Showing 488 results

Archival description
190 results with digital objects Show results with digital objects
2008.3.1.040 · File · 1974-1990
Part of Bridget Moran fonds

File consists of:

  • Newspapers include: The Georgia Straight, The Province; The Indian Voice; The Toronto Globe; The Vancouver Sun Weekend Magazine; The Vancouver Sun; The Citizen; and The Nechako Chronicle each featuring articles on the Thomas inquest.
  • Report of inquiry as to cause of death of Faye Helen Huagen, Vanderhoof, B.C., December 27th, 1979.
  • Copy of Canadian Welfare #5, Sept/Oct. 1974 issue.
  • Copy of B.C. Police Commission report to Vanderhoof Mayor W.L. McLeod, November 1, 1976.
  • Copy of letter from Helen Jones, Secretary of Stony Creek Indian Homemakers Club to the Honourable Garde Gardom, Attorney General of the Province of British Columbia regarding Richard Redekop (November 19, 1976).
  • Draft version (includes annotations) of "Introduction" to Judgement at Stoney Creek sent to Bridget Moran from Mayo Moran, (Feb. 1990).
  • Handwritten draft of a letter written to Vanderhoof Mayor Bill McLeod
  • Copy of handwritten letter from Helen Jones [Secretary of Stony Creek Indian Homemakers Club] to Bridget Moran (?), November 22, 1976.
Justa - Pulp Press editing
2008.3.1.060 · File · 1994
Part of Bridget Moran fonds

File consists of:

  • Linda's correspondence and non-encouragement re: Justa (Aug. 9, 1994)
  • Letter to Bridget Moran from Brian Lam, publisher Arsenal Pulp Press, Ltd. re: Justa edits (Aug. 11, 1994)
  • Letter to Bridget Moran from Brian Lam, publisher Arsenal Pulp Press, Ltd. re: Justa edits (Sept. 20, 1994)
  • Letter to Bridget Moran from Brian Lam, publisher Arsenal Pulp Press, Ltd. re: Justa edits (July 14, 1994)
  • Linda's correspondence re: Justa (Sept. 5, 1994)
  • Justa extra chapters and a note to Justa Monk regarding the reading of these chapters 16-21 from Bridget Moran.
Justa Reviews
2008.3.1.067 · File · 1984, 1994-1995
Part of Bridget Moran fonds

File consists of:

  • "Past mistakes recorded in new book" (Vancouver Sun, May 8, 1995)
  • "Murder led to election as tribal leader: social worker recorded story" (Vancouver Courier, Dec. 28, 1984)
  • Transcript of "Harkins! Bob Harkins Comment" re: Justa publication (Monarch Broadcasting, Nov. 21, 1994)
  • "Fascinating life, times of Justa Monk" (The Prince George Citizen, Feb. 2, 1995)
  • "Justa: A Review" (Central Interior NDP News)
  • "Blanket coverage" (B.C. Bookworld, spring 1995)
  • "Manslaughter, then Justa for all" and "Blanket coverage" (B.C. Bookworld, spring 1995)
  • Fax from Laura Boyd, Northwood Pulp & Timber to Justa Monk (and Bridget Moran?) re: names and positions of executive staff at Northwood (Nov. 14, 1994).
2008.3.1.081 · File · 1967-1992
Part of Bridget Moran fonds

File consists of:

  • 1 Audiocassette: Side A: The Plot Thickens, Oct. 31/87 [TDK D-90min. audiocassette]; Side B: Patrick: Sandblast, Aug/86 [TDK D-90min. audiocassette]
  • Letter to Patrick from Bridget Moran re: entry to The Plot Thickens entitled "The Case of the Box of Matches"; includes copy of "The Case of the Box of Matches" (Oct. 16, 1987)
  • "My old flame"
  • "The grief of giving up my long-time comfort" (The Vancouver Sun, Feb. 22, 1992)
  • Two newspaper copies sent from The Vancouver Sun to Bridget Moran: "Just one death among too many" (Sept.29, 1979)
  • "Bridget looks back into eye of storm" (The Citizen, Feb. 21, 1983)
  • "Year of the child? Tell that to Nancy" (The Vancouver Sun, Nov.9, 1979)
  • "Bridget's back in print" by Bev Christensen (Plus! magazine, The Citizen, Jan.5, 1991)
  • "Welfare....1969"
  • "Unholy Deadlock"
  • "The Juice of the Barley"
  • Letter from Dale Zieroth, Editor of Event: The Douglas College Review to Bridget Moran re: rejection of "Unholy Deadlock" for submission to a creative non-fiction contest. (July 1990); includes "Unholy Deadlock" manuscript
  • "The Numbers Game"
  • Copy of letter to Simma from Bridget Moran re: submission of "Reflections on a Theme" (Jan. 25, 1967; includes copy of "Reflections on a Theme" manuscript
  • Letter from Ros Oberlyn, of The Vancouver Sun to Bridget Moran re: rejection of submission to newspaper (Nov.17, 1983)
  • Handwritten copy of letter to Ros Oberlyn, of The Vancouver Sun from Bridget Moran re: submission of article "Supper, Little Children!" (Sept.26, 1983); includes copy of "Supper, Little Children!" manuscript
  • Letter from Phyllis Rosser, Editor for Ms. Magazine to Bridget Moran re: article submission; includes article "Rosie believed in her man" (The Vancouver Sun, May 14, 1976) and annotated draft and manuscript of "Come Hell or High Water"
  • Submission to Short Story Competition, CBC Radio Literary Competition VI by Bridget Moran entitled: "Man Alive"
  • "The Deadbeat Mystique"
  • "Hell on Wheels."
2008.3.1.83.2 · Item · [after 1981]
Part of Bridget Moran fonds

Photograph depicts lake in surrounding field. Grave marker on rock in right foreground. Handwritten annotation on recto of photograph: "This is a picture of the lake (part of it) the rock is in the bottom right corner on a knoll. You can see the plaque on it. But it isn't very clear."

2008.3.1.084 · File · 1981
Part of Bridget Moran fonds

File consists of handwritten notes; character outline; nine page typewritten draft with handwritten annotations for "Hushaby, Baby" (March 1, 1981); "Jottings from History", "Women", "Point - Counterpoint": typewritten excerpt from Peter the Great: His Life and World by Robert Massie.

2008.3.1.086 · File · 1951-1973
Part of Bridget Moran fonds

File consists of:

  • Manuscript: "Welfare and the Good Life" by Bridget Moran
  • "Out of tune" (The Sun)
  • "Should be 'Darned Pleased'" by Mrs. C.G. Maxwell of Prince George
  • "Mrs. Moran wins race for 1959 baby"
  • "Simon Fraser music considered unsuitable"
  • "Exciting years vividly remembered" by J. Crooks of Prince George
  • "Letters to the Editor: Mrs. Moran replies to her critics"
  • "My backbone is great and my soul is rested" (The Vancouver Sun, March 11, 1967)
  • "Social register causes no stir"
  • "Don't call them poor, just broke" (The Vancouver Sun, Aug.1, 1968)
  • Manuscript: "The Decline and Fall of Mr. Sullivan" by Bridget Moran
  • Manuscript: "Unholy Deadlock" by Bridget Moran
  • Typewritten draft with handwritten annotations: "Case History of a Gadfly" by Bridget Moran
  • Handwritten note to Roseanne [Moran] from Bridget Moran re: copy of short story; manuscript: "Man Alive"
  • "Women and welfare"
  • "Campfire club song" lyrics written by D. Watson and B.A. [Bridget] Moran
  • Notebook, dated April 12, 1951, containing research notes from various publications
  • Speech (?) / Manuscript (?) / Open Letter (?) written by Bridget Moran re: trip to Moscow and planning for the World Congress of Peace Forces (Nov.1973).
2008.3.1.088 · File · 21-Jul-76
Part of Bridget Moran fonds

File consists of a letter from Jean Y. Wright, Managing Editor for Chatelaine magazine to Bridget Moran re: letter of rejection for manuscript on childhood memories (July 21, 1976); including typed manuscript.

"O Ye Dry Bones"
2008.3.1.091 · File · 1995-1996
Part of Bridget Moran fonds

File consists of:

  • Manuscript: "O Ye Dry Bones"
  • Newspaper clippings re: health care from The Free Press
  • Handwritten notes on health care (meeting with Paul Ramsay?)
  • Invoice issued to Stephen Howard from Bridget Moran in the amount of $100 for "O Ye Dry Bones"; includes manuscript
  • Copies of publication of "O Ye Dry Bones" in the Current (Feb.-Mar.1996)
  • Copy of letter from orthopedic surgeon Phil Gathey (?) to Paul Ramsay (Aug.27, 1995).
Miscellaneous Writings
2008.3.1.093 · File · 1973
Part of Bridget Moran fonds

File consists of a speech (?) / manuscript (?) / Open Letter (?) written by Bridget Moran re: trip to Moscow and planning for the World Congress of Peace Forces (Nov.1973) and a speech (?) / manuscript (?) / Open Letter (?) written by Bridget Moran re: trip to Cuba.

