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File consists of a draft manuscript of "Aggressive Transport", a poetry anthology.

Subseries consists of draft manuscripts of "Aggressive Transport", a poetry anthology, as well as a published version.

File consists of draft manuscripts of "Tristram's Book", a poetry anthology.

File consists of draft manuscripts of "Tristram's Book", a poetry anthology.

Subseries consists of draft manuscripts of "Tristram's Book", a poetry anthology.

File consists of a 1974-1977 draft manuscript of "Creatures of State", a poetry anthology.

File consists of a 1976 draft manuscript of "Creatures of State", a poetry anthology.

File consists of a published version of "Creatures of State", a poetry anthology.

Subseries consists of draft manuscripts of "Permanent Relationships", a poetry anthology, as well as a published version.

File consists of draft manuscripts of "Permanent Relationships", a poetry anthology.

File consists of a large format final draft of "Permanent Relationships", a poetry anthology.

File consists of publication entitled "Permanent Relationships", a poetry anthology.

File consists of draft manuscripts of "Five Books of a Northmanual".

Subseries consists of draft manuscripts of "Friends", a poetry anthology.

File consists of draft manuscripts of "Friends", a poetry anthology.

Subseries consists of draft manuscripts of "Five Books of a Northmanual".

File contains closed manuscript.

Fawcett began a project in 1975 when he was 31 with the premise of summarizing his understanding of sex at various ages. This file contains various draft versions of Fawcett's "Sex at 45" manuscript. These manuscripts evolved into Gender Wars.

Fawcett began a project in 1975 when he was 31 with the premise of summarizing his understanding of sex at various ages. This file contains early draft manuscripts of the poem "Sex at 45".

Fawcett began a project in 1975 when he was 31 with the premise of summarizing his understanding of sex at various ages. Manuscripts include "Sex at 31", "Sex at 34", "Sex at 38", and "Sex at 45". These manuscripts were the basis for "Gender Wars".

Fawcett began a project in 1975 when he was 31 with the premise of summarizing his understanding of sex at various ages. This file contains draft manuscripts of the poem "Sex at 38".

Fawcett began a project in 1975 when he was 31 with the premise of summarizing his understanding of sex at various ages. This file contains manuscripts and a published version of the poem "Sex at 38 (a duet)" by Brian Fawcett and Barry McKinnon.

Fawcett began a project in 1975 when he was 31 with the premise of summarizing his understanding of sex at various ages. This file contains manuscripts for the poem "Sex at 34".

Fawcett began a project in 1975 when he was 31 with the premise of summarizing his understanding of sex at various ages. This file contains manuscripts for the poem "Sex at 31".

File consists of draft manuscripts of "Creatures of State", a poetry anthology, as well as a published version.

Subseries consists of miscellaneous poetry manuscripts and publications. Includes anthologies and periodicals in which Fawcett's poetry was published, such as "The Capilano Review". Fawcett stopped publishing poetry after 1982, although he did not stop producing it. These "suppressed poems" are also included. Many poems are untitled and unidentified.

Collection consists of 5 yellow cedar carvings by Billy Edmund. The three unpainted carvings are entitled "Raven," "Flying Hawk," and "Raven, Bear, Salmon and Beaver Totem." The final two carvings, both entitled "Salmon," are painted in red, black and teal.

Two carved wooden figures stand side by side to mark the burial of a Haida medicine man. Each figure has one arm up with a hand under or over the chin, while the other arm is down. Carved chiefly headdresses adorn each of their heads.

Handwritten annotation in pen on verso reads: “Illustration for insertion at end of Chapt XIX no. 2. Medicine man’s tomb Queen Charlotte Islands.” Photograph has pen markings made on its recto tracing the outline of these two shapes.

Two carved wooden figures stand side by side to mark the burial of a Haida medicine man. Each figure has one arm up with a hand under or over the chin, while the other arm is down. Carved chiefly headdresses adorn each of their heads.

Handwritten annotation in pen on verso reads: “Shaman’s grave nr. --Masset QCIs.”

Two carved wooden figures stand side by side to mark the burial of a Haida medicine man. Each figure has one arm up with a hand under or over the chin, while the other arm is down. Carved chiefly headdresses adorn each of their heads.

Handwritten annotation in pen on verso reads: “Q.C. Is.”

Two carved wooden figures stand side by side to mark the burial of a Haida medicine man. Each figure has one arm up with a hand under or over the chin, while the other arm is down. Carved chiefly headdresses adorn each of their heads.

Handwritten annotation in pen on verso reads: “Shaman’s grave”.

Two carved wooden figures stand side by side with a horizontally placed wooden plank between them.

Handwritten annotation in pen on verso reads: “Chapter XIX near Skidegate, Shaman’s Grave”.

Two carved wooden figures covered in moss stand side by side with a fallen wooden plank lying between them. Wooden figures have pen marks applied to the surface of the photo.

Handwritten annotation in pen on verso reads: “Chapt. XIX No. 3. A medicine man’s tomb guarded by two figures, one of which has two heads following a tradition. They are both ie (?) the two headed figure, arranged in the headdress containing the swan’s down which is the sign of peace”.