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Photograph depicts a totem pole standing in front of a forested environment with a fence line in the foreground. Photographer’s stamp on verso: “W.E. Nicholson, 268 E. 10th, Vancouver 10, B.C.”

Photograph depicts a man in uniform and a woman posing for a photo on a road situated between a fenced area featuring totem poles. Along the water’s edge in the background there is a float plane, wharf and the Camosun vessel. Handwritten annotation on verso reads: “Alert Bay B.C. Union Steamships Ltd.”; “Alert Bay BC”; photographer’s stamp on verso states: “W.E. Nicholson, 268 E. 10th, Vancouver 10, B.C.”

Photograph depicts baseball game, batter in mid-swing,and buildings visible in background. Handwritten annotation on recto of mounted slide reads: "Base ball game in Lejac". See also items 2006.20.1.199 - 2006.20.1.202 for images featuring similar content.

Photograph depicts a game of horseshoes in foreground. Fence crosses midground in front of water, and hills can be seen on opposite shore in background. Handwritten annotation on recto of mounted slide reads: "Playing horse [shoes?] in Legac".

Photograph depicts two boys standing on platform extending into lake. Buildings and fenced areas can be seen on shore in background. Handwritten annotation on recto of mounted slide reads: "boys playing on the lake / Legac".

Group stands in foreground on what appears to be a wooden teeter totter. Fence crosses midground in front of water, and hills can be seen on opposite shore in background. Handwritten annotation on recto of mounted slide reads: "play ground in Legak [sic]".

Photograph depicts a small totem pole in front of trees and a roadway. Photographer’s stamp on verso: “W.E. Nicholson, 268 E. 10th, Vancouver 10, B.C.”

Photograph depicts a small totem pole in front of trees and a roadway. Photographer’s stamp on verso: “W.E. Nicholson, 268 E. 10th, Vancouver 10, B.C.”

Photograph depicts a close-up of Alert Bay house posts adorned with First Nations carvings. Photographer’s stamp on verso: “W.E. Nicholson, 268 E. 10th, Vancouver 10, B.C.”

Photograph depicts a close-up of a totem pole behind a fence overlooking a wharf and a ship named Camosun. Photographer’s stamp on verso: “W.E. Nicholson, 268 E. 10th, Vancouver 10, B.C.”

Photograph depicts unidentified men standing in baseball field, large buildings visible in background. Handwritten annotation on recto of mounted slide reads: "Base ball in Lejac". See also items 2006.20.1.200 - 2006.20.1.202 for images featuring similar content.

Photograph depicts five totem poles of various sizes in a fenced enclosure with a forested area in the background. Photographer’s stamp on verso: “W.E. Nicholson, 268 E. 10th, Vancouver 10, B.C.”

Photograph depicts James Joseph Claxton standing in front of a fence with a memorial pole in the background. The memorial pole depicts painted First Nations designs, with additional totem poles and houses visible in background. Handwritten annotation in pen on verso reads: “Jim Claxton 1959”

Item is a photograph of Ray Williston and other cabinet ministers paddling a birch bark canoe in the grass during BC Centennial celebrations in Prince George.

Originally mounted on poster with photographs 115.1, 115.2, 115.3.

Photograph depicts a Kwakiutl petroglyph in Fort Rupert near Port Hardy. Handwritten annotations on verso reads: “Reversed negative, dry rock, 1957”; “Dry Rock, 1957”

Photograph depicts a Kwakiutl petroglyph exposed at low tide in Fort Rupert near Port Hardy. Handwritten annotations on verso read: “1957 Port Hardy, visible at low tide”; “Right negative, rock (?) Port Hardy visible at low tide”

