Handwritten annotation on verso reads: “Chief Skidegate (Dempsey Collinson), Feast 1978, Q.C.I.”
Photograph depicts Iona Campagnolo and Sharon Hitchcock in front of the Haida Council Office in the Queen Charlotte Islands (Haida Gwaii).
Photograph depicts Iona Campagnolo looking at a fallen Haida totem pole with Peter Jones in Ninstints on Anthony Island. Peter Jones is facing away from the camera.
Photograph depicts three Haida totem poles on Ninstints, Anthony Island, with drift wood in the foreground.
Photograph depicts three Haida totem poles, partially obscured by grass and young trees.
Photograph depicts Iona Campagnolo looking at a fallen Haida totem pole with Peter Jones in Ninstints, Anthony Island, Haida Gwaii. The totem pole is in the foreground. Peter Jones may have accompanied Campagnolo on her Skeena riding tour as a photographer.
Photograph depicts many crest poles in front of wooden homes. An unidentified family can be seen sitting by house in centre. Wood pile and path in foreground.
Handwritten annotation on image reads: "Masset Queen Charlotte's Islands, Crest Poles / Masset with Totems."; on verso: "Chap. XIII. No. 1 This photo to be copied as an illustration on 1st page or I Chapt. 'Section of Massett, Haida Encampment showing Totems. Queen Charlotte's Islands.' For heading of page 2 of Trophies."
Handwritten annotation on verso of photograph reads: "W.E. Collison Masset. Interior of Chief [Weah's?] house".
Caption under printed version of photo in W.H. Collison's book 'In the Wake of the War Canoe': "The house is about 40 feet square, forming one large room. The upper cubicles are on a level with the ground, which in front of them is excavated so that the fireplace in the centre is twelve feet below the surface. A ledge, for the use of slaves and dependents, is left half-way down."
Handwritten annotation on verso of photograph reads: "Tombs. ? Massett".
Caption under printed version of photo in W.H. Collison's book 'In the Wake of the War Canoe': "At Masset, Queen Charlotte Islands, B.C. The side-posts are solid and sunk in the ground. The horizontal piece is hollow, and contains the corpse. These tombs are now falling through decay." (see page 216).
Handwritten annotation on verso of photograph reads: "No. 54. Old tombs & totems. / to Haida graves Massett".
Two tombs stand in foreground, each consisting of a horizontal box held by two hollow posts sunk in the ground.
The couple walks arm in arm along dirt path in grass, buildings visible in background.
Handwritten annotation on verso of photograph reads: "Joshua [Moody?] & Wife / ? Masset B.C."
Three unidentified men stand by poles in foreground, wood houses and crest poles visible in background.
Printed below image: "Totem Poles, Massett, Q.C. Island, B.C. "; "T.N. Hibbon & Co., Victoria, B.C. [crossed through with ink]"; handwritten below: "The old style giving way to the new."
Large bear carving sits on top of wide pole, erected in memory of a chief of the Bear crest. Lines of houses stand in background.
Printed below image: "Totem Pole. Old Massett. Q.C.I / J.D. Allen photo Co."; handwritten below: "Mortuary Pole Bear [Crest?]"; on verso: "For Chapt. XIX. The old style and the new. Mortuary Pole & modern houses. No. 3. W.H.C. Oct. [6/ ?] 13".
Photograph depicts village buildings along shore.
Handwritten annotation on verso reads: "67 Section of Massett as it is".
Photograph depicts village buildings along shore.
Handwritten annotation on verso reads: "Massett in Winter dress."
Photograph depicts large church in fenced area, mission house visible behind trees in background.
Printed on image: "The Church. Old Massett. Q.C.I. / J.D. Allen. Photo. C."
Photographs depict large building in fenced area, trees in yard and in background.
Handwritten annotations on verso read: "Mission House at Massett QCIs"; "Mission House at Massett - Mother & Dad lived there."
Group of eight men wearing suits and ties pose with Reverend Collison (oldest son of Marion & Archdeacon W.H. Collison).
