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Photograph depicts a totem pole in a British Columbia rainforest, possibly on Haida Gwaii.

A bentwood box sitting on a pedestal in front of a bookcase in the office of W.E. Collison. Handwritten annotation in pencil on verso reads: “Carved ‘hope chest’ sent to New York. The box was carved by -- Luke Watson Skidegate. The photo was taken in the office – not bad for a --”

Three model totem poles carved out of argillite and of various heights standing as a trio against a white backdrop. Handwritten annotation in pen on verso reads: “W.E. Collison.” Stamped annotation on verso reads: “Department of Mines and Resources, Photographic Section. Oct. 6, 1939”. Numeric annotation on verso: “43-3”

Unidentified carved and painted wooden object. Stamped annotation on verso reads: “Department of Mines and Resources, Photographic Section. Oct. 6, 1939”. Numeric annotation on verso: “46-5”

Unidentified tool leaning against a sheeted backdrop. Carved wooden bark shredder, used to soften and break up fibres of cedar bark lying on sheet covered table. Stamped annotation on verso reads: “Department of Mines and Resources, Photographic Section. Oct. 6, 1939”. Numeric annotation on verso: “48-3”

Stone figure carved in the likeness of a fish. Stamped annotation on verso reads: “Department of Mines and Resources, Photographic Section. Oct. 6, 1939”. Numeric annotation on verso: “48-5”

Wooden fish, complete with carved fins and moveable (?) tail. Stamped annotation on verso reads: “Department of Mines and Resources, Photographic Section. Oct. 6, 1939”. Numeric annotation on verso: “48-1”

Carved wooden mask depicting a bird/human face painted with a stylized design of feathers and animal's ear to one side of the forehead. Stamped annotation on verso reads: “Department of Mines and Resources, Photographic Section. Oct. 6, 1939”. Numeric annotation on verso: “44-2”

Carved and painted wooden mask in the shape of a mythic creature with flaring nostrils and oblong eyes. Stamped annotation on verso reads: “Department of Mines and Resources, Photographic Section. Oct. 6, 1939”. Numeric annotation on verso: “44-6”

Carved wooden mask in the shape of a mythic creature with distinct eyebrows, a wide and flattened nose and a thin lipped mouth. Stamped annotation on verso reads: “Department of Mines and Resources, Photographic Section. Oct. 6, 1939”. Numeric annotation on verso: “44-3”

Ermine-tail headdress with wooden frontlets carved with mythic animal and inlaid with abalone. Sea lion whiskers extending upwards from top of frontlet. Handwritten annotation in pen on verso reads: “W.E. Collison.” Stamped annotation on verso reads: “Department of Mines and Resources, Photographic Section. Oct. 6, 1939”. Numeric annotation on verso: “45-6”

Handwritten annotation on verso of photograph reads: "W.E. Collison Masset. Interior of Chief [Weah's?] house".

Caption under printed version of photo in W.H. Collison's book 'In the Wake of the War Canoe': "The house is about 40 feet square, forming one large room. The upper cubicles are on a level with the ground, which in front of them is excavated so that the fireplace in the centre is twelve feet below the surface. A ledge, for the use of slaves and dependents, is left half-way down."

Handwritten annotation on verso of photograph reads: "No. 54. Old tombs & totems. / to Haida graves Massett".

Two tombs stand in foreground, each consisting of a horizontal box held by two hollow posts sunk in the ground.

Three unidentified men stand by poles in foreground, wood houses and crest poles visible in background.

Printed below image: "Totem Poles, Massett, Q.C. Island, B.C. "; "T.N. Hibbon & Co., Victoria, B.C. [crossed through with ink]"; handwritten below: "The old style giving way to the new."

Photograph depicts large church in fenced area, mission house visible behind trees in background.

Printed on image: "The Church. Old Massett. Q.C.I. / J.D. Allen. Photo. C."

Young boy stands among bushes in snow, totel pole in background.

Handwritten annotation on verso reads: “WE Collison Totem on QCIsl."

Totem poles (crest poles?) stand in front of forest trees, fallen logs on beach in foreground.

Handwritten annotation on verso reads: "Indian Totems along beach on Q.C. Islands"

Totem poles (crest poles?) stand in front of remains of wood structures, forest visible in background.

Handwritten annotation on verso reads: "A deserted Village, Q.C. Islands [...]" (various notes crossed through on verso).

Totem poles (crest poles?) stand in front of remains of wood structures built along sandy shore. View from above, forest on hill in background.

Handwritten annotation on verso reads: "[? illegible] Deserted village West Coast QCIs."

Photograph depicts narrow valley between steep cliffs.

Handwritten annotation on verso reads: "on left Vertical side of old Indian fort at Nagas W. Coast Q.C.I".

Totem poles (crest poles?) stand in front of wooden houses on right. Hills on shoreline visible in background.

Handwritten annotations on verso read: "West Coast QCIs."; "[Old?] Kassan Alaska."

Photograph depicts Iona Campagnolo talking with an unidentified employee of Frank Beban Logging while standing beside a large piece of heavy machinery.

Photograph depicts Iona Campagnolo talking to a class of elementary school children in Haida Gwaii during Campagnolo's Skeena Riding Tour of Haida Gwaii, BC. The majority of the children are standing and facing away from the camera.

Photograph depicts Iona Campagnolo talking with unidentified constituents, largely male, at a community meeting in an auditorium. Taken during Campagnolo's Skeena riding tour in Haida Gwaii, British Columbia.

