Affichage de 319 résultats

Groups of men and women can be seen gathered on paths between two large totem poles.

Handwritten annotation on verso reads: "Totem Park Pr Rupert park."

Photograph depicts a totem pole standing on what appears to be a large wooden deck or boardwalk, view of the city in background.

Handwritten annotation on verso reads: "Totem pole in park in Prince Rupert".

This fonds illustrates the Honourable Iona Campagnolo’s careers as a broadcaster, a theatre producer, community leader, a politician, a feminist, a social activist, a speaker, a lecturer, a Chancellor, an advocate, a consultant and Lieutenant Governor of British Columbia. Types of records reflective of her various careers include: speeches, correspondence, itineraries, contracts, draft manuscripts, newspaper clippings, background material, photographs and ephemera. The Honourable Iona Campagnolo fonds has been divided into the following thirteen series:
1) Photographs
2) Theatre & Community Development
3) Political Career
4) Non-political Activities
5) McMaster International Health Centre
6) Women in Power Project
7) University of Northern British Columbia
8) Fraser Basin Council
9) Miscellaneous – First Nations Material
10) National Speakers Bureau
11) Lieutenant Governor of British Columbia
12) Honours & Awards
13) Political Papers

Item is a photograph of the Princeton cast of the play “Whatever happened to Jones”. Mr. Williston is on the far left.

Fonds consists of personal papers, books, manuscripts, photographic materials, audio recordings and electronic records arranged into five series, which relate to Mr. Fawcett's personal life, his creative works and his relationships with members of the literary community.

Item is a photograph of Ray Williston and other cabinet ministers paddling a birch bark canoe in the grass during BC Centennial celebrations in Prince George.

Originally mounted on poster with photographs 115.1, 115.2, 115.3.

This fonds illustrates the writing career of Canadian author Ann Walsh. Types of records included in this fonds include: published and unpublished short stories, manuscripts, correspondence, grant applications, photographs, audio and video recordings, contracts, book reviews, plotting notes, speaking notes, promotional materials and workshop materials.

Photograph depicts James Joseph Claxton standing in front of a fence with a memorial pole in the background. The memorial pole depicts painted First Nations designs, with additional totem poles and houses visible in background. Handwritten annotation in pen on verso reads: “Jim Claxton 1959”

Photograph depicts several carved totem poles and house posts in a clearing with a forested area in the background. Photographer’s stamp on verso: “W.E. Nicholson, 268 E. 10th, Vancouver 10, B.C.”

Photograph depicts a memorial totem pole in front of a fence line and a forested environment. Inscription on memorial pole states: “In loving memory of Tlaqwa Latle of the Qidwasudinuk Tribe, Died Nov. 9 - ” Photographer’s stamp on verso: “W.E. Nicholson, 268 E. 10th, Vancouver 10, B.C.”

Photograph depicts a totem pole standing amidst a forested environment. Handwritten annotations on verso read: “Raven, ?, Sea Lions, Grizzly Bear, Dzondgwa”; “Kwakiutl Pole, Alert Bay & Fort Rupert” photographer’s stamp on verso: “W.E. Nicholson, 268 E. 10th, Vancouver 10, B.C.”

Photograph depicts a totem pole standing in front of a forested environment with a fence line in the foreground. Photographer’s stamp on verso: “W.E. Nicholson, 268 E. 10th, Vancouver 10, B.C.”

Photograph depicts a man in uniform and a woman posing for a photo on a road situated between a fenced area featuring totem poles. Along the water’s edge in the background there is a float plane, wharf and the Camosun vessel. Handwritten annotation on verso reads: “Alert Bay B.C. Union Steamships Ltd.”; “Alert Bay BC”; photographer’s stamp on verso states: “W.E. Nicholson, 268 E. 10th, Vancouver 10, B.C.”

Photograph depicts a small totem pole in front of trees and a roadway. Photographer’s stamp on verso: “W.E. Nicholson, 268 E. 10th, Vancouver 10, B.C.”

Photograph depicts a small totem pole in front of trees and a roadway. Photographer’s stamp on verso: “W.E. Nicholson, 268 E. 10th, Vancouver 10, B.C.”

Photograph depicts a close-up of Alert Bay house posts adorned with First Nations carvings. Photographer’s stamp on verso: “W.E. Nicholson, 268 E. 10th, Vancouver 10, B.C.”

Photograph depicts a close-up of a totem pole behind a fence overlooking a wharf and a ship named Camosun. Photographer’s stamp on verso: “W.E. Nicholson, 268 E. 10th, Vancouver 10, B.C.”

Photograph depicts five totem poles of various sizes in a fenced enclosure with a forested area in the background. Photographer’s stamp on verso: “W.E. Nicholson, 268 E. 10th, Vancouver 10, B.C.”

Unidentified people stand around and between totem poles. A row of buildings and snowy mountain peaks are visible in the background. Location is believed to be Kingcome Indian Village

Photograph depicts a carving at the entrance to Little Qualicum Falls Park on the Alberni Highway. On the left side is the face of a white settler.

Photograph depicts a First Nations dugout canoe at Lillooet, BCIt is about 10 ft. long.

Item is a photograph of Ray Williston planting a dogwood tree at the Museum’s grand opening on May 17, 1969. Behind Mr. Williston is NDP Leader Robert Strachan standing beside Premier W.A.C. Bennett. On the extreme left is Mr. George Wellbourn who donated all the equipment to the museum.