This fonds illustrates Walt Taylor’s activities as a social activist in the Okanagan region of B.C. in the 1970s, and his involvement with political-environmental activist movements in the Bulkley Valley-Telkwa-Smithers area c.1980s-1990s. The Taylor fonds includes records of the Skeena Round Table for a Sustainable Society, the Northwest Study Conference Society and the Waging Peace Society; as well as, background research compiled for Taylor’s publication "Waging Peace for a Living: An Action Plan for survival of life on earth", (Victoria: Trafford Publishing, 1999). The Taylor fonds also contains records of significance relating to proposed economic developments, such as open-pit mining, fishing and forestry policies and nuclear power; and documents pertaining to political-environmental actions conducted by Northern BC stakeholders such as First Nations (Gitskan and Wet'su'wet'en) and NGO’s such as the Telkwa Educational Action Committee of Householders. Types of records comprising this fonds include correspondence to and from activist organizations; circulars to society members; background papers on social activist issues; background reports on BC First Nations environmental and land claims issues, background studies on environmental & economic impacts of industrial developments proposed for Northern BC, newspaper clippings, and various publications.

Interior photograph of a church. Printed annotation on recto reads: “Chapel, Indian school, Fraser Lake B.C.”

Exterior photograph of a residential school. Printed annotation on recto reads: “Industrial Indian school, Fraser Lake. B.C.

Exterior side view of a Catholic church built between 1876-1878 by Father George Blanchet. Handwritten annotation on verso in pencil reads: “Our Lady of Good Hope, Stuart Lake, Fort St. James, BC ”

A bentwood box sitting on a pedestal in front of a bookcase in the office of W.E. Collison. Handwritten annotation in pencil on verso reads: “Carved ‘hope chest’ sent to New York. The box was carved by -- Luke Watson Skidegate. The photo was taken in the office – not bad for a --”

Three model totem poles carved out of argillite and of various heights standing as a trio against a white backdrop. Handwritten annotation in pen on verso reads: “W.E. Collison.” Stamped annotation on verso reads: “Department of Mines and Resources, Photographic Section. Oct. 6, 1939”. Numeric annotation on verso: “43-3”

Unidentified carved and painted wooden object. Stamped annotation on verso reads: “Department of Mines and Resources, Photographic Section. Oct. 6, 1939”. Numeric annotation on verso: “46-5”

Unidentified tool leaning against a sheeted backdrop. Carved wooden bark shredder, used to soften and break up fibres of cedar bark lying on sheet covered table. Stamped annotation on verso reads: “Department of Mines and Resources, Photographic Section. Oct. 6, 1939”. Numeric annotation on verso: “48-3”

Stone figure carved in the likeness of a fish. Stamped annotation on verso reads: “Department of Mines and Resources, Photographic Section. Oct. 6, 1939”. Numeric annotation on verso: “48-5”

Wooden fish, complete with carved fins and moveable (?) tail. Stamped annotation on verso reads: “Department of Mines and Resources, Photographic Section. Oct. 6, 1939”. Numeric annotation on verso: “48-1”

Carved wooden mask depicting a bird/human face painted with a stylized design of feathers and animal's ear to one side of the forehead. Stamped annotation on verso reads: “Department of Mines and Resources, Photographic Section. Oct. 6, 1939”. Numeric annotation on verso: “44-2”

Carved and painted wooden mask in the shape of a mythic creature with flaring nostrils and oblong eyes. Stamped annotation on verso reads: “Department of Mines and Resources, Photographic Section. Oct. 6, 1939”. Numeric annotation on verso: “44-6”

Carved wooden mask in the shape of a mythic creature with distinct eyebrows, a wide and flattened nose and a thin lipped mouth. Stamped annotation on verso reads: “Department of Mines and Resources, Photographic Section. Oct. 6, 1939”. Numeric annotation on verso: “44-3”

Ermine-tail headdress with wooden frontlets carved with mythic animal and inlaid with abalone. Sea lion whiskers extending upwards from top of frontlet. Handwritten annotation in pen on verso reads: “W.E. Collison.” Stamped annotation on verso reads: “Department of Mines and Resources, Photographic Section. Oct. 6, 1939”. Numeric annotation on verso: “45-6”

Two model totem poles flank a bentwood box sitting on a pedestal in front of a bookcase in the office of W.E. Collison. Handwritten annotation in pen on verso reads: “Totem & carved chest in Dad’s office.”