Handwritten annotation on verso reads: “Rev. W. E. Collison & his Lay Readers at Massett, Q.C.Is.”
Photograph depicts an unidentified individual leaning against a large overturned dugout canoe; barrel, bucket, and wood planks in foreground. Houses and other buildings can be seen on shore above beach, and two unidentified individuals stand in distance on far right.
Handwritten annotations on verso read: “Haida canoe on beach at Masset / ? 1898”; “No. 4 Page 5. Haida Canoe ready for steaming to [widen?] out and finish.”
An original negative of this photograph is held by the Canadian Museum of Civilization, no. 26664.
Young boy stands among bushes in snow, totel pole in background.
Handwritten annotation on verso reads: “WE Collison Totem on QCIsl."
Rev. W.E. Collison sits to left of totem pole, smoking a pipe (oldest son of Marion and Archdeacon W.H. Collison). Log fence can be seen in front of forest in right background.
Handwritten annotations on verso read: “W.E. Collison at Massett, QCIs."; "Dad beside totem pole".
The pair sits on ground beside large totem pole, Bertha on left (wife of W.E. Collison). Log fence can be seen in front of forest in right background.
Handwritten annotation on verso reads: “Mother & Josie Edenshaw at Massett".
Totem poles (crest poles?) stand in front of a line of houses. Blanketed canoes sit on beach in right foreground; forest in background.
Handwritten annotations on verso read: “skidegate village Queen Charlotte Islands as it appeared forty years ago"; "Rev W.E. Collison Prince Rupert"; "Hughes"; "1".
Totem poles (crest poles?) stand in front of a line of houses. Blanketed canoes sit on beach in right foreground; forest in background.
Handwritten annotations on verso read: “Haida Encampment [crossed through with line]"; "Skidegate Queen Charlottes Islands / To illustrate Introduction / Introduction Trophies from a Song [Trail?] Page 1 Heading."
Carvings sit among bushes in front of what appears to be a totem pole.
Handwritten annotation on verso reads: "Eagle & whale Monument Tanu".
Totem poles (crest poles?) stand in front of a line of houses. Sandy beach in foreground, forest on hill in background.
Handwritten annotation on verso reads: "Kai sun W. Coast Q.C.I."
Totem poles (crest poles?) stand in front of wood building, hills visible in background.
Handwritten annotation on verso reads: "Poles on QC Isl."
Totem poles (crest poles?) stand in front of forest trees, fallen logs on beach in foreground.
Handwritten annotation on verso reads: "Indian Totems along beach on Q.C. Islands"
Totem poles (crest poles?) stand in front of remains of wood structures, forest visible in background.
Handwritten annotation on verso reads: "A deserted Village, Q.C. Islands [...]" (various notes crossed through on verso).
Totem poles (crest poles?) stand in front of remains of wood structures built along sandy shore. View from above, forest on hill in background.
Handwritten annotation on verso reads: "[? illegible] Deserted village West Coast QCIs."
Photograph depicts narrow valley between steep cliffs.
Handwritten annotation on verso reads: "on left Vertical side of old Indian fort at Nagas W. Coast Q.C.I".
Totem poles (crest poles?) stand in front of wooden houses on right. Hills on shoreline visible in background.
Handwritten annotations on verso read: "West Coast QCIs."; "[Old?] Kassan Alaska."
Rocky shoreline featuring a small dwelling, totem pole, net rack, canoes pulled up to shore, barrels and boxes and a tent.
Handwritten annotation in pencil on verso reads: “Kunhalas [sic] at entrance to C--- Harbour”.
Two model totem poles flank a bentwood box sitting on a pedestal in front of a bookcase in the office of W.E. Collison. Handwritten annotation in pen on verso reads: “Totem & carved chest in Dad’s office.”