Canada Council Grants
2008.3.1.095 · File · 1989-1998
Part of Bridget Moran fonds

File consists of:

  • Program information: "Grants for professional writers"
  • Letter to Brian [Lam, Arsenal Pulp Press] from Bridget Moran re: grant application (April 27, 1989)
  • Copy of grant application for Justa (Feb.1, 1993)
  • Copy of grant application for A Little Rebellion (May 1990)
  • Copy of grant application for Judgement at Stoney Creek (1989)
  • Photocopy of pages 27-31 of Judgement at Stoney Creek by Bridget Moran
  • Note from Carolyn Moore, Northern Lights College to Bridget Moran re: Canada Council public reading grant, including travel itinerary and a list of approved Canada Council readings for 1995
  • List of approved Canada Council readings for 1995-96 and information on Canada Council Readings Program
  • Copies of letters to Everywoman's Bookstore and Vancouver Public Library Main Branch from Bridget Moran re: additional material that could be used to publicize her readings (Dec. 17, 1994)
  • Copy of letter from Maja Bannerman to George Sipos, Mosquito Books, re: information on her work and request to perform at Mosquito Books (April 21, 1993)
  • Letter from Robert Richard, Canada Council Awards Officer to Bridget Moran re: receipt of grant report. (Sept. 6, 1994).
  • Letter of rejection from Silvie Bernier, Canada Council Program Officer to Bridget Moran (Marc 6, 1998).
2008.3.1.099 · File · 1996-1998
Part of Bridget Moran fonds

File consists of:

  • Letter from Teresa Saunders, SFU Program Coordinator, to Bridget Moran re: request for speaking engagement with SFU students. (Dec.19, 1997)
  • Note from Sandy, of the BC Festival of the Arts (1998) includes brochures on "Otherwords '98" Festival Writing Competition
  • Copy of letter from Bruce Allen, Dakelh Program and First Nations Studies Instructor, College of New Caledonia to Honours and Awards Secretariat re: support for Justa Monk's receipt of Order of British Columbia (Feb. 5, 1998)
  • Letter from Alternative Continuing Education, Hazelton Secondary School to Bridget Moran re: invitation to Bridget Moran and Mary John to speak on Stoney Creek Woman (Sept.18, 1996)
  • Brochure: J.M. & Associates First Nations Consulting Group.
Adulation (1) A
2008.3.1.102 · File · 1993-1998
Part of Bridget Moran fonds

File consists of:

  • Flower enclosure card from Dianne, Joan, Harold & Rosalie to Bridget Moran on the occasion of her 75th birthday
  • Card from Corey Van't Haaff to Bridget Moran expressing sadness at Bridget's board resignation
  • Thank you card from Judy Warren to Bridget Moran for gift of Stoney Creek Woman
  • Letter from Randy LaBonte of B.C. Principal's & Vice-Principal's Association to Bridget Moran re: thanks for conference participation (March 18, 1997)
  • Card of thanks from The Employment Readiness Program to Bridget Moran for talk at Mother's Day Tea
  • 75th birthday, birthday card to Bridget Moran from Carol, Bill, Logan and Matley (?)
  • Card from Shelagh Armour-Godbolt to Bridget Moran re: thanks for copy of A Little Rebellion (Oct.8, 1993)
  • Flower enclosure thank you card to Bridget Moran from students of Women's History at UNBC for her talk
  • Letter to Bridget Moran from Marg Lund , UBC School of Social Work re: Bridget's visit
  • Letter from Rosalie Goldstein to Bridget Moran re: appreciation for talk (Jan.12, 1998)
  • Prince George Regional Correctional Centre Special Request form for a visit with Bridget Moran (Jan. 16, 1997)
  • Letter from Patty Freeman to Bridget Moran re: writing (Jan.14, 1997)
  • Letter from Maureen Maloney, Deputy Minister to Bridget Moran (of the LSS Board of Directors) re: gratitude to Bridget for continuing to sit as Board member (Feb. 19, 1997)
  • Birthday card to Bridget Moran from Kathy and ?
  • Letter from Donna Creamore to Bridget Moran re: writing (April 20, 1998)
  • Card of thanks from Star Weiss Fuco and class to Bridget Moran for her visit (Feb.27, 1996)
  • Card and Letter of thanks from Bruce Northey to Bridget Moran for participation in Social Work 200 forums at UNBC (April 1996)
  • Letter from Theresa Healy of UNBC to Bridget Moran re: participation in classroom panel presentation (Feb.22, 1996)
  • Christmas card from David, CEO of Legal Services Society to Bridget Moran
  • Letter from Mary-Ellen Kelm, UNBC, to Bridget Moran re: thanks for participation in orientation of history students (Sept.30, 1996)
  • Letter from Jon Swainger, UNBC, to Bridget Moran re: visiting of classes (Oct.1, 1996)
  • Thank you card from Glen Mikkelsen of the Fraser-Fort George Regional Museum to Bridget Moran re: speakers series (Oct.10, 1996)
  • Thank you card from Prince George Native Friendship Centre to Bridget Moran re: visit
  • Letter from Star Weiss Fuoco to Bridget Moran re: invitation to speak; includes 5 photographs of a 1995 reading. Photographs consists of a class photo; an unidentified female student standing at the front of the class next to a seated Bridget Moran, reading an excerpt from Stoney Creek Woman; Bridget Moran reading from Stoney Creek Woman; an unidentified woman standing next to a seated Bridget Moran, holding up a copy of Judgement at Stoney Creek; an unidentified woman seated next to Bridget Moran as Bridget autographs a copy of Stoney Creek Woman
  • Letter from Judy Cooper of the Fraser-Fort George Regional Museum to Bridget Moran re: thanks for book donation and Record of Gift form (March 11, 1997)
  • Letter of thanks to Bridget Moran from Blackburn Junior Secondary School re: her time in judging first Literary Contest at the school (March 12, 1997)
  • Letter from Beverly Field to Bridget Moran re: Vanderhoof memories (1996)
  • Thank you card from unidentified group to Bridget Moran re: gift of knitted sweater
  • Thank you card from students at Hazelton School to Bridget Moran re: Justa
  • Postcard from Bev Dow to Bridget Moran re: visit to Telkwa School. (July 30, 1995)
  • Letter from Star Weiss Fuoco on behalf of Aboriginal Women's Training Program, Cowichan Campus, Malaspina University-College, Duncan, BC to Bridget Moran re: thank you for visit; includes 4 photographs (Feb.5, 1995): posed class photo including Bridget Moran; student gathered around a seated Bridget Moran as she autographs books; two students, Charlene and Joanne Smith, present a gift to Bridget Moran; students and Bridget Moran sit in a circle for group discussion
  • Letter from Daniel Birkenbach to Bridget Moran re: interview questions (Feb.25, 1996)
  • Letters of confirmation flight itinerary for Northern Lights College conference "Networks 1996" (1996)
  • Letter from Star Weiss Fuoco on behalf of Aboriginal Women's Training Program, Cowichan Campus, Malaspina University-College to Bridget Moran re: thank you for visit and travel honorarium (March 4, 1996)
  • Card of thanks from Bert Bowes Junior Secondary School to Bridget Moran re: author's talk
  • Advertisement for Prince George Art Gallery show "Len Norris: A Retrospective" featuring Bridget Moran's name in a political cartoon
  • Letter from Patricia Freeman to Bridget Moran re: writing (Nov.26, 1996)
  • Thank you card and letters (from students?) re: visit by Bridget Moran
  • Thank you card from Joylene (?) Butler to Bridget Moran re: her attendance at "Hillbilly Library Nite"
  • Thank you note from Soki (?) to Bridget Moran for her talk to new Social Workers.
  • Letter from June Moulton to Bridget Moran re: personal update and writing; includes funeral program and copies of newspaper articles (March 9, 1996)
  • Letter from June Moulton to Bridget Moran re: personal update and writing (Aug.12, 1995); includes advertisements for "Swan Creek" and Highway Book Shop.
Classroom Photograph
2008.3.1.102.1 · Item · [1995 or 1996]
Part of Bridget Moran fonds

Photograph depicts group of unidentified men and women seated in chairs in unknown classroom.

2008.3.1.102.2 · Item · [1995 or 1996]
Part of Bridget Moran fonds

Photograph depicts Bridget Moran seated beside unidentified woman who stands reading excerpt from Moran's book. Table with miscellaneous items in foreground, window and chalkboard in background. (Standing woman also featured in item 2008.3.1.102.5).

2008.3.1.102.6 · Item · 1995
Part of Bridget Moran fonds

Photograph depicts a young boy and group of fourteen women posed for photograph in classroom, chalkboard in background. Handwritten annotation on recto of photograph: "Aboriginal Women's Training Program, Cowichan Campus, Malaspina University College, Duncan BC".

2008.3.1.102.8 · Item · 1995
Part of Bridget Moran fonds

Photograph depicts Moran seated to left of two students presenting small knitted craft. Desk and chalkboard in background. Photograph was taken at session of Aboriginal Women's Training Program at the Cowichan Campus, Malaspina University College, in Duncan B.C. Handwritten annotation on recto of photograph: "Gifts from Charlene + Joanne Smith".

2008.3.1.102.9 · Item · 1995
Part of Bridget Moran fonds

Photograph depicts Moran seated on far left, in circle of women in classroom. Desk and chalkboard in background. Photograph was taken at session of Aboriginal Women's Training Program at the Cowichan Campus, Malaspina University College, in Duncan B.C.

