Carved wooden flute. Stamped annotation on verso reads: “Department of Mines and Resources, Photographic Section. Oct. 6, 1939”. Numeric annotation on verso: “33-6”
Double-ended, double-edged metal dagger with leather (?) strips covering the grip. Both blades are triangular-shaped with a double ridge running across the middle in line with the handle in between. One blade is longer than the other. Intricately beaded pouch appears to be made of felt and was constructed to sheath both heads of the dagger. Stamped annotation on verso reads: “Department of Mines and Resources, Photographic Section. Oct. 6, 1939”. Numeric annotation on verso: “50-5”
Wooden club carved in the image of a fish. Handle has a hole through which is strung some sort of twine. Metal knife with tapered blades at either end with a leather strip wound around its flat center grip; one blade longer than the other. Stamped annotation on verso reads: “Department of Mines and Resources, Photographic Section. Oct. 6, 1939”. Numeric annotation on verso: “50-4”
Wooden raven rattle composed of two complementary parts in the form of raven. Reclining figure on raven's back connected to a frog by protruding tongue. Carved wooden face, perhaps a frontlet for a headdress. Handwritten annotation in pen on verso reads: “W.E. Collison.” Stamped annotation on verso reads: “Department of Mines and Resources, Photographic Section. Oct. 6, 1939”. Numeric annotation on verso: “47-5”
An unidentified carved wooden tool or utensil with twine attached, leans against a sheet covered wall behind a carved wooden platter. Stamped annotation on verso reads: “Department of Mines and Resources, Photographic Section. Oct. 6, 1939”. Numeric annotation on verso: “50-3”
Intricately carved argillite dish inlaid with abalone shell. Imagery suggests a killer whale and man motif. Handwritten annotation in pen on verso reads: “W.E. Collison.” Stamped annotation on verso reads: “Department of Mines and Resources, Photographic Section. Oct. 6, 1939”. Numeric annotation on verso: “51-2”
Pedestal bowl carved out of argillite into the shape of a bird next to a table top bowl featuring a seated human figure looking into its centre. Handwritten annotation in pen on verso reads: “W.E. Collison.” Stamped annotation on verso reads: “Department of Mines and Resources, Photographic Section. Oct. 6, 1939”. Numeric annotation on verso: “49-4”
Intricately carved argillite dish featuring inlaid triangular pieces of stone or shell material around its perimeter and a series of seven faces within its centre. Handwritten annotation in pen on verso reads: “W.E. Collison.” Stamped annotation on verso reads: “Department of Mines and Resources, Photographic Section. Oct. 6, 1939”. Numeric annotation on verso: “49-1”
Carved wooden mask, perhaps a portrait mask. Stamped annotation on verso reads: “Department of Mines and Resources, Photographic Section. Oct. 6, 1939”. Numeric annotation on verso: “32-6”
Carved wooden portrait mask. Stamped annotation on verso reads: “Department of Mines and Resources, Photographic Section. Oct. 6, 1939”. Numeric annotation on verso: “45-3”
Carved wooden mask featuring inlaid teeth and a halo surrounding the face. Stamped annotation on verso reads: “Department of Mines and Resources, Photographic Section. Oct. 6, 1939”. Numeric annotation on verso: “44-5”
Three unidentified men stand by poles in foreground, wood houses and crest poles visible in background.
Printed below image: "Totem Poles, Massett, Q.C. Island, B.C. "; "T.N. Hibbon & Co., Victoria, B.C. [crossed through with ink]"; handwritten below: "The old style giving way to the new."
Handwritten annotation on verso of photograph reads: "Tombs. ? Massett".
Caption under printed version of photo in W.H. Collison's book 'In the Wake of the War Canoe': "At Masset, Queen Charlotte Islands, B.C. The side-posts are solid and sunk in the ground. The horizontal piece is hollow, and contains the corpse. These tombs are now falling through decay." (see page 216).
Large bear carving sits on top of wide pole, erected in memory of a chief of the Bear crest. Lines of houses stand in background.
Printed below image: "Totem Pole. Old Massett. Q.C.I / J.D. Allen photo Co."; handwritten below: "Mortuary Pole Bear [Crest?]"; on verso: "For Chapt. XIX. The old style and the new. Mortuary Pole & modern houses. No. 3. W.H.C. Oct. [6/ ?] 13".
