Series consists of books, draft manuscripts of published works, newspaper and magazine clippings, unpublished poetry and miscellaneous textual material created by authors other than Brian Fawcett that contextualize Fawcett's literary community.
File consists of Brian Fawcett's report cards from primary school (Connaught Elementary) and secondary school (Prince George Senior Secondary School).
File consists of Brian Fawcett's post-secondary scholastic records from Simon Fraser University and Vancouver Community College.
File consists of Brian Fawcett's academic essays from his Bachelor of Arts in English education at Simon Fraser University.
File consists of letters of support written for Barry McKinnon after his termination from the College of New Caledonia in Prince George.
File consists of artwork by Marcus Bowcott.
File consists of miscellaneous printed graphic material, including printed images and a 'Touchtime' poster.
Series consists of 36 audio cassettes and 1 audio reel of interviews and readings prepared for radio broadcast by Brian Fawcett and others.
Audio recording is an interview by Brian Fawcett with Barry McKinnon in Prince George. They discuss the early beginnings of New Star Press & The Georgia Strait. Includes background on the political and literary goals of 1970-80's small presses in Vancouver, including the Vancouver Community Press, Western Voice Newspaper, and The Grape. They also talk about the influence of working class & Marxist ideology on small presses in Vancouver. Second side of tape is a philosophical discussion of post-modernist theories of truth and a discussion of 17th-18th century philosophers.
Audio recording is a interview with Bill Walsh. The interview conducted by Fawcett with Walsh is included in "Virtual Clearcut".
Audio recording is a interview with Rita Fawcett, Brian Fawcett's mother.
Audio recording is a dictation by Max Fawcett for a school project.
Audio recording is a music tape that Brian Fawcett played while he wrote for the purposes of compositional framing.
Video recording consists of a broadcast recording of show 311 of the Toronto TV Chum Production "Because I Said So with Maggie Cassella". The May 28, 2003 show included guest participants Jana Lynne White, Krista Sutton and Brian Fawcett. The segment with Fawcett discusses the topic of sex in reality versus sex as portrayed in film & television and impact on society, particularly in relation to his book Gender Wars.
Video recording consists of a personal recording of the show "The Public Mind" with Bill Moyers, which Fawcett possibly used for research purposes. Moyers hosts 2 documentaries: "Consuming Images" on the effect of TV, ads and consumerism in North American and its impact on democracy, beauty and truth; use of digital technology and how it creates beauty for the fashion/publishing industry. Second documentary "Leading Questions" looks at how industry has learned to appeal to our emotions to get consumers to purchase what they think they need. The show looks at behavioural surveys done by large corporations to get their products purchased and how advertising and marketing is crucial to influencing consumers.
Video recording consists of a movie directed by Peter Lynch for the National Film Board entitled "The Herd" about caribou herding.
Subseries contains Brian Fawcett's records on zip drives.
File contains Brian Fawcett's records on a zip drive.
File contains Brian Fawcett's records on a zip drive.
File contains Brian Fawcett's records on a zip drive.
Subseries consists of miscellaneous poetry manuscripts, many of which are untitled and unidentified.
File consists of issue number 12 of "The Capilano Review" from 1977, which includes a Brian Fawcett section.
File consists of a draft of a Fawcett poem entitled "Killing Robins on a Sunday Morning".
File contains a poetry publishing agreement for "Elegy Written by the Shores of an Okanagan Lake"
File consists of poetry notebooks written by Brian Fawcett.
File consists of issues of NMFG poetry magazine, which was edited by and contributed to by Brian Fawcett.
Fawcett began a project in 1975 when he was 31 with the premise of summarizing his understanding of sex at various ages. This file contains manuscripts for the poem "Sex at 31".
Fawcett began a project in 1975 when he was 31 with the premise of summarizing his understanding of sex at various ages. This file contains draft manuscripts of the poem "Sex at 38".
File consists of draft manuscripts of "Five Books of a Northmanual".
Subseries consists of draft manuscripts of "Friends", a poetry anthology.
File consists of draft manuscripts of "Creatures of State", a poetry anthology, as well as a published version.
File consists of a 1976 draft manuscript of "Creatures of State", a poetry anthology.
Series consists of draft manuscripts and published anthologies of short stories, including "My Career with the Leafs and Other Stories" (1982), "Capital Tales" (1984), "The Secret Journal of Alexander Mackenzie" (1985), "Cambodia: A Book for People Who Find Television Too Slow" (1986), and "Public Eye: An Investigation into the Disappearance of the World" (1990).
Campagnolo stands beside unidentified man next to podium. Group sits in rows in background under banner reading "TAI CHI CHUAN ASS'N 14TH ANNIVERSARY".
Photograph depicts May Diver dressed as Mary Stuart in white and gold costume dancing with a man wearing black and red costume.
Preceding notation on UNBC Chancellor letterhead: “my theatre days, Ionasphere group. I made personally or designed (for Blue - Rosemary Gilbert) all these costumes, May Diver - Mary Stuart by Friedrich Von Schiller, 1972” (see also items 2009.6.1.12 - 2009.6.1.17).
Packed gymnasium applauding after the April 1972 production (see items 2009.6.1.11 - 2009.6.1.17).
Photograph depicts man in Russian costume holding hand of unidentified woman in peasant costume.
Handwritten annotation on verso reads: “Fiddler on the Roof, Feb. 1974.”
Champagne bottles sit on table in right foreground. Carved masks and eagle doll can be seen in background.
Handwritten annotation accompanying photograph reads: “Nisgaa Pole raising, Tait, Aiyansh”.
Handwritten annotation accompanying photograph reads: “Nisgaa Pole raising, Tait, Aiyansh”.
Buildings and forest in background.
Framed button blanket, framed photographs of Northern B.C., a potted plant, and a red couch visible in background.
Handwritten notation attached to photo backing reads: “Spt. Minister Office”.
Photograph taken at potlatch held in honour of the late Mary George, Louise Ellen George, Dale Francis George, Paul Dwayne George and Gregory James LaFitte.
Handwritten annotation on verso reads: “Gloria George + Brother Leonard George at Telkwa”.
Image depicts Studio 2880 Arts Complex in Prince George, B.C. Map coordinates 53°54'36.9"N 122°46'30.3"W
Image depicts the Two Rivers Art Gallery in Prince George, B.C.
File consists of a spiral bound booklet titled "A Report on the Historic Fort Mcleod's History and Archaeological Potential" by William George Quackenbush for Simon Fraser University.
The item is a photograph depicting a painting of Woodpecker Church by Vivian Antoniw. The plaque in the picture states, "'Woodpecker Church' Handcoloured Dry Point Etching by Vivian Antoniw."
The item is a photograph depicting a painting of a church at Aleza Lake by Vivian Antoniw. Note attached to the back of the picture states, "Vivian Antoniw - church at Aleza L."
File consists of cards produced by Tourism Prince George featuring artwork prints from the six bridges of Prince George series by local artists in Prince George. Includes: "Foothills Bridge" water colour painting print by Ruth Hansen; "Grand Trunk Pacific Bridge" painting print by Vivian Antoniw; "Simon Fraser Bridge" water colour painting print by Anne Bogle; "Yellowhead Highway Bridge" painting print by June Swanky Parker; "John Hart Bridge" painting print by Doris Dittaro; and "Cameron Street Bridge" painting print by Caroline Moorhouse.
Subseries contains secondary material collected by Kent Sedgwick for research on the history and geography of Prince George and its region. Includes secondary sources and bibliographic references regarding the history and geography of Prince George and the Central Interior of British Columbia. The files