Item is a photograph of Ray Williston at a banquet hosted by Sanyo Pulp Ltd. in May 1970. Mr. Williston is flanked by Vern Stothert of Stothert Veco Consultants Ltd., who designed BC Forest products’ mill in Mackenzie and Margaret Nagy, who was scouting financing for a pulp mill in Bella Coola.

Cartoon by Roy Peterson, printed above image: "THE PETERSON PORTFOLIO".

Image depicts the historical village of 'Ksan near Hazelton, B.C.

Image depicts a totem pole in the historical village of 'Ksan near Hazelton, B.C.

Photograph depicts May Diver dressed as Mary Stuart in white and gold costume dancing with a man wearing black and red costume.

Preceding notation on UNBC Chancellor letterhead: “my theatre days, Ionasphere group. I made personally or designed (for Blue - Rosemary Gilbert) all these costumes, May Diver - Mary Stuart by Friedrich Von Schiller, 1972” (see also items 2009.6.1.12 - 2009.6.1.17).

Packed gymnasium applauding after the April 1972 production (see items 2009.6.1.11 - 2009.6.1.17).

Costumed gentleman standing next to lady wearing a formal purple gown. Handwritten annotations on verso read: “To Angie, Love Donna Penner,” and “another of costumes I made”.

Preceding notation on UNBC Chancellor letterhead: “my theatre days, Ionasphere group. I made personally or designed (for Blue - Rosemary Gilbert) all these costumes, May Diver - Mary Stuart by Friedrich Von Schiller, 1972” (see also items 2009.6.1.11 - 2009.6.1.17).

Photograph depicts May Diver dressed in white and gold costume beside man wearing black and purple costume.

Preceding notation on UNBC Chancellor letterhead: “my theatre days, Ionasphere group. I made personally or designed (for Blue - Rosemary Gilbert) all these costumes, May Diver - Mary Stuart by Friedrich Von Schiller, 1972” (see also items 2009.6.1.11 - 2009.6.1.17).

The pair stands wearing gowns; Diver on right in black, Gilbert on left in blue. Handwritten annotation on verso reads: “May Diver, Mary Stuart by Friedrich Von Schiller, Rosemary Gilbert as Elizabeth, Prod & Directed by Iona Campagnolo, 1973”.

Preceding notation on UNBC Chancellor letterhead: “my theatre days, Ionasphere group. I made personally or designed (for Blue - Rosemary Gilbert) all these costumes, May Diver - Mary Stuart by Friedrich Von Schiller, 1972” (see also items 2009.6.1.11 - 2009.6.1.17).

Photograph depicts Rosemary Gilbert wearing regal red and white gown, glaring at unidentified man in fur costume.

Preceding notation on UNBC Chancellor letterhead: “my theatre days, Ionasphere group. I made personally or designed (for Blue - Rosemary Gilbert) all these costumes, May Diver - Mary Stuart by Friedrich Von Schiller, 1972” (see also items 2009.6.1.11 - 2009.6.1.17).

Photograph depicts May Diver as Mary Stuart in black dress, kneeling before Rosemary Gilbert as Elizabeth in blue and gold fur-trimmed gown.

Preceding notation on UNBC Chancellor letterhead: “my theatre days, Ionasphere group. I made personally or designed (for Blue - Rosemary Gilbert) all these costumes, May Diver - Mary Stuart by Friedrich Von Schiller, 1972” (see also items 2009.6.1.11 - 2009.6.1.17).

Photograph depicts Rosemary Gilbert as Elizabeth in blue and gold fur-trimmed gown, unidentified man in costume stands in background.

Preceding notation on UNBC Chancellor letterhead: “my theatre days, Ionasphere group. I made personally or designed (for Blue - Rosemary Gilbert) all these costumes, May Diver - Mary Stuart by Friedrich Von Schiller, 1972” (see also items 2009.6.1.11 - 2009.6.1.16).

Image depicts a group of people in the historical village of 'Ksan near Hazelton, B.C.

Image depicts numerous totem poles in Kispiox, B.C.

Image depicts an old, partially burnt totem pole in Kispiox, B.C.

Four unidentified women and one unidentified man pose in costume in front of theatre sets. Play produced and directed by Iona Campagnolo.

Four unidentified women and one unidentified man pose in costume in front of theatre sets. Play produced and directed by Iona Campagnolo.

Image depicts two totem poles in Skeena Crossing, B.C.

Four unidentified women and one unidentified man pose in costume in front of theatre sets. Play produced and directed by Iona Campagnolo.

Image depicts a large gathering of people in the interior of a First Nations' longhouse located in the historical village of 'Ksan in Hazelton, B.C.

Image depicts the 'Ksan historical village in Hazelton, B.C.

Image depicts the 'Ksan historical village in Hazelton, B.C.

Image depicts numerous totem poles in Kispiox, B.C.

Image depicts numerous totem poles in Kispiox, B.C.

Photograph depicts man in Russian costume holding hand of unidentified woman in peasant costume.

Handwritten annotation on verso reads: “Fiddler on the Roof, Feb. 1974.”

Iona Campagnolo stands beside unidentified woman in front of male chorus still in costume.

Handwritten annotation on verso reads: “My last production, Fiddler on the roof, Male Chorus —Feb/74 —Pr. R.”

Iona Campagnolo stands beside unidentified woman in front of male chorus still in costume.

Handwritten annotation on verso reads: “Fiddler on the Roof, Director Producer! —1974.”

Crowd gathered around front steps of large building, Muriel Brown in costume in foreground.

Handwritten annotation on verso reads: “Folkfest - July 1/74, Muriel Brown, English Flower Firl, What a happy time for all of us! M.”