Photograph depicts Iona Campagnolo signing the cast of an unidentified constituent. Several other unidentified constituents surround them. Taken during Campagnolo's Skeena riding tour in Haida Gwaii, British Columbia.

Photograph depicts Iona Campagnolo talking with a logging truck driver of Frank Beban Logging at Athili Gwaii (Lyell Island) during a 1978 Skeena riding tour.

Image depicts the coastal forests on the shores of Haida Gwaii, B.C.

Image depicts Kent Sedgwick standing on a beach in Haida Gwaii, B.C. He is holding seaweed.

Image depicts the coastline of Haida Gwaii, B.C.

Image depicts an individual standing on a trail in the coastal forest on Haida Gwaii, B.C.

Image depicts an individual crouching in an old cemetery located somewhere in the coastal forest on Haida Gwaii, B.C.

Image depicts several individuals seated on a ferry as it possibly departs from a dock somewhere in Prince Rupert, B.C. It is most likely headed for Haida Gwaii, B.C.

Image depicts numerous buildings and a dock on the shore of Haida Gwaii, B.C..

Image depicts a building surrounded by a tall, circular enclosure somewhere on Haida Gwaii, B.C.

Image depicts an oddly shaped tree branch that appears to have grown downwards, and is covered in green, mossy growths. Located somewhere on Haida Gwaii.

Image depicts an individual walking on a a log bridge in a forest somewhere on Haida Gwaii.

Image depicts Kent Sedgwick crouching and holding a stick; the slug on the end is barely visible. Located somewhere on Haida Gwaii.

Model totem pole standing upright in front of a blanket backdrop. Handwritten annotation in pen on verso reads: “Dad’s totem pole (W.E. Collison)”

Close-up perspective of the top of the model totem pole which is standing upright on the floor against a blank wall. Handwritten annotation in pen on verso reads: “W.E. Collison.” Stamped annotation on verso reads: “Department of Mines and Resources, Photographic Section. Oct. 6, 1939”. Numeric annotation on verso: “35-4”

Profile perspective of two model totem poles carved from argillite, set against a white backdrop. Handwritten annotation in pen on verso reads: “W.E. Collison.” Stamped annotation on verso reads: “Department of Mines and Resources, Photographic Section. Oct. 6, 1939”. Numeric annotation on verso: “43-2”

Close up perspective of the top of the two carved wooden staffs, both inlaid with abalone shell, leaning against a wall side by side, a white sheet serving as a backdrop. Handwritten annotation in pen on verso reads: “W.E. Collison.” Stamped annotation on verso reads: “Department of Mines and Resources, Photographic Section. Oct. 6, 1939”. Numeric annotation on verso: “52-1”

Intricately carved argillite dish inlaid with abalone shell. Handwritten annotation in pen on verso reads: “W.E. Collison.” Stamped annotation on verso reads: “Department of Mines and Resources, Photographic Section. Oct. 6, 1939”. Numeric annotation on verso: “51-4”

Intricately carved argillite dish featuring inlaid triangular pieces of stone or shell material around its perimeter and a series of seven faces within its centre. Handwritten annotation in pen on verso reads: “W.E. Collison.” Stamped annotation on verso reads: “Department of Mines and Resources, Photographic Section. Oct. 6, 1939”. Numeric annotation on verso: “51-6”

Two carved wooden bentwood boxes; one containing seven carved wooden spoons. Handwritten annotation in pen on verso reads: “W.E. Collison.” Stamped annotation on verso reads: “Department of Mines and Resources, Photographic Section. Oct. 6, 1939”. Numeric annotation on verso: “49-5”

Figure on the left is a club-shaped cylindrical figure with bulbous human face at one end; abalone shell is inlaid in the face for eyes. Figure on the right is a club carved in the shape of a whale with inlaid eyes and engraved markings on its sides. Handwritten annotation in pen on verso reads: “W.E. Collison.” Stamped annotation on verso reads: “Department of Mines and Resources, Photographic Section. Oct. 6, 1939”. Numeric annotation on verso: “51-1”

Figure on the left is a club-shaped cylindrical figure with bulbous human face at one end; abalone shell is inlaid in the face for eyes. Figure on the right is a club carved in the shape of a whale with inlaid eyes and engraved markings on its sides. Handwritten annotation in pen on verso reads: “W.E. Collison.” Stamped annotation on verso reads: “Department of Mines and Resources, Photographic Section. Oct. 6, 1939”. Numeric annotation on verso: “51-1”

Carved stone figure on left features a hole at one end through which a rope is strung; while the figure on the right is a soapstone figure carving of a face with two ears to the sides and split ‘u’ ones at the top of the head. Handwritten annotation in pen on verso reads: “W.E. Collison.” Stamped annotation on verso reads: “Department of Mines and Resources, Photographic Section. Oct. 6, 1939”. Numeric annotation on verso: “51-5”

Carved wooden mask of a mythic creature whose mouth is in the shape of an ‘o’. Stamped annotation on verso reads: “Department of Mines and Resources, Photographic Section. Oct. 6, 1939”. Numeric annotation on verso: “33-2”

Mask created from leather or metal, featuring eyeholes and a mouth hole as well as holes pierced around the perimeter of the mask itself. Stamped annotation on verso reads: “Department of Mines and Resources, Photographic Section. Oct. 6, 1939”. Numeric annotation on verso: “45-5”

Photograph depicts village buildings along shore.

Handwritten annotation on verso reads: "67 Section of Massett as it is".