Model totem pole standing upright on a chair against the backdrop of a sheet. Handwritten annotation in pen on verso reads: “W.E. Collison.” Stamped annotation on verso reads: “Department of Mines and Resources, Photographic Section. Oct. 6, 1939”. Numeric annotation on verso: “46-4”

Frontal perspective of a model totem pole standing upright on a sheet covered table against the backdrop of an additional sheet. Stamped annotation on verso reads: “Department of Mines and Resources, Photographic Section. Oct. 6, 1939”. Numeric annotation on verso: “47-2”

Profile perspective of a model totem pole standing upright on a sheet covered table against the backdrop of an additional sheet. Stamped annotation on verso reads: “Department of Mines and Resources, Photographic Section. Oct. 6, 1939”. Numeric annotation on verso: “47-3”

Two carved wooden staffs, both inlaid with abalone shell, leaning against a wall side by side, a white sheet serving as a backdrop. Handwritten annotation in pen on verso reads: “W.E. Collison.” Stamped annotation on verso reads: “Department of Mines and Resources, Photographic Section. Oct. 6, 1939”. Numeric annotation on verso: “50-6”

Conical woven hat with a flat top and circular brim. Shells sewn to hat.
Handwritten annotation in pen on verso reads: “W.E. Collison.” Stamped annotation on verso reads: “Department of Mines and Resources, Photographic Section. Oct. 6, 1939”. Numeric annotation on verso: “50-2”

Pump drill consisting of a length of wood with a heavy wooden whorl fixed toward the bottom end and a crossbar-like pump arm attached to the upper end; pump arm is free to move up and down the main length of wood through a hole in the arm's center. The notched ends of the pump arm are attached to the top of the pump by twisted gut cord. The central length of wood is rounded and handle-like at the base, tapering towards the top. Handwritten annotation in pen on verso reads: “W.E. Collison.” Stamped annotation on verso reads: “Department of Mines and Resources, Photographic Section. Oct. 6, 1939”. Numeric annotation on verso: “48-6”

Large ladles used during potlaches to serve guests food from the feast dish; Carved wooden harpoon heads used for hunting large sea mammals and one unidentified item with a triangular shape and flat top. Handwritten annotation in pen on verso reads: “W.E. Collison.” Stamped annotation on verso reads: “Department of Mines and Resources, Photographic Section. Oct. 6, 1939”. Numeric annotation on verso: “50-1”

Intricately carved argillite dish featuring human faces at either end of its rectangular shape. Stamped annotation on verso reads: “Department of Mines and Resources, Photographic Section. Oct. 6, 1939”. Numeric annotation on verso: “22-2”

Carved wooden bark shredder inlaid with abalone shell, used to soften and break up fibres of cedar bark. Handwritten annotation in pen on verso reads: “W.E. Collison.” Stamped annotation on verso reads: “Department of Mines and Resources, Photographic Section. Oct. 6, 1939”. Numeric annotation on verso: “48-4”

Two cylindrical wooden columns stand parallel, connected at the top by a horizontal wooden panel featuring the carved head and front paws of a wolf. Handwritten annotation in pen on verso reads: “W.E. Collison.” Stamped annotation on verso reads: “Department of Mines and Resources,

Carved wooden sculpture of a seated male figure - his hands on his chest wearing a headdress and a neck ring. Stamped annotation on verso reads: “Department of Mines and Resources, Photographic Section. Oct. 6, 1939”. Numeric annotation on verso: “46-3”.

Carved portrait mask featuring real fur eyebrow (one is missing) and mustache. Stamped annotation on verso reads: “Department of Mines and Resources, Photographic Section. Oct. 6, 1939”. Numeric annotation on verso: “45-4”

Model totem pole standing upright in front of a blanket backdrop. Handwritten annotation in pen on verso reads: “Dad’s totem pole (W.E. Collison)”