Rev. W.E. Collison sits to left of totem pole, smoking a pipe (oldest son of Marion and Archdeacon W.H. Collison). Log fence can be seen in front of forest in right background.
Handwritten annotations on verso read: “W.E. Collison at Massett, QCIs."; "Dad beside totem pole".
Wide angle shot of North Beach with an unidentified solitary man in the distance. Annotation on recto reads: "North Beach QCI" and "The JD Allen Photo C."
Small booklet containing handwritten notes of what appears to be a speech prepared by W.H. Collison on the topic of traditions and events he’s been witness to along the North West Coast of B.C.
Handwritten annotation on verso of photograph reads: "W.E. Collison Masset. Interior of Chief [Weah's?] house".
Caption under printed version of photo in W.H. Collison's book 'In the Wake of the War Canoe': "The house is about 40 feet square, forming one large room. The upper cubicles are on a level with the ground, which in front of them is excavated so that the fireplace in the centre is twelve feet below the surface. A ledge, for the use of slaves and dependents, is left half-way down."
Photograph depicts many crest poles in front of wooden homes. An unidentified family can be seen sitting by house in centre. Wood pile and path in foreground.
Handwritten annotation on image reads: "Masset Queen Charlotte's Islands, Crest Poles / Masset with Totems."; on verso: "Chap. XIII. No. 1 This photo to be copied as an illustration on 1st page or I Chapt. 'Section of Massett, Haida Encampment showing Totems. Queen Charlotte's Islands.' For heading of page 2 of Trophies."
Totem poles (crest poles?) stand in front of a line of houses. Blanketed canoes sit on beach in right foreground; forest in background.
Handwritten annotations on verso read: “skidegate village Queen Charlotte Islands as it appeared forty years ago"; "Rev W.E. Collison Prince Rupert"; "Hughes"; "1".
Totem poles (crest poles?) stand in front of a line of houses. Blanketed canoes sit on beach in right foreground; forest in background.
Handwritten annotations on verso read: “Haida Encampment [crossed through with line]"; "Skidegate Queen Charlottes Islands / To illustrate Introduction / Introduction Trophies from a Song [Trail?] Page 1 Heading."
Photograph depicts an unidentified individual leaning against a large overturned dugout canoe; barrel, bucket, and wood planks in foreground. Houses and other buildings can be seen on shore above beach, and two unidentified individuals stand in distance on far right.
Handwritten annotations on verso read: “Haida canoe on beach at Masset / ? 1898”; “No. 4 Page 5. Haida Canoe ready for steaming to [widen?] out and finish.”
An original negative of this photograph is held by the Canadian Museum of Civilization, no. 26664.
Two carved wooden figures stand side by side to mark the burial of a Haida medicine man. Each figure has one arm up with a hand under or over the chin, while the other arm is down. Carved chiefly headdresses adorn each of their heads.
Handwritten annotation in pen on verso reads: “Q.C. Is.”
Two carved wooden figures stand side by side to mark the burial of a Haida medicine man. Each figure has one arm up with a hand under or over the chin, while the other arm is down. Carved chiefly headdresses adorn each of their heads.
Handwritten annotation in pen on verso reads: “Shaman’s grave”.
Photograph depicts close-up of unidentified skeletal remains situated on the ground. Handwritten annotation in pen on verso reads: “skeleton fallen from burial box at Masset QCIs. Remains were buried near original site”.
Two carved wooden figures stand side by side to mark the burial of a Haida medicine man. Each figure has one arm up with a hand under or over the chin, while the other arm is down. Carved chiefly headdresses adorn each of their heads.
Handwritten annotation in pen on verso reads: “Shaman’s grave nr. --Masset QCIs.”
Two carved wooden figures stand side by side to mark the burial of a Haida medicine man. Each figure has one arm up with a hand under or over the chin, while the other arm is down. Carved chiefly headdresses adorn each of their heads.
Handwritten annotation in pen on verso reads: “Illustration for insertion at end of Chapt XIX no. 2. Medicine man’s tomb Queen Charlotte Islands.” Photograph has pen markings made on its recto tracing the outline of these two shapes.