Wells - Students; Classes
2008.3.1.108 · File · 1994-1998
Part of Bridget Moran fonds

File consists of:

  • 70th Birthday greetings to Bridget Moran from Audrey McLaughlin, M.P.
  • 70th Birthday greetings to Bridget Moran from Prime Minister Kim Campbell
  • Letter of congratulations to Bridget Moran from Paul Ramsay, M.L.A., re: appointment to the Board of the College of New Caledonia (Jan. 27, 1994)
  • Letter of congratulations to Bridget Moran from Lois Boone, M.L.A., re: appointment to the Board of the College of New Caledonia (Jan. 27, 1994)
  • Letter of appointment to Bridget Moran to the Board of the College of New Caledonia from Dan Miller, Minister of Skills, Training and Labour (Feb. 16, 1994)
  • Thank you card from Lyn Wens to Bridget Moran re: a course taught by Ms. Moran in Wells, B.C. (Sept. 29, 1997)
  • Brochures for Island Mountain Arts 2nd Annual Winter School of the Arts, Feb. 19-22, 1998 and Music & X-Country Weekend, March 14-15, 1998.
  • Letter from Dorothea of Island Mountain Arts to Bridget Moran re: enclosed contract for teaching a Feb. 1998 course on Creative Writing.
  • Copy of original contract between Island Mountain Arts and Bridget Moran for teaching a Feb. 1998 course on Creative Writing.
  • Workshop description for Creative Writing, by Bridget Moran, Feb. 21-22, 1998
  • Letter from Bart Wiersma to Bridget Moran re: enclosed poem (Sept. 1997)
  • Copy of original contract between Island Mountain Arts and Bridget Moran for teaching a July 31-Aug.3, 1997 course on Creative Writing.
  • Letter from Betty Edwards to Bridget Moran re: poem and creative writing course taught by Ms. Moran (Sept. 29, 1995)
  • Letter from Jenny to Bridget Moran re: writing and personal update (April 1, 1996)
  • Letter from Betty Edwards to Bridget Moran re: publishing attempts (April 18, 1996)
  • Christmas card and letter from Bart Wiersma to Bridget Moran re: writing and personal update (Dec. 15, 1995)
  • Christmas card from Margaret and Angus McKirdy to Bridget Moran (Dec. 12, 1995)
  • Letter from Betty Edwards to Bridget Moran re: creative writing course in Wells, B.C. (July 7, 1995)
  • Letter from Susan DeSandoli to Bridget Moran re: writing and publishing endeavors (Sept. 21, 1995)
  • Card from Margaret McKirdy to Bridget Moran re: writing and publishing endeavors (Jan. 16, 1996)
  • Open letter from Island Mountain Arts to Summer School participants (July 19, 1995)
  • Letter from Alison Bacon, Island Mountain Arts to Bridget Moran inviting her to instruct a creative writing summer workshop (1995); includes: Artist/Teacher Information Form and copy of contract.
  • Letter from Mary (?) to Bridget Moran including photo of Bridget Moran and a copy of an article published in Dreamweaver: Northern Writer's Co-op (vol.1, no.1, September 1997)
  • Thank you card signed by participants in the Island Mountain Arts Creative Writing workshop to Bridget Moran.
  • Letter from Betty Edwards to Bridget Moran re: personal update (October 2, 1997)
  • Letter from Betty Edwards to Bridget Moran re: bibliography and update on writing (August 1, 1996)
  • Handwritten poem by unidentified author
  • Brochure for Island Mountain Arts summer 1997 workshops in Wells, B.C.
  • Contact List for writing workshop participants, November 1996
  • Contact List for writing workshop participants, April 1997
  • Workshop description for Creative Writing, by Bridget Moran, July 27-30, 1996
  • Bridget Moran's contact List for, and notes on, writing workshop participants
  • Contact List for writing workshop participants, July 1996
  • Writing Class List for workshop participants, 1997
  • Copy of letter written to creative writing workshop participants, referred to as the "Eloquent Eight" (Sept. 15, 1995)
  • Island Mountain Arts 1996 Summer School Course Evaluations for course taught by Bridget Moran
  • Article from Healthy Family (June 1996) by Kate Verpaelst entitled "Interactive Science"
  • Contact List for writing workshop participants, Feb. 1998 and notes on workshop format on back.
2008.3.1.110 · File · 1992-1996
Part of Bridget Moran fonds

File consists of:

  • "O ye dry bones: the Prince George orthopedic exodus" by Bridget Moran (Current, Feb.-Mar. 1996)
  • "New Prince George jail can't solve old problem" by Bridget Moran (Current, Oct.1994)
  • "Let's stop slandering welfare recipients" by Bridget Moran, (The Vancouver Sun, July 29, 1993)
  • "The grief of giving up my long-time comfort" by Bridget Moran (The Vancouver Sun, Feb. 22, 1992).
Cross Cultural Education
2008.3.1.112 · File · [199-?]
Part of Bridget Moran fonds

File consists of:

  • Draft of 10 page presentation "Cross Cultural Education" printed and annotated by Bridget Moran
  • Advertisement: Call for presenters for the Aboriginal Education Conference 1997
  • Letter from Blaire at Arsenal Pulp Press to Bridget Moran re: her potential involvement in the Aboriginal Education Conference 1997 as a presenter.
  • Aboriginal Education Conference 1997 Registration Form
  • Final copy of 10 page presentation "Cross Cultural Education" written by Bridget Moran and sent to Northern Lights College Networks conference (Feb. 22, 1996)
  • Letter from Randy LaBonte, Planning committee for the 1997 Aboriginal Education Conference to Bridget Moran informing her that her presentation proposal has been accepted; preliminary conference program, flight itinerary
  • Fax from Randy LaBonte to Bridget Moran re: confirmation of presentation arrangements (Feb. 1997)
  • Attendee Name list for Aboriginal Education Conference 1997 "A Gathering of People of Like Minds '97"
  • Excerpt from "Needs of the Indian School" by John F. Bryde
  • Conference handout: Planning Committee contact list
  • Conference handout: School District First Nations Contact Listing
  • Conference handout: "Did you know....?"
  • Conference handout: "13 Commandments for Teachers of Aboriginal Students"
  • Conference handout: "Do's and Don'ts for Teachers: When Teaching About Aboriginal Peoples..."
  • Conference handout: "Disparities: Economic and Living Trends."
2008.3.1.114 · File · [ca. 1996]
Part of Bridget Moran fonds

File consists of:

  • Brochure for Canadian Books in Print
  • Address label for National Library of Canada, Canadiana Acquisitions Division and Legal Deposit Office
  • Letter from John Colombo to Bridget Moran re: suggestions for reprinting of Prince George Remembered
  • National Library of Canada form: Publication for listing in Canadiana - Canada's National Bibliography
  • Advertisement re: Free listings in Quill & Quire's 1996 fall announcements and Canadian Books in Print 1996
  • 2 copies of Canadian Books in Print Title Entry Form / Quill & Quire's Fall 1996 Announcement Form
  • Moran, Bridget. Prince George Remembered. Prince George: Moran Publishing, 1996 (3rd printing)
  • Catalogue of new books from Colombo & Company.
2008.3.1.133 · File · 1974
Part of Bridget Moran fonds

File consists of:

  • Handwritten journal chronicling trip to Europe.
  • Handwritten draft of "The Making of s Social Worker: Prologue" (Sept. 11/ 74)
  • Handwritten notes on Irish history
  • [Handwritten draft pertaining to Irish history? Perhaps drafts for "Manner of Life in Ireland" written by Bridget Drugan, 1941]
  • Draft of "Saskatchewan... Saskatchewan...There's No Place Like Saskatchewan" by Bridget Moran.
"Thank you" poster
2008.3.1.135 · File · [199-?]
Part of Bridget Moran fonds

File consists of a poster with thank you notes from students of English 020 for Bridget's visit and discussion of Stoney Creek Woman.

Justa
2008.3.1.147.15 · Item · 1994
Part of Bridget Moran fonds

Item is a audio interview recorded by Bridget Moran with Justa Monk.

Audiocassette Summary

00’ 01” Justa is talking about the Kemano II Project, which he states is a political issue, not an environmental one. He says the Project is a public issue now, not just a First Nations issue.

06’ 52” Moran asks Justa about when he was elected to tribal chief. He talks about the nominations process.

09’ 52” End of tape.

Justa
2008.3.1.147.17 · Item · 1994
Part of Bridget Moran fonds

Item is a audio interview recorded by Bridget Moran with Justa Monk.

Audiocassette Summary

00’ 04” Moran is talking about book signings for Justa’s book.

00’ 27” Justa and Moran talk about board members for the Kemano II Project. They continue to talk about the Kemano II Project. Justa says the amount of pressure he is putting on the government, combined with public support, hopefully means Kemano II will be stopped. They continue to discuss the details and the politics surrounding the Project.

10’ 26” Moran asks Justa whether he was surprised or not when he lost the position of tribal chief at the last Assembly. He tells her he was not surprised. He talks about the first time he resigned from the position due to stress. He says the band knew he was tired, so did not want the position any longer. In a letter he wrote, he stated it was time for some new blood.

21’ 11” Moran asks Justa about his new position. He talks about being a contractor to Northwood Pulp and Timber where he liaisons between First Nations people and the company on employment concerns and tree sales. He talks about his position in more detail.

28’ 46” Moran asks Justa about how he feels about his life now. He tells her he feels good about what he has accomplished, but he needs a rest. He talks about his accomplishments throughout his career. He tells Moran he has no regrets about anything.

37’ 55” Moran asks Justa about his health issues and how he is feeling now.

38’ 57” End of tape.

Justa
2008.3.1.147.18 · Item · 11 Sept. 1995
Part of Bridget Moran fonds

Item is a audio interview recorded by Bridget Moran with Justa Monk.

Audiocassette Summary

00’ 10” Moran is asking Justa about how he is feeling because he had a major heart attack. He talks about recovering from his attack in a week.

02’ 15” Moran asks Justa about what he thinks about the Gustafson Lake situation. He says he predicted it because the government has not been serious enough in negotiations for land claims. He does not believe in militant reactions and wants peaceful negotiations.

04’ 54” Moran asks Justa about what helped him get out of the ‘trench’ he was in after murdering his brother. He was able to carry on partly because he was forgiven by his family and the elders. He says the elders were the people who convinced him to plan for his future. He took their advice seriously, hence why he took on leadership roles.

07’ 15” Justa talks about taking a group of students to meet Gino (?), a hockey player. He says he wants to make things better for the young people because of alcohol and drugs, so believed the trip helped the students he took on the trip.

13’ 34” End of tape.

