Power lines, vehicles, and forest visible in background.
Neighbourhood, forest, and hills in background.
Handwritten annotation on verso reads: “wearing Rod Robinson’s leather coat at the raising of Eli Gosnell’s great pole at Aiyansh, Nov./78”
Buildings and power lines in background.
Buildings and forest in background.
Power poles and buildings visible in background.
Photograph was taken during a tour of the Skeena riding in the summer of 1978. Unidentified individuals can be seen in background.
Handwritten annotation on verso reads: “Kitimaat”.
Photograph was taken during a tour of the Skeena riding in the summer of 1978.
Handwritten annotation on verso reads: “K’san”.
Handwritten annotation accompanying photograph reads: “Nisgaa Pole raising, Tait, Aiyansh”.
Handwritten annotation accompanying photograph reads: “Nisgaa Pole raising, Tait, Aiyansh”.
Handwritten annotation accompanying photograph reads: “Nisgaa Pole raising, Tait, Aiyansh”.
Handwritten annotation accompanying photograph reads: “Nisgaa Pole raising, Tait, Aiyansh”.
Handwritten annotation accompanying photograph reads: “Nisgaa Pole raising, Tait, Aiyansh”.
Handwritten annotation accompanying photograph reads: “Nisgaa Pole raising, Tait, Aiyansh”.
Handwritten annotation accompanying photograph reads: “Nisgaa Pole raising, Tait, Aiyansh”.
Champagne bottles sit on table in right foreground. Carved masks and eagle doll can be seen in background.
An unidentified woman and man look on. Bottles of champagne and baking can be seen in foreground, and carved masks hang on wall in background.
Carved masks and bench can be seen against wall in background.
Two unidentified men and an unidentified woman look on. Bottles of champagne and baking can be seen in foreground, and carved masks hang on wall in background.
Unidentified building stands in midground, water and hill on opposite shore visible in background.
Forest in background.
Handwritten notation included with photograph reads: “The ‘Beloved North,’ Skeena Riding (always)”.
Handwritten annotation on verso reads: “Kispiox”.
Handwritten annotation on verso reads: “Chief Skidegate (Dempsey Collinson), Feast 1978, Q.C.I.”
Crowd gathered around front steps of large building, Muriel Brown in costume in foreground.
Handwritten annotation on verso reads: “Folkfest - July 1/74, Muriel Brown, English Flower Firl, What a happy time for all of us! M.”
Photograph depicts man in Russian costume holding hand of unidentified woman in peasant costume.
Handwritten annotation on verso reads: “Fiddler on the Roof, Feb. 1974.”
Iona Campagnolo stands beside unidentified woman in front of male chorus still in costume.
Handwritten annotation on verso reads: “Fiddler on the Roof, Director Producer! —1974.”
Iona Campagnolo stands beside unidentified woman in front of male chorus still in costume.
Handwritten annotation on verso reads: “My last production, Fiddler on the roof, Male Chorus —Feb/74 —Pr. R.”
Four unidentified women and one unidentified man pose in costume in front of theatre sets. Play produced and directed by Iona Campagnolo.
Four unidentified women and one unidentified man pose in costume in front of theatre sets. Play produced and directed by Iona Campagnolo.
Packed gymnasium applauding after the April 1972 production (see items 2009.6.1.11 - 2009.6.1.17).
Photograph depicts Rosemary Gilbert as Elizabeth in blue and gold fur-trimmed gown, unidentified man in costume stands in background.
Preceding notation on UNBC Chancellor letterhead: “my theatre days, Ionasphere group. I made personally or designed (for Blue - Rosemary Gilbert) all these costumes, May Diver - Mary Stuart by Friedrich Von Schiller, 1972” (see also items 2009.6.1.11 - 2009.6.1.16).
Photograph depicts May Diver as Mary Stuart in black dress, kneeling before Rosemary Gilbert as Elizabeth in blue and gold fur-trimmed gown.
Preceding notation on UNBC Chancellor letterhead: “my theatre days, Ionasphere group. I made personally or designed (for Blue - Rosemary Gilbert) all these costumes, May Diver - Mary Stuart by Friedrich Von Schiller, 1972” (see also items 2009.6.1.11 - 2009.6.1.17).
Photograph depicts Rosemary Gilbert wearing regal red and white gown, glaring at unidentified man in fur costume.
Preceding notation on UNBC Chancellor letterhead: “my theatre days, Ionasphere group. I made personally or designed (for Blue - Rosemary Gilbert) all these costumes, May Diver - Mary Stuart by Friedrich Von Schiller, 1972” (see also items 2009.6.1.11 - 2009.6.1.17).
The pair stands wearing gowns; Diver on right in black, Gilbert on left in blue. Handwritten annotation on verso reads: “May Diver, Mary Stuart by Friedrich Von Schiller, Rosemary Gilbert as Elizabeth, Prod & Directed by Iona Campagnolo, 1973”.