A bentwood box sitting on a pedestal in front of a bookcase in the office of W.E. Collison. Handwritten annotation in pencil on verso reads: “Carved ‘hope chest’ sent to New York. The box was carved by -- Luke Watson Skidegate. The photo was taken in the office – not bad for a --”
Model totem pole standing upright in front of a blanket backdrop. Handwritten annotation in pen on verso reads: “Dad’s totem pole (W.E. Collison)”
Model totem pole standing upright on a chair against the backdrop of a sheet. Handwritten annotation in pen on verso reads: “W.E. Collison.” Stamped annotation on verso reads: “Department of Mines and Resources, Photographic Section. Oct. 6, 1939”. Numeric annotation on verso: “46-4”
Frontal perspective of a model totem pole standing upright on a sheet covered table against the backdrop of an additional sheet. Stamped annotation on verso reads: “Department of Mines and Resources, Photographic Section. Oct. 6, 1939”. Numeric annotation on verso: “47-2”
Profile perspective of a model totem pole standing upright on a sheet covered table against the backdrop of an additional sheet. Stamped annotation on verso reads: “Department of Mines and Resources, Photographic Section. Oct. 6, 1939”. Numeric annotation on verso: “47-3”
Profile perspective of a model totem pole standing upright on the floor against a blank wall. Handwritten annotation in pen on verso reads: “W.E. Collison.” Stamped annotation on verso reads: “Department of Mines and Resources, Photographic Section. Oct. 6, 1939”. Numeric annotation on verso: “35-2”
Frontal perspective of a model totem pole standing upright on the floor against a blank wall. Handwritten annotation in pen on verso reads: “W.E. Collison.” Stamped annotation on verso reads: “Department of Mines and Resources, Photographic Section. Oct. 6, 1939”. Numeric annotation on verso: “35-3”
Close-up perspective of the top of the model totem pole which is standing upright on the floor against a blank wall. Handwritten annotation in pen on verso reads: “W.E. Collison.” Stamped annotation on verso reads: “Department of Mines and Resources, Photographic Section. Oct. 6, 1939”. Numeric annotation on verso: “35-4”
Profile perspective of two model totem poles carved from argillite, set against a white backdrop. Handwritten annotation in pen on verso reads: “W.E. Collison.” Stamped annotation on verso reads: “Department of Mines and Resources, Photographic Section. Oct. 6, 1939”. Numeric annotation on verso: “43-2”
Three model totem poles carved out of argillite and of various heights standing as a trio against a white backdrop. Handwritten annotation in pen on verso reads: “W.E. Collison.” Stamped annotation on verso reads: “Department of Mines and Resources, Photographic Section. Oct. 6, 1939”. Numeric annotation on verso: “43-3”
Three model totem poles carved out of argillite and of various heights standing as a trio against a white backdrop. Handwritten annotation in pen on verso reads: “W.E. Collison.” Stamped annotation on verso reads: “Department of Mines and Resources, Photographic Section. Oct. 6, 1939”. Numeric annotation on verso: “43-5”
Two carved wooden staffs, both inlaid with abalone shell, leaning against a wall side by side, a white sheet serving as a backdrop. Handwritten annotation in pen on verso reads: “W.E. Collison.” Stamped annotation on verso reads: “Department of Mines and Resources, Photographic Section. Oct. 6, 1939”. Numeric annotation on verso: “50-6”
Close up perspective of the top of the two carved wooden staffs, both inlaid with abalone shell, leaning against a wall side by side, a white sheet serving as a backdrop. Handwritten annotation in pen on verso reads: “W.E. Collison.” Stamped annotation on verso reads: “Department of Mines and Resources, Photographic Section. Oct. 6, 1939”. Numeric annotation on verso: “52-1”
Carved wooden flute. Stamped annotation on verso reads: “Department of Mines and Resources, Photographic Section. Oct. 6, 1939”. Numeric annotation on verso: “33-6”
Unidentified carved and painted wooden object. Stamped annotation on verso reads: “Department of Mines and Resources, Photographic Section. Oct. 6, 1939”. Numeric annotation on verso: “46-5”
Conical woven hat with a flat top and circular brim. Shells sewn to hat.
Handwritten annotation in pen on verso reads: “W.E. Collison.” Stamped annotation on verso reads: “Department of Mines and Resources, Photographic Section. Oct. 6, 1939”. Numeric annotation on verso: “50-2”