2008.3.1.148 · File · [between 1980 and 1999]
Part of Bridget Moran fonds

File consists of one 5.25" floppy disk, containing the following files:

  • “Alcohol” -Transcript of Mary John discussing her history with alcoholism; how it is the biggest problem facing First Nations people
  • “Changes”- Transcript of Mary John discussing the changes on the reserve, including TV, hot water, and electricity. John talks about how she earns her money through leatherwork
  • “Depression”- Transcript of Mary John discussing how hard the Depression was on First Nations people. They would trade fish for clothing during that time
  • “Indian Agent and Department of Indian Affairs”- Transcript of Mary John discusses the corruption of the Department of Indian Affairs and how many of the Indian agents were indifferent to First Nations people
  • “Hides”- Transcript of Mary John discussing how to make proper moose hides
  • “Lejac”- Short paragraph on the residential school of Lejac
  • “Marriage”- Transcript of Mary John discussing how finances were poor because of the Depression. She discusses how her husband made railway ties to earn money
  • “Mike”- A birthday letter to Mike, Bridget Moran’s son, expressing her joy of having a computer
  • “Net Fishing”- Transcript of how to set fishing nets in the water
  • “Potlatch”- Transcript of what a potlatch is, how many clans there are and what they mean
  • “Siblings”- Transcript of Mary John discussing her stepbrothers and sisters. She talks of Mark, her oldest brother, who died of tuberculosis in 1940
  • “Social Life”- Transcript of Mary John discussing how they would have dances in people’s homes. She also talks about baseball games in Prince George, BC
  • “Survival”- Transcript of Mary John discussing a survival camp at Wedgewood where children learned to tan hides and live off the land
  • “Whites”- Transcript of Mary John discussing how she was treated poorly in a hospital. She discusses her relationships with white people, and how racist Vanderhoof was compared to Prince George
  • “Work”- Transcipt of Mary John discussing the trials of getting to work in the winter, but how she managed to save some money to purchase a vehicle
2008.3.1.151 · File · [between 1980 and 1999]
Part of Bridget Moran fonds

File consists of one 5.25" floppy disk, containing the following files:

  • “Chapter Seventeen – Coreen” - Draft re: the death of Coreen Thomas and the demand for an inquest
  • “Chapter Nineteen – Elders” - Draft re: the creation of the Elders Society to help teach Carrier language and culture
  • “Chapter Fifteen”- Draft re: the demand for a day school on the reserve; Mary John gains employment in a hospital because her family was financially struggling; she is asked to teach Carrier language and traditions at the new day school
  • “Chapter Fourteen”- Draft re: tuberculosis takes a number of Mary John’s family members
  • “Chapter Eighteen – Inquest”- Draft re: the inquest into Coreen Thomas’ death and the effect on the community
  • “Chapter Sixteen”- Draft re: the removal of the drinking ban on reserves and the effect it had on the community; how Mary John vowed to never drink again after losing a family member in a train accident
  • “Chapter Thirteen”- Draft re: the loss of Mary John’s stepfather and mother
  • “Chapter Twenty”- Draft re: being Citizen of the Year; building a new home; falling ill, but still keeping busy in her senior years, particularly with the Potlatch House
  • “Chapter Twenty-One”- Draft re: conclusion
2008.3.1.154 · File · [between 1980 and 1999]
Part of Bridget Moran fonds

File consists of one 5.25" floppy disk, containing the following files:

  • “Ann”- One sentence about the reserve
  • “Stoney Creek Woman”- Why Stoney Creek Woman was written
  • “Assault”- Letter to J. Pattison from Patrick Moran re: assault on Patrick Moran
  • “BC Historical Federation”- Letter to Naomi Miller re: Stoney Creek Woman
  • “Birds”- Letter to Patrick (last name unknown) re: submission of The Plot Thickens
  • “Grant”- Letter to Dr. Richard re: Canada Council grant reward
  • “Cakes”- Recipe for white cake
  • “Canplus”- Letter to Canadian Plus re: reward points for a flight
  • “Carl”- Letter to Carl (last name unknown) re: safety training for school social workers
  • “Progress Report”- Progress report on Stoney Creek Woman to the Canada Council
  • “Grant 3”- Letter to Dr. Richard re: progress report to the Canada Council
  • “Grant 4”- Letter to Dr. Richard re: distribution of grant funds
  • “Grant 5”- Letter to Dr. Richard re: application form
  • “Grant 6”- Letter to Canada Council re: application form for Arts Grant
  • “Grant 7”- Letter to Dr. Richard re: grant expenses
  • “Grant 8”- Grant application letter for A Little Rebellion
  • “Grant 9”- Letter to Dr. Richard re: final report for grant
  • “Grant A”- Reference file number for the Canada Council
  • “Grant B”- Final report for Judgement at Stoney Creek for the Canada Council
  • “Grant C”- Letter to Dr. Richard re: future grant applications
  • “Grant D”- Letter to Ms. Hogue re: grant
  • “Grant E”- Letter to Dr. Richard re: grant application
  • “Petition”- Petition: Connaught Hill Park
  • “Contents”- Projected Contents of A Little Rebellion
  • “Costs”- Project Costs for A Little Rebellion
  • “Dare To Ask”- Letter to Al and Mike at CBC
  • “Davies”- Letter to Dr. Ashley Davies from Patrick Moran re: assault injuries
  • “Deadlock”- Unholy Deadlock – Bridget Moran writes about marrying Pat
  • “Event”- Letter submitting Unholy Deadlock in a creative fiction contest
  • “Flame”- “My Old Flame” – Bridget writes about quitting smoking
  • “Garth”- Reference letter for Garth Walmsley
  • “Introduction”- Bridget Moran writes about the importance of writing Mary John’s story
  • “Letter”- Letter to Brian and Linda (last names unknown) re: introduction
  • “Madonna”- Personal letter to Madonna (last name unknown)
  • “Matches”- The Case of the Box of Matches – beginning of a short story
  • “Milltown”- Personal letter to Mike (last name unknown)
  • “Mistakes”- Corrections for Judgment at Stoney Creek
  • “Passport”- Letter to Hon. Joe Clark re: passport for Mary John
  • “Petition”- Petition to Prince George City Council re: partying on Connaught Hill Park
  • “Pious”- Letter to Linda (last name unknown) re: quitting smoking
  • “Program of Work”- Grant application for A Little Rebellion
  • “Project”- Projected contents of Judgement at Stoney Creek
  • “Published”- Resume for published and unpublished works
  • “Review”- Letter to editor at the Vancouver Sun re: Condom Capers
  • “Safety”- Questionnaire for social workers re: safety training
  • “A Child’s Christmas In Saskatchewan”- Beginning of a short story
  • “Letter”- Letter to Pauline Stroud re: passport for Mary John
  • “Superannuation”- Letter to Superannuation Commissioner re: amount of superannuation
  • “Margaret”- Letter to Margaret (last name unknown) re: taxes
  • “Tommy”- The Case of the Penny Matches – beginning of a short story
  • “Unholy”- The end of Unholy Deadlock
  • “Committee”- District Screening Committee meeting
Disk0023 - Horizontal Land
2008.3.1.171 · File · [199-?]
Part of Bridget Moran fonds

File consists of one 5.25" floppy disk, containing the following files:

  • “Chapter One”- The Letter
  • “Chapter Two”- Till Death Do Us Part
  • “Chapter Three”- Westward Ho!
  • “Chapter Four”- We’re Here Because We’re Here
  • “Chapter Five”- Saskatchewan, Saskatchewan, There’s No Place Like Saskatchewan!
  • “Chapter Six”- This Land is Your Land, This Land Is My Land
  • “End 6”- Draft
  • “Finis”- Draft
  • “Gunthers”- Draft
  • “Two Three”- The Gunthers Are Back!
2008.3.1.175 · File · [199-?]
Part of Bridget Moran fonds

File consists of one 5.25" floppy disk, containing the following files:

  • “Chap 15”- Joy to the World Draft
  • “Chap 16”- Give Us This Day Draft
  • “Chap 17”- Hail Mary, Full of Grace Draft
  • “Chap 18”- The North Wind Doth Blow Draft
  • “Chap 19”- Unholy Deadlock Draft
  • “Chap 20”- The Inspector and the Lady Draft
  • “End 15”- Draft
  • “End 20”- Draft
  • “Mid 20”- Draft
2008.3.1.177 · File · [199-?]
Part of Bridget Moran fonds

File consists of one 5.25" floppy disk, containing the following files:

  • “Chap 6”- Draft
  • “Chap 7”- In the Still of the Night Draft
  • “Chap 8”- Beyond the Blue Horizon Draft
  • “Chap 9”- A Letter Home (1) Draft
  • “Chap 10”- A Letter Home (2) Draft
  • “Eleven”- A Letter Home (3) Draft
  • “End 7”- Draft
  • “Letter”- Draft
  • “Still”- Draft
  • “Thirteen”- A Day in Another Town Draft
  • “Twelve”- Down by the Riverside Draft
2008.3.1.181 · File · 1996
Part of Bridget Moran fonds

File consists of one 5.25" floppy disk, containing the following files:

