This is their Holly and Mistletoe Drill".

Handwritten annotation on recto of photograph: "Here they are in Sleeping beauty asleep. Virginia is not all in. She is behind Violet who is King. Father of the beauty. That is the queen in front and the nurse at the head of the bed and the Beauty on the bed." The girls are in costume on material laid out in snow in front of unidentified building. Unknown wood object in left foreground.

Photograph depicts the Agora center at the University of Northern British Columbia in Prince George, B.C. Sign in foreground reads "Agora/Student Centre". Unidentified individuals can be seen in red blankets on upper walkway in background, above the Winter Garden. Accompanying note from Maureen Faulkner: "The first nations people, in button blankets, gather". Photo believed to have been taken on the day Bridget Moran received an Honourary Law Degree.

Photograph depicts Bridget Moran seated beside unidentified woman who stands reading excerpt from Moran's book. Table with miscellaneous items in foreground, window and chalkboard in background. (Standing woman also featured in item 2008.3.1.102.5).

Photograph taken at unidentified outdoor function, see also items 2009.6.1.629 - 2009.6.1.634.

Photograph depicts man in Russian costume holding hand of unidentified woman in peasant costume.

Handwritten annotation on verso reads: “Fiddler on the Roof, Feb. 1974.”

Costumed gentleman standing next to lady wearing a formal purple gown. Handwritten annotations on verso read: “To Angie, Love Donna Penner,” and “another of costumes I made”.

Preceding notation on UNBC Chancellor letterhead: “my theatre days, Ionasphere group. I made personally or designed (for Blue - Rosemary Gilbert) all these costumes, May Diver - Mary Stuart by Friedrich Von Schiller, 1972” (see also items 2009.6.1.11 - 2009.6.1.17).

Shoreline perspective of an unidentified coastal village situated on B.C.’s north coast. European style houses run parallel to a rocky shore. Seven men and one child stand within this frame and totem poles and a mortuary pole are also visible along the shoreline.

Four women and one child stand on shore in foreground. Village buildings and totem poles (crest poles?) stand in background against forest.

Image depicts the Two Rivers Art Gallery in Prince George, B.C.

Image depicts the Two Rivers Art Gallery in Prince George, B.C.

Photograph depicts two Kispiox community members in black, red, and white button blankets in front of two totem poles transported by community members for the official opening of the new Kispiox Cultural Building. Photograph was taken on Campagnolo's Skeena riding tour.

Photograph depicts an Indigenous totem pole. Annotation on recto of photograph states: "Totems of Old Kasaan Alaska"

Totem poles (crest poles?) stand in front of wooden houses on right. Hills on shoreline visible in background.

Handwritten annotations on verso read: "West Coast QCIs."; "[Old?] Kassan Alaska."

Totem poles (crest poles?) stand in front of forest trees, fallen logs on beach in foreground.

Handwritten annotation on verso reads: "Indian Totems along beach on Q.C. Islands"

Unidentified people stand around and between totem poles. A row of buildings and snowy mountain peaks are visible in the background. Location is believed to be Kingcome Indian Village

Totem poles (crest poles?) stand in front of remains of wood structures, forest visible in background.

Handwritten annotation on verso reads: "A deserted Village, Q.C. Islands [...]" (various notes crossed through on verso).

Totem poles (crest poles?) stand in front of remains of wood structures built along sandy shore. View from above, forest on hill in background.

Handwritten annotation on verso reads: "[? illegible] Deserted village West Coast QCIs."

Totem poles (crest poles?) stand in front of wood building, hills visible in background.

Handwritten annotation on verso reads: "Poles on QC Isl."

Totem poles (crest poles?) stand in front of a line of houses. Sandy beach in foreground, forest on hill in background.

Handwritten annotation on verso reads: "Kai sun W. Coast Q.C.I."

Photograph depicts a totem pole standing amidst a forested environment. Handwritten annotations on verso read: “Raven, ?, Sea Lions, Grizzly Bear, Dzondgwa”; “Kwakiutl Pole, Alert Bay & Fort Rupert” photographer’s stamp on verso: “W.E. Nicholson, 268 E. 10th, Vancouver 10, B.C.”

Photograph depicts a totem pole standing on what appears to be a large wooden deck or boardwalk, view of the city in background.

Handwritten annotation on verso reads: "Totem pole in park in Prince Rupert".

Photograph depicts members of the Kispiox community carrying a totem pole. Photograph also depicts elders with black, red, and white button blankets.

Image depicts a totem pole at an uncertain location, possibly in Gitwinksihlkw, B.C.

Photograph depicts a totem pole and a tall wooden plant holder in front of a body of water.

Groups of men and women can be seen gathered on paths between two large totem poles.

Handwritten annotation on verso reads: "Totem Park Pr Rupert park."

Miscellaneous items are scattered in yard behind totem, house partially visible in background.

Handwritten annotation on verso reads: "Insert this illustration in Chapt. II. No. 2. 'Tlingit Totem.'"

Photograph depicts three Indigenous totem carvings in front of various buildings on the shoreline.

Photograph depicts three unidentified men standing in front of an Indigenous totem pole.

This fonds illustrates the Honourable Iona Campagnolo’s careers as a broadcaster, a theatre producer, community leader, a politician, a feminist, a social activist, a speaker, a lecturer, a Chancellor, an advocate, a consultant and Lieutenant Governor of British Columbia. Types of records reflective of her various careers include: speeches, correspondence, itineraries, contracts, draft manuscripts, newspaper clippings, background material, photographs and ephemera. The Honourable Iona Campagnolo fonds has been divided into the following thirteen series:
1) Photographs
2) Theatre & Community Development
3) Political Career
4) Non-political Activities
5) McMaster International Health Centre
6) Women in Power Project
7) University of Northern British Columbia
8) Fraser Basin Council
9) Miscellaneous – First Nations Material
10) National Speakers Bureau
11) Lieutenant Governor of British Columbia
12) Honours & Awards
13) Political Papers

Photograph of an illustration of an elderly man peering over a photograph of Prince Rupert, BC with a magnifying glass. Beaded leather tassels are affixed to the edges of the illustration. Printed annotation on recto reads: "Taken in 1911. And Today The Eyes of the World are on Prince Rupert. Craig N of Prince Rupert."

Image depicts Studio 2880 Arts Complex in Prince George, B.C. Map coordinates 53°54'36.9"N 122°46'30.3"W

Image depicts a building which is a part of the Studio 2880 Arts Complex on 15th Avenue in Prince George, B.C.

Image depicts a representation of the crucified Christ in the St. Joseph's Roman Catholic Church in Kamloops, B.C.

Image depicts the restored White Pass Snow Plow No.1 in Skagway, Alaska.