Preceding notation on UNBC Chancellor letterhead: “my theatre days, Ionasphere group. I made personally or designed (for Blue - Rosemary Gilbert) all these costumes, May Diver - Mary Stuart by Friedrich Von Schiller, 1972” (see also items 2009.6.1.11 - 2009.6.1.17).
Photograph depicts May Diver dressed in white and gold costume beside man wearing black and purple costume.
Preceding notation on UNBC Chancellor letterhead: “my theatre days, Ionasphere group. I made personally or designed (for Blue - Rosemary Gilbert) all these costumes, May Diver - Mary Stuart by Friedrich Von Schiller, 1972” (see also items 2009.6.1.11 - 2009.6.1.17).
Costumed gentleman standing next to lady wearing a formal purple gown. Handwritten annotations on verso read: “To Angie, Love Donna Penner,” and “another of costumes I made”.
Preceding notation on UNBC Chancellor letterhead: “my theatre days, Ionasphere group. I made personally or designed (for Blue - Rosemary Gilbert) all these costumes, May Diver - Mary Stuart by Friedrich Von Schiller, 1972” (see also items 2009.6.1.11 - 2009.6.1.17).
Photograph depicts May Diver dressed as Mary Stuart in white and gold costume dancing with a man wearing black and red costume.
Preceding notation on UNBC Chancellor letterhead: “my theatre days, Ionasphere group. I made personally or designed (for Blue - Rosemary Gilbert) all these costumes, May Diver - Mary Stuart by Friedrich Von Schiller, 1972” (see also items 2009.6.1.12 - 2009.6.1.17).
Four unidentified women and one unidentified man pose in costume in front of theatre sets. Play produced and directed by Iona Campagnolo.
This fonds illustrates the Honourable Iona Campagnolo’s careers as a broadcaster, a theatre producer, community leader, a politician, a feminist, a social activist, a speaker, a lecturer, a Chancellor, an advocate, a consultant and Lieutenant Governor of British Columbia. Types of records reflective of her various careers include: speeches, correspondence, itineraries, contracts, draft manuscripts, newspaper clippings, background material, photographs and ephemera. The Honourable Iona Campagnolo fonds has been divided into the following thirteen series:
1) Photographs
2) Theatre & Community Development
3) Political Career
4) Non-political Activities
5) McMaster International Health Centre
6) Women in Power Project
7) University of Northern British Columbia
8) Fraser Basin Council
9) Miscellaneous – First Nations Material
10) National Speakers Bureau
11) Lieutenant Governor of British Columbia
12) Honours & Awards
13) Political Papers
Photograph depicts H.F. Glassey standing on left with handcuffs and baton. Thirteen people stand in costume in foreground. Curtain, framed pictures, and decorative branches hang on wall in background. Handwritten annotation on recto of photograph: "H. F. (Bert) Glassey - Policeman, small man - Druggist, Smith girl, Matron Hospital (Wrench Hospital), Bandaged Head, Bank Manager, 1913 Hazelton Player Club."
Sarah Glassey stands in beaded dress and ornate headdress, holding flowers and surrounded by greenery.
A group of approximately 70 people in costume stand in large room with wood interior and two British flags in background. The group includes men, women, and children of all ages. Handwritten annotation on recto of photograph: "I Say were you ever in the Old Country?". See also item 2009.5.1.56.
Handwritten caption beneath this photo reads: "Hazelton Masquerade Dance April 8th /12". A group of approximately 70 people in costume stand in large room with wood interior and British flag in background. The group includes men, women, and children of all ages.
Handwritten annotation on recto of photograph: "Here they are in Sleeping beauty asleep. Virginia is not all in. She is behind Violet who is King. Father of the beauty. That is the queen in front and the nurse at the head of the bed and the Beauty on the bed." The girls are in costume on material laid out in snow in front of unidentified building. Unknown wood object in left foreground.
Lucy stands next to Violet on far right in group with six other unidentified young girls. Each girl wears a white dress and holds a holly branch. They stand on material laid out in snow in front of unidentified building. Handwritten annotation on recto of photograph: "Violet. Lucy. This is their Holly and Mistletoe Drill".
Photograph depicts Prince George Arts Gallery of Honour Trophy sitting on table with red tablecloth. The trophy was accepted by Judy Kennedy on behalf of Bridget Moran.
Photograph depicts Judy Kennedy holding Prince George Arts Gallery of Honour Trophy. Judy accepted the award on behalf of Bridget Moran. Hallway wall and door in background.
Photograph depicts the Agora center at the University of Northern British Columbia in Prince George, B.C. Sign in foreground reads "Agora/Student Centre". Unidentified individuals can be seen in red blankets on upper walkway in background, above the Winter Garden. Accompanying note from Maureen Faulkner: "The first nations people, in button blankets, gather". Photo believed to have been taken on the day Bridget Moran received an Honourary Law Degree.
Photograph depicts Moran seated to right of Mary John at table displaying copies of 'Stoney Creek Woman'. Unidentified woman stands on left, bookshelves can be seen in background.