  • “Abuse”- Phoenix Transition House Speech
  • “BAM Bio 2” -Biography of Bridget Moran
  • “BAM Bio 3”- Biography of Bridget Moran
  • “BCC”- Letter to Walter at BC Arts Council re: application
  • “Cacou97”- Grant application statement
  • “Cacou97 1”- Letter to Canada Council re: grant application
  • “CanCopy”- List of publications
  • “C Council 1”- Letter to Canada Council re: application form request
  • “ D Duncan”- Statement to LSS Board of Directors re: Performance Assessment of CEO
  • “D Kennedy”- Birthday letter to Don Kennedy
  • “Doctors”- Letter to the Editor
  • “Ewen 1”- Letter to CBC Morningside
  • “Ewen 2”- Letter to Pamela Wallin Live
  • “Ewen 3”- Follow-up letter to Pamela Wallin Live
  • “Fed”- Letter to the Federation of B.C. Writers
  • “Gallery”- Art Gallery Contest writing
  • “Hale”- Bridget Moran’s Qualifications
  • “Harkins”- Letter to Nominating Committee for Citizen of the Year re: Bob Harkins
  • “Invite”- Letter to Luce Peterson re: investiture of Elder Mary John
  • “J Barker”- Summary of Cross Culture Education
  • “Judgment”- Statement of Intent re: producing Judgement at Stoney Creek
  • “Judy Sis”- Letter of reference re: Brenda Webb
  • “Lejac”- Letter to Brian at Arsenal Pulp Press re: preservation of Carrier language
  • “Lougheed”- Reference letter re: Vivien Lougheed
  • “Madrugan”- Excerpt from The Horizontal Land
  • “Order”- Biography for Justa Monk
  • “Order 2”- Letter re: Justa Monk nomination letter for the Order of British Columbia
  • “Order 3”- Letter to John Prince re: Justa Monk
  • “Order 4”- Letter to Honours and Awards Secretariat re: Nomination of Justa Monk, Order of British Columbia
  • “Pindar”- Letter to Pindar (last name unknown) re: closing offices
  • “Preface”- Preface to 10th Printing of Stoney Creek Woman
  • “Preface 2”- Preface to third printing of Judgement at Stoney Creek
  • “Preface 3”- Letter to Brian re: preface to Judgement at Stoney Creek
  • “R Gosh”- Reference letter for Roberta Gosh
  • “Recall 1”- Letter to the Prince George Citizen re: healthcare
  • “Regrets”- Letter to Pinder Cheema re: resignation from Governance and Native Programs Committees
  • “Sandecki”- Summary on the art of writing
  • “Short Bio”- Biography on Bridget Moran
  • “Tina”- Letter to North East Aboriginal Council re: Head Start Program
  • “Vic 1”- Invitation list for University of Victoria convocation
  • “Vic 2”- Letter to Ceremonies Office re: information
  • “Vic 3”- Letter to Helen Kempster re: accommodation details
  • “Vic 4”- Invitation list for convocation dinner
  • “Vic 5”- Speech for UVic convocation
  • “Wells 98”- Letter to Dorothea re: writing workshop biography
  • “Wells 97”- Schedule for writing workshop
  • “Word 1”- Letter to Corey (last name unknown) re: WordWorks
  • “Yink”- Letter to Lois and Paul re: Yinka Dene Language Institute
2008.3.1.182 · File · Sept. 1992
Part of Bridget Moran fonds

File consists of one 5.25" floppy disk, containing the following files:

  • “Justa” Transcript of interview with Justa Monk
  • “Justa 2”- Transcript of interview with Justa Monk
  • “Justa 3”- Transcript of interview with Justa Monk
  • “Justa 4”- Transcript of interview with Justa Monk
  • “Justa 5”- Transcript of interview with Justa Monk
  • “Justa 6”- Transcript of interview with Justa Monk
  • “Justa 7”- Transcript of interview with Justa Monk
  • “Justa 8”- Transcript of interview with Justa Monk
  • “Justa 9”- Transcript of interview with Justa Monk
  • “Lejac”- Transcript of interview with Justa Monk
2008.3.1.185 · File · 1993
Part of Bridget Moran fonds

File consists of one 5.25" floppy disk, containing the following files:

  • “Eight”- Draft
  • “Eleven”-Draft
  • “Fifteen”- Draft
  • “Fourteen”- Draft
  • “Nine”- Draft
  • “Sixteen”- Draft
  • “Ten”- Draft
  • “Thirten”- Draft
  • “Twelve”- Draft
2008.3.1.186 · File · 1994
Part of Bridget Moran fonds

File consists of one 5.25" floppy disk, containing the following files:

  • “Dedicate”- Dedication
  • “Eighteen”- Draft
  • “Epilogue”- Draft
  • “Foreword”- Author’s Foreword
  • “I Refuse”- Letter to Brian at Arsenal Pulp Press re: Justa
  • “Introduction”- Draft
  • “I Refuse 2”- Letter to Brian at Arsenal Pulp Press re: Justa
  • “I Refuse 3”- Letter to Brian at Arsenal Pulp Press re: Justa
  • “Nineteen”- Draft
  • “Seventeen”- Draft
  • “Summary”- Summary of Justa
  • “Thanks”- Author’s Acknowledgements
  • “Twenty”- Draft
  • “Two One”- Draft
2008.3.1.191 · File · 1992
Part of Bridget Moran fonds

File consists of one 5.25" floppy disk, containing the following files:

  • “Dedicate”- Dedication
  • “Epilogue”- Draft
  • “Finality”- Letter to Brian at Arsenal Pulp Press re: edits
  • “Quote”- Quote from Thomas Jefferson
  • “Title”- Title page
  • “Two 3”- Chapter Twenty Three Draft
2008.3.1.197 · File · [199-?]
Part of Bridget Moran fonds

File consists of a videocassette (VHS) recording of Mary & Lazare John’s 60th Anniversary Party.

Videocassette Summary

Context: Celebratory events for Mary and Lazare John’s 60th Wedding Anniversary, 1989.

Introduction: Party held in an auditorium. Head table in front of a curtained stage, decorated with a blue tablecloth. Streamers and pink, white and blue balloons provide a backdrop for the head table. Silver paper bells decorate the front of the table with a larger “60” sign on the front centre of the tablecloth. There is a large wedding cake situated between Lazare and Mary on the centre of the head table. Pink and white balloons and streamers decorate the walls of the hall.

Stoney Creek dancers (children of all ages) come to the centre of the dance floor to perform. Fifth dance is performed [video captured dance halfway through] to drumming and singing accompaniment. Sixth dance (inaudible title) is performed. Guests of all ages join in including Mary and Lazare. Seventh dance is called the “Chicken dance” where the boys are the roosters and the girls are the chickens. Eighth dance is the “Farewell dance”. A thanks goes out to the party guests for watching the dancers.

Various unidentified guests come to the back of the head table to wish Mary and Lazare their best.

Dan: He had heard about Mary and Lazare’s hospitality from Helen and (?) Prince. He and his family came to visit. They spent the night on the John floor. Mary helped his family and a young woman named Janai get a place in the Potlach house, and then on to the schoolhouse where they all spent the summer. (This family worked for a gospel mission). He spoke of the young woman named Janai who was now married to a Fijian and who would’ve loved to have been at their anniversary. He also introduced people from Wisconsin and from Fiji. The Fijian guests were going to perform some songs that expressed their connection to God. He congratulates Mary and Lazare on the 60 years together and again thanks them for helping opening Stoney Creek up to their missionary work.

Fijian guest sing several songs to an acoustic guitar and dance several dances to tape recorded Fijian music.

Unidentified woman from England and now in Thunder Bay says thank you to Lazare and Mary who allowed her stayed with them and their family for a time.

Unidentified man on guitar and woman sing a song for Mary and Lazare at the front of the head table.

Unidentified man with guitar sings a Johnny Cash (?) song at the front of the head table (song dedicated to a cousin from Sechelt). (“Big city turn me loose”?) Man sings second song originally by Randy Travis. He then plays guitar while two other unidentified men sing Hank Williams Sr. “There’s a Tear in my Beer”.

Unidentified woman sitting at front playing accordion while Winnie sings “Memories are made of this” (?)

End of tape

2008.3.1.199 · File · 24 Oct. 1995
Part of Bridget Moran fonds

File consists of a videocassette (VHS) recording of Justa Monk giving a talk to a UNBC Carrier Culture Course (First Nations Studies 163) on October 24, 1995.

Videocassette Summary

Context: Justa Monk speaks to students in the UNBC Carrier Culture Course (First Nations Studies 163)

Introduction: Justa Monk is seated at a table situated at the front of a lecture theatre (?) speaking in a lecture style that ended in a question-answer format with several students in the FNS 163 class. The videotaping does not commence from the beginning of the lecture as there is no introduction to Justa Monk by the instructor and there is no immediate indication as to who the instructor is.

Justa wrote his book because his elders requested him to, and his people requested him to share what he went through and what alcohol had done to him. So he thought about it. Throughout his leadership, many people talked with him about their alcohol problem and how they couldn’t get out of the trench they were in. He wrote the book to tell them that ‘yes’, they can get out of the trench and that ‘yes’, they can change. Other reasons why he wrote his book: when his people get into trouble, they often classify themselves as a ‘nobody’ – when they read his book, they see the trouble he went through: first, at young age, when he started drinking after he left residential school. Then as he grew, it got to point where he couldn’t control his drinking- where he was blacking out and didn’t remember why he was in jail. When he got drunk he was a fighter, even though he was small. He didn’t care. He would work everyday and fight every weekend. Growing up on reservation, there is no choice as to future and not much to do so many turn to booze. Every time a friend or relative had alcohol they would share it with their next closest friend or relative. In his family, his brother came over to the house to invite him to drink over-proof rum with him. He blacked out, killed his brother and spent time in jail. He was very suicidal. He didn’t want to live after what he did. His lawyer talked to him. Upon his release he thought he lost the respect and love of his family and his community. It surprised him that he was forgiven and that he had a future in his life. It was hard. It still bothers him after 29 years.

When he came back to his community the elders came to talk to him about his leadership qualities. He didn’t know what they were talking about. The elders told him that in past he made mistakes, but that he can iron out his mistakes and show his leadership and that’s what happened. He became band manager, then band manager and chief,and then chief and so forth. That is why he wrote that book.

‘Yes’, he listened to his elders, ‘yes’, he was a drunk, ‘yes' he made a mistake because of alcohol. He came out of his trench and became a leader. There is hope to change if there is a wish to change.

He also wrote his book because no one in his territory, except Mary John, had been able to share with non-Indians the way of life they lived - off the land. He grew up on an isolated reserve, and lived off the land. He didn’t understand English until he went to [Lejac] residential school. It’s really hard to make people understand today, what First Nations people were like in his day. In his family there were 11 of them. His father made something like 50 cents a day to support them all - it was really hard.

When Justa went to residential school, he didn’t know how to speak or understand English. His parents didn’t go to school at all. His Dad knew some English because he worked off reserve at a lodge. On his first day of residential school, he asked his brother why they were taking away his clothes. A priest smacked him and told him ‘he was not to use that language around here’. Residential school has done some harm, a lot of harm, to his people. On the other hand, he cannot totally criticize these schools as they disciplined some people – many people in leadership positions today grew up in residential school. Residential schools were told by the government to make assimilate the children and make a white person out of a brown person. He thinks they went about it the wrong way. That is where the frustrations of First Nations people come. You see and hear about abuse. His people are suffering from the consequences of the stupidity in the way they tried to make his people assimilate. Because of that, there is abuse going on amongst his people. Aside from that, he one of lucky ones to go home and retain language and culture: now he can live in 2 worlds – the world of the white man and the Indian world.

Culture-wise they were taught to respect. Mom was boss in house. If they didn’t do what mom said, dad would punish them but his parents wouldn’t lay a hand on the children. They taught children how to respect the land, and other people. They taught him how to use the land. Sophie Thomas, elder who does Indian medicine in Stoney Creek lives the belief that every time you take something from land you replace it with something. When Sophie takes things for Indian medicine she replaces it with tobacco.

He wonders if his people will ever have the opportunity again to hunt and fish anywhere they want. He doesn’t think so. When people started warring about the land there was a lot of bloodshed in the early 1900s before the Europeans came. His people worried that there were too many dead amongst the Indian people, and they had to do something about it. In 1921 they came up with the idea of potlatch as they needed peace amongst the people as there was too much bloodshed. To him ‘potlach’ means respect, love and sharing. If you’ve done something to wrong your neighbour instead of fighting, clans would call a potlatch right then and invite all. They would put the fighters in the centre and each were told no more fighting. This still goes on. There is also a potlatch for death of people. There are four clans in a potlatch: caribou, beaver, frog and bear (?)

A long time ago First Nations people fought for land but they had respect for land; that is why they had to protect the land and kill one another for it. If someone trespassed without permission, they could die. People talk about self-government today. The young generation of his people didn’t even know there was self-government amongst their own people, that they controlled their own people. They had no government programs, they were living off the land and controlling their own people. They used to have Watchmen, who looked after the community. The 1 and only person they had to answer to was the hereditary person, who overlooked the territory, their lands. So when someone did something they weren’t supposed to do, that person went in front of the hereditary person to receive a punishment. He was taught that boys weren’t even allowed to kiss a girl, without proving to her family that they were a good hunter and provider. If they did, they would be held up to all and embarrassed. They might be beaten if they still didn’t understand their punishment. They may also have been banished. No one would protect this person, not even their immediate family as everyone knew that the person did wrong and was receiving the correct punishment. His people had their own controls and justice system. Self-government - if you lived in late 1800s / early 1900s – was very different from how it is referred to nowadays. He wonders if leadership and his people really know what they are talking about when talking about self- government.

Land claims and the treaty process – he was told by his elders not to say land “claims” but rather the land “question”. Many people are scared about the land question. Different political parties say different things and people are getting really confused. The whole land question is referring to the fishing, hunting, burial, berry picking, fishing habitats: the grounds where his people used to make their living off the land – this is what the elders are talking about and want to protect. The clans are talking about traditional territories. Many people lived off the land until 1970, therefore their people are still living off the land. There are many traditional territories still out there.

He considers himself an inmate of Canada – a jail bird. When the Hudson’s Bay Co. first started, the government started to make reservations. They gave so many acres to First Nations people as ‘reserves’ and they put a number to each reserve. As they put people onto the reserves, they also ‘branded’ them with band numbers and put ‘guards’ over them – aka the “DIA”. His people had no input. They were given programs and free education etc and were now labeled by non-natives as bums who pay no tax and receive free programs – but they had no input.

You look at the Indian Act you can see that land doesn’t belong to his people. Even the reserve isn’t theirs. They don’t own anything, yet they are known as the First Nations, the First Peoples. They live in that little jailhouse. They receive their free programs and some are very beneficial to his people, but he wishes they had a say. Land claims are not dangerous. Justice must be cleared up. Once this is done there will be a big opportunity for their future children to have a better life. They must get this uncertainty out of the way. That’s what he’s trying to do. He believes they need a chance to have their say regarding things that are happening around them. To be able respect the culture they are from, and to recognize who they are they must clear the air. There is a lot of frustration out there, especially within the younger generation. He has been taught to have patience and respect. In the early ‘30s in Fort St. James, the dirty ‘30s, his dad taught him to share what provisions they had. People still thank Justa for that kindness of his parents. He believes starvation is coming due to dwindling resources and too many people. He says everyone must set aside their differences re: the land question and see what can be done to change it for the betterment of the children. If the government would deal with the land question openly and in fairness, it would be resolved. But they want to lie about things. You need to treat everyone fair. That is the way he sees the treaty process. He wants to get rid of the Indian Act and draft something that will be fair to everybody.

Kemano II (KII) is something no one follows up on anymore. In 1989 when he was general band manager, he went to court in Vancouver with many elders. The court threw them out. He fought KII so hard because he knew that when you kill the river (the Nechako), you kill all that is in it. When a river dies there is no more salmon. If the Nechako died, the Stewart River would die and then Stewart Lake would die too. And if the Nechako was gone the Fraser Rriver would be drained down. KII just looked at reversing the Nechako but it didn’t look at the affect it would have on other waterways. That’s why he fought so hard. Justa’s mandates a chief: 1) to get land claims on the table again; 2) to kill KII; 3) to get rid of the DIA office in PG; 4) to get education for their people. He fought KII not because they didn’t like Alcan – it was their way of life that was going down. There is not only salmon in the Nechako – there are many species which were feeding his people. He fought KII legally through funds from his people -
$1.3million. He is proud they made the decision not to go along with the project. This topic he touches upon briefly in his book.

[Note: It is very difficult to hear many of the students’ questions. Most questions as they are identified below are summaries of what was believed to have been said]

Q: How can he belong to 2 clans?
Justa: He belonged to mother’s frog clan when he was growing up. Then one day the caribou clan asked him to go out and invite people to their potlatch. During this potlatch he was asked to sit in middle between clans. The spokesperson for caribou clan said they were going to “buy” Justa Monk. One of the caribou elders said Justa’s father is a caribou and so they want him as a caribou and take him away from his mother’s frog clan. His dad was very happy about this, but his mother was upset. The beaver clan then planned a potlatch and asked him to invite people to their potlatch, and again he was asked to sit in the middle as they wanted to buy the other half of him. So he is also part of the beaver clan. He was bought out of respect due to his leadership qualities. He used to help his elders a lot ever since he was young and that is why his leadership was recognized.

Q: Where are your kids, and what clan are they?
Justa: They are at home. The kids belong to his wife’s clan – Caribou. He adopted 2 children: a daughter and a son.

Q: You want to look ahead, what do you want to bring with you?
Justa: You can’t turn back the clock and live off the land again. Some people don’t even understand their own language. To live off land, and do potlatch all the time – you can’t do it. These cultural events are disappearing. He wants to make his culture and the white culture work together in order to make it work for his young people. With technology the way it keeps going, his people have to get more education.
There is no chance for them to go back. With clear cutting, his people can’t even trap anymore. So it is better to set it up, so that Canadian and Indian culture can work together.

Q: How do you see the land question getting settled?
Justa: In traditional territories, there are only some places we can hunt for bear and dear. They hang out between willow and poplar trees. When logging we have to leave something for animals. If they don’t have shelter they won’t last long. In traditional territories, we need to leave those places alone so the animals can survive. We must all have a say in how the land can be used properly – it needs to be a join venture.

Q: If land claims are settled, people in the DIA would lose their jobs. Maybe this is why they are dragging their feet?
Justa: If land claims were settled, yes, 40-50,000 people might lose their jobs. The government would save a lot of money.

Q: How would you model your people’s government?
Justa: Don’t want to repeat something already done. For their money, they would chose the best way for them.

Q: re: logging [inaudible]
Justa: They are not going to clear cut. Selective logging has worked in past. The government is going to run into trouble by clear cutting. At Nakalak Lodge, if you look at both sides of hill in summer, you wouldn’t know it’s been logged because it was selective logged. You can’t even see skid roads. If it (destructive logging practice) keeps going the way it is now, there is going to be winds that are going to be damaging to us.

Q: re: spiritual practice as it relates to logging
Justa: There are certain areas in their territory where spiritual things happen and so these areas wouldn’t ever be touched. His elders would look at the territory and identify which areas are to be protected. You must involve grass roots people in the selection process. We don’t have medicine men and women they way the used to – they no longer exist.

Q: re: difference between statistics released by the government and those produced by Justa in his book. Justa: Don’t listen to what the government has to say. His people are not dummies, they just have nothing to do and are sitting around on reservation.

Q: Do you pay other people to build housing on reserve?
Justa: We build our own houses and have our own electricians. Once the land question is settled he thinks a lot of joint ventures can be developed that will get his people off welfare.

Q: When your traditional areas are under the administration of his own people, would there be restricted access to these areas by non Indian people?
Justa: He didn’t think so. We would need to develop how to use the land and how to share it. But there would have to be some controls over the land somehow so it wasn’t abused.

Q: There must still be a lot of hunting and trapping even if a person can’t live off land anymore
Justa: Yes, many people are still hunting and trapping.

Q: How do you think social problems for your people can be fixed?
Justa: On reservations or in the city we need to start teaching our children way of life their elders grew up with. Right now they have TV, drugs and alcohol and that is distracting them. His people have to make time for the children. He regrets bringing TV to reserve when he was band manager.

Q: Are there any female band leaders?
Justa: Yes. Like the BC Indian Chief – Wendy Grant, he nominated her. A long time ago no there were no female band leasers as the women were at home with their children. Men were more up front about leadership.

Q: It seems that the native community can heal itself. Non-native communities spend a lot of time trying to heal native community but from his readings he thinks native communities can heal itself.
Justa: Settling the land base is required. When he was band manager, he made 5 emergency trips- suicide related- in one day; so he believes healing and pride will come back when the land base is settled.

Q: In the Artic, people control hunting and fishing via co-ops.
Justa: His people control their own hunting by season. No one is trigger happy. No one shoots just to shoot.

Justa: He is currently working with Northwood to educate First Nations peoples and teach them about Northwood sawmills etc. He is also finding out trapping takes place so Northwood doesn’t log there.

[Extensive question/answer period ensues whereby logging and wood processing techniques, ventures and technology on reserve and off are discussed.]

Justa: He is now taking a rest from leadership as he had done it for 25 years. Now he is starting to understand the people around him as he was being brainwashed by government after having to deal with them for so many years.

The instructor thanks Justa and gathers up her class to take them to the First Nations Centre.

Tape ends.

2008.3.1.201 · File · 26 May 1995
Part of Bridget Moran fonds

File consists of 2 VHS tapes: Tape 1 of 2008.3.1.201 is a video-recording of the UNBC May 1995 Convocation at UNBC held in the Canfor Room; however, Tape 2 of 2008.3.1.201 is a continuation of the TV broadcast from which Tape 1 was recorded. This broadcast continued on to feature footage of the “Oka Crisis”. This footage may comprise background material for future writing; or may simply have been the result of letting a VHS cassette tape continue recording.

Videocassette Summary

  • Context: Video-recording of the UNBC May 1995 Convocation at UNBC held in the Canfor Room.

Highlights include:

  • 00’03” Chancellor Iona Campognolo leads the signing of ‘O Canada’ with audience
  • Follows with a prayer of incantation by the Reverend
  • Welcome by President Geoffrey Weller. Weller outlines the brief history of UNBC and notes it is his final convocation as President and plans to return to teaching
  • Chancellor Campognolo addresses the audience and thanks Weller for his time as President; the Chancellor congratulates the 10 graduates being honoured today
  • 11’05” The Chancellor notes that 3 British Columbians are to receive honorary degrees today: Bertram ‘Victor’ McCabe of the Musk’wa People; Bridget Moran, writer of Stoney Creek Woman, historian Margaret Orsmby are to receive honorary degrees from UNBC
  • 17’05” Dr. Robin Fisher, Acting Dean of Arts & Sciences introduces first honorary degree recipient historian Margaret Orsmby
  • 23’28” Dr. Mary Helen Kelm, History Department introduces honorary degree recipient Bridget Moran Dr. Kelm discusses Bridget’s role as a social worker who brought about understanding of Carrier culture
  • Best embodies ‘Community-centered’ approach
  • Served in the Navy; Received her B.A. from University of Toronto in 1950
  • Began career in social work in Prince George advocating for welfare recipients putting her career on the line
  • Introduced to Bridget through the stories of Mary John and Justa Monk
  • Kelm notes of Bridget “My relationship with the First Nations has made all the difference in my life” – Kelm notes of her “strong commitment to social change”
  • 28’14” Bridget receives her degree; signs the guest book;
  • Videotape recording continues with the remainder of the convocation ceremony
  • 30’00” Dr. Jim McDonald, Chair of Anthropology introduces the third honorary degree recipient Elder Bert McKay, founder of the School District 92 First Nations Nisga’a, founding member of the Native Teachers Association.
  • Followed by UNBC students receiving their degrees
  • 35’36” President Geoffrey R. Weller introduces Bridget Moran to address the graduates
  • 35’48” Bridget Moran gives a speech to the graduates of UNBC
  • Bridget gives a talk – focusing on positive changes and negative change that requires still more movement
  • She notes that positive change has occurred in the area of education for women whereas when she attempted to be accepted into graduate school at the University of Toronto in 1946, after her discharge from the navy in 1946, women were not encouraged into graduate studies in history
  • Bridget notes that no financial support was offered to her from the Department of Veteran Affairs for studies towards a graduate degree in history; women were being encouraged to enter traditional field: teaching, nursing and social work. Bridget compares that with changes today wherein there is an abundance of women in history including she notes Dr. Mary Ellen Kelm and honorary degree recipient Margaret Ormsby
  • Bridget notes that education was not forthcoming in the past for Native People; as Justa Monk noted to her; Monk noted that the federal government inflicted most harm in field of education for Native people
  • Bridget discusses the struggle of Native peoples with education, including both struggles to acquire an elementary and high school education, let alone university – a Carrier graduate from a university did not occur until the late 1960s
  • Bridget talks about the lack of a school in Stoney Creek as noted by Mary John and the residential school tragedy;
  • Bridget talks about positive change with start of more Native People attending university
  • Bridget addresses the graduates and recommends that they look to creating more positive changes - and not to fall for the old adage that one person can’t make change. Bridget refers to a talisman that she relied on from the past – and refers to a cartoon in the syndicated column from the 1940s - of two cats ‘Alex & Henrietta?’ and that the female cat’s incantation was ‘choose your day; choose your day, choose your day - what the heck; what the heck; what the heck – and ‘there’s a dance left in the old babe yet’
  • 47:13 Bridget’s speech finishes
  • Videotape continues with the remainder of the ceremony
  • 28:52 Ceremony finishes with procession of graduates and faculty out of hall
  • 63’00” Recording ends
2008.3.1.202 · File · May 1994
Part of Bridget Moran fonds

File consists of a videocassette (VHS) recording of Mary John at Metlakatla in May 1994, originally filmed on a handheld camcorder on Video 8 cassette. Bridget noted in a later 1994 interview with Bob Harkins that this road trip was conducted for them to attend the basic education class at Metlakatla; this recording has also been reformatted on DVD.

Videocassette Summary

Context: Video-recording conducted by Bridget Moran with Mary John on their road trip to Metlakatla to visit the Elders Group there.

Highlights Include:
0’:05” Bridget Moran records on videotape Mary John in New Hazelton at the road side

1’00” Bridget Moran records on videotape Mary John in front of the totem poles in K’san ‘Old Hazelton’ and note they are heading by car to Prince Rupert

2’00”At Metlakatla Mary is shown eating fried dried seaweed in a hall in Metlakatla with a group of people

7’:35” Mary discusses working in the hospital and financially having a hard time as her husband was out of a job due to change in logging practices. He had a difficult time being at home and Mary sometimes had to walk to work to Vanderhoof, a distance 9+ miles from Stoney Creek. Talks about a time of having to walk to work on the ice and put bales of hay in her boots to walk on the ice

10’:35” Talks about the difficulties of working in the white world

11’:15” Talks about the time that her son made his First Communion; priest offered to buy lunch for all the children; Mary remembers having him ask if she and her son could come into the restaurant as normally they were not allowed to go to the restaurants

14’30” Sandra explains how they had decided to invite Mary to Metlakatla; she had read the Stoney Creek Woman book and wondered if Mary was still alive; she called the Band office in Vanderhoof and was connected with Mary’s niece who asks if she would come to Metlakatla. And then decided to invite Bridget as well.

18’37” Mary talks about the origin of certain Carrier place names for the various lakes in the Stoney Creek area and notes that many white people could not pronounce the names and so they became an anglicized version of native name. Explains the origin of the Bednesti Lake name

21’:55” Mary John explains about how liquor first coming into the territory and talks about how some of the men went on the train to join the war. She sings and drums a song called ‘Passenger Song’ and then explains the song

25’:43” Mary performs the ‘Four Winds’ song

26’:37” Mary talks about how the dancing had died out at Stoney Creek and c.1960 it was recommended that the dancing come back with a pageant to celebrate the 100th anniversary of missionaries arriving in their territory. The celebration was recorded on film. Talks about how dancing has been revived and now is taught to the children

30’30” Talks about the costumes made for the dancing. Talks about a moose hide she made for Eddie John

31’30” Bridget notes that Mary is now making a vest for Justa Monk who Bridget notes she has written a book about;

32:45” Bridget refers to the opening of UNBC and the coming of the Queen to open the University and how some native people in Prince George were against her opening UNBC

34’:40” Talks about the role of the Indian Agent historically

35’00” Talks about the role of policing in the native community and how to improve it

36’53” Bridget is recording Mary John outdoors at Lejac where they are looking at ruins of the old buildings. Mary points out the old Post Office building; Mary then shows the ruins of the old school and talks about segregation of the boys and girls at the school; she shows the play room of the old school; visits a cemetery and shows where Father Coccola is buried; then shows the buildings at Lejac old school buildings

Video temporarily stops

42’45” Shows Mary John back at her house in Stoney Creek

42’50” Bridget asks what is the most common question asked by people – of what do you want for your people – Mary states ‘hang on to culture and get an education”

43’40” Mary states that conditions have improved slightly [compared to 1976 at the time of Coreen Thomas’ inquest] but not to the level that she would like to see – as there are still alcohol, drug and unemployment problems

44’32” Mary notes that the preservation of the language has been ‘really good’ that the Elders are teaching other adults about their culture so that they can teach children; she notes that many Elders can speak Carrier really well – compared to the group noting at Metlakatla that not as many can speak their language.
46’00” Mary states there are many students at the [Yinka Dene] Language Institute; about 15-20 students

47’:24” Mary notes that ‘Potlatches are very important to our culture’ and that the Elders managed to save it

48’01” Mary refers to their road trip back from Metlakatla and their stop at Lejac. She talks about Lejac and how it is now destroyed – it would be better to preserve it and show what had happened there – Bridget compares it to the concentration camps in Germany and the preservation of those buildings to show the horrors of what went on there

49’13” Mary says she doesn’t dwell on the memories of LeJac – she had been there 72 years ago

50’00” Mary talks about the start up of the Potlatch House and the set up of a learning centre and the need to have it create work for the young people – Bridget notes that the potlatch house is now the centre of village activity

52’15” Bridget and Mary John reminisce about ’our’ book – and Bridget notes it was a ‘labour of love’ Mary notes that the book has made a difference – to treat First Nations people more like people – to show [others] [the impact] of racism

54’00” Bridget asks Mary to show the button blanket that Mary was given in Metlakatla and Bridget refers to the button blanket she was given as well. [The blanket is designed as a traditional Northwest Coast Button Blank; on the back of the blanket it is embroidered with beadwork in a circular pattern with the inscription ‘Keep the Circle Strong’ Bridget notes that the Elders there had a wonderful dinner for us as well.

54’58” Bridget videotapes Mary outside by the lake and she shows the outside of the log house which is the Potlatch House at Stoney Creek. She then shows the interior of the building which has photos of Elders on the wall.

Videotape ends

2008.3.1.204 · File · 9 Apr. 1991
Part of Bridget Moran fonds

File consists of a videocassette (VHS) recording of Mary John and Bridget Moran speaking to students in the Social Work 102 course in Quesnel.

Videocassette Summary

  • Context: Mary John and Bridget Moran speaking to students in the Social Work 102 course in Quesnel

Introduction:

  • 00’0”-1’00” Social work instructor introduces Bridget Moran and Mary John to talk to a Social Work 102 class.
  • 1’02” – 8’00” Bridget initially discusses how she came to write Stoney Creek Woman; that it was initiated by Mary’s Heart attack in 1984. She discusses the process of writing the book and that it was now recommended reading for school curriculum in BC and used all across Canada as far as Halifax. Bridget’s interest was to “raise [people’s] consciousness of what it is like to be a native in Canada” because people didn’t know about racism in Vanderhoof.
  • 8’10” Bridget introduces Mary John and invites the students to ask questions:
  • A student asks a question about Bella – a woman who was very influential in Mary’s life
  • Bridget states that women did better at residential schools than men; there was segregation between boys and girls at Lejac. Refers to Joanne Fiske and her thesis that the school somewhat benefited the girls compared to the boys who didn’t acquire skills that they could use later in life
  • A student asks a question about segregation at Lejac – Bridget’s impression was that many boys ran away frequently
  • A student asks Mary’s age when she went to Lejac; Mary was about 6; she talks about emotional abuse at Lejac; she had nothing to do with her own culture whereas there is more pride now in native culture; Mary refers to the interest now in native culture; drumming & dancing
  • A student asks Mary about discipline at home;
  • A question by a student refers to the difficulties of having a non-native counselor to talk about problems – needed a native counselor to understand cultural difficulties
  • Bridget notes there is still a long way to go in the education system for the native people but that there are some progress being made; and with native students now entering university this is making a change as well
  • Changes on the reserve due to the release of the book Stoney Creek Woman; better roads and sewage provided
  • Mary says she was fearful of the reaction from crowds during the book signings
  • Talks about the creation of the Indian Homemaker’s Association/ involvement at Stoney Creek
  • Mary talks about setting up of the Potlatch House at Stoney Creek; Mary notes that they will then build a pit house and smokehouse
  • She talks about her actions to counsel native people in her community who have alcohol problems
  • Bridget refers to the need to educate the native community about alcohol related problems including fetal alcohol syndrome – there is a need for nurses to work in the native communities to educate them
  • Bridget talks about her fight with the WAC Bennett government – her frustration that as a social worker she did not have the power to remove abused children; that this was still controlled by the Indian Agent
  • Problems with the Department of Indian Affairs organization structure. A student refers to the DIA’s impact of ‘keeping the control’ away from the native people; that so much money goes away from the native people and to payment of the bureaucracy.
  • Bridget says that the ‘social worker needs you’;
  • Bridget asks the students about their reaction to the book; they talk about their shock with the inquest of Coreen Thomas’ death; Bridget notes she found it difficult to write about the tuberculosis of Mary’s brother as her father died from tuberculosis; also the chapters about Mary’s mother dying from childbirth and about her marriage
  • A student asks about women in native culture being submissive; Bridget notes that at potlatches women control the gift giving and the money
  • Mary John talks about her faith in the Catholic Church; she doesn’t judge anyone
  • A student talks about the residential school experience and makes a comparison with that of a boarding school. She states she had no knowledge of sexual abuse at the residential school; Bridget talks about some of the other native women she interviewed who had been at Lejac. Talks about Coreen Thomas’s father who attended Lejac and kept trying to run away. Mary notes she was not told that she was going to residential school and her mother didn’t know about it either. She notes the difference now in schools available at Stoney Creek. Bridget notes the population is about 380; Mary notes a shortage of housing on the reserve
  • Mary talks about her initial reaction of the book once published
  • Bridget talks about the writing of the book and that it was important to let Mary speak her own words and she is glad that people are impacted by the book and ‘the rhythm of Mary’s speech’ Bridget states it’s a ‘story of survival’
  • Bridget talks about the writing of her next book that she has decided to call ‘A Little Rebellion’
  • Bridget talks about her plans to have Mary translate some of her 1962 interview with Granny Seymour, some of which is in Carrier
  • Bridget refers to another book she has written that is unpublished A Horizontal Land “a frivolous novel about Saskatchewan”
  • Mary John talks about what type of future she would like for her people
  • End of videotape
2008.3.1.205 · File · May 1994
Part of Bridget Moran fonds

File consists of a Video 8 recording of Mary John in Metlakatla. : Bridget noted in a later 1994 interview with Bob Harkins that this road trip was conducted for Mary and her to attend the basic education class at Metlakatla. This recording has also been reformatted on DVD. This version of Mary John: Metlakatla is the original version filmed using a Video 8 videocassette formatted for hand-held camcorders. The version of Mary John: Metlakatla comprising 2008.3.1.202 is a master copy.

Videocassette Summary
Context: Video-recording conducted by Bridget Moran with Mary John on their road trip to Metlakatla to visit the Elders Group there.

Highlights Include:
0’:05” Bridget Moran records on videotape Mary John in New Hazelton at the road side

1’00” Bridget Moran records on videotape Mary John in front of the totem poles in K’san ‘Old Hazelton’ and note they are heading by car to Prince Rupert

2’00”At Metlakatla Mary is shown eating fried dried seaweed in a hall in Metlakatla with a group of people

7’:35” Mary discusses working in the hospital and financially having a hard time as her husband was out of a job due to change in logging practices. He had a difficult time being at home and Mary sometimes had to walk to work to Vanderhoof, a distance 9+ miles from Stoney Creek. Talks about a time of having to walk to work on the ice and put bales of hay in her boots to walk on the ice

10’:35” Talks about the difficulties of working in the white world

11’:15” Talks about the time that her son made his First Communion; priest offered to buy lunch for all the children; Mary remembers having him ask if she and her son could come into the restaurant as normally they were not allowed to go to the restaurants

14’30” Sandra explains how they had decided to invite Mary to Metlakatla; she had read the Stoney Creek Woman book and wondered if Mary was still alive; she called the Band office in Vanderhoof and was connected with Mary’s niece who asks if she would come to Metlakatla. And then decided to invite Bridget as well.

18’37” Mary talks about the origin of certain Carrier place names for the various lakes in the Stoney Creek area and notes that many white people could not pronounce the names and so they became an anglicized version of native name. Explains the origin of the Bednesti Lake name

21’:55” Mary John explains about how liquor first coming into the territory and talks about how some of the men went on the train to join the war. She sings and drums a song called ‘Passenger Song’ and then explains the song

25’:43” Mary performs the ‘Four Winds’ song

26’:37” Mary talks about how the dancing had died out at Stoney Creek and c.1960 it was recommended that the dancing come back with a pageant to celebrate the 100th anniversary of missionaries arriving in their territory. The celebration was recorded on film. Talks about how dancing has been revived and now is taught to the children

30’30” Talks about the costumes made for the dancing. Talks about a moose hide she made for Eddie John

31’30” Bridget notes that Mary is now making a vest for Justa Monk who Bridget notes she has written a book about;

32:45” Bridget refers to the opening of UNBC and the coming of the Queen to open the University and how some native people in Prince George were against her opening UNBC

34’:40” Talks about the role of the Indian Agent historically

35’00” Talks about the role of policing in the native community and how to improve it

36’53” Bridget is recording Mary John outdoors at Lejac where they are looking at ruins of the old buildings. Mary points out the old Post Office building; Mary then shows the ruins of the old school and talks about segregation of the boys and girls at the school; she shows the play room of the old school; visits a cemetery and shows where Father Coccola is buried; then shows the buildings at Lejac old school buildings

Video temporarily stops

42’45” Shows Mary John back at her house in Stoney Creek

42’50” Bridget asks what is the most common question asked by people – of what do you want for your people – Mary states ‘hang on to culture and get an education”

43’40” Mary states that conditions have improved slightly [compared to 1976 at the time of Coreen Thomas’ inquest] but not to the level that she would like to see – as there are still alcohol, drug and unemployment problems

44’32” Mary notes that the preservation of the language has been ‘really good’ that the Elders are teaching other adults about their culture so that they can teach children; she notes that many Elders can speak Carrier really well – compared to the group noting at Metlakatla that not as many can speak their language.
46’00” Mary states there are many students at the [Yinka Dene] Language Institute; about 15-20 students

47’:24” Mary notes that ‘Potlatches are very important to our culture’ and that the Elders managed to save it

48’01” Mary refers to their road trip back from Metlakatla and their stop at Lejac. She talks about Lejac and how it is now destroyed – it would be better to preserve it and show what had happened there – Bridget compares it to the concentration camps in Germany and the preservation of those buildings to show the horrors of what went on there

49’13” Mary says she doesn’t dwell on the memories of LeJac – she had been there 72 years ago

50’00” Mary talks about the start up of the Potlatch House and the set up of a learning centre and the need to have it create work for the young people – Bridget notes that the potlatch house is now the centre of village activity

52’15” Bridget and Mary John reminisce about ’our’ book – and Bridget notes it was a ‘labour of love’ Mary notes that the book has made a difference – to treat First Nations people more like people – to show [others] [the impact] of racism

54’00” Bridget asks Mary to show the button blanket that Mary was given in Metlakatla and Bridget refers to the button blanket she was given as well. [The blanket is designed as a traditional Northwest Coast Button Blank; on the back of the blanket it is embroidered with beadwork in a circular pattern with the inscription ‘Keep the Circle Strong’ Bridget notes that the Elders there had a wonderful dinner for us as well.

54’58” Bridget videotapes Mary outside by the lake and she shows the outside of the log house which is the Potlatch House at Stoney Creek. She then shows the interior of the building which has photos of Elders on the wall.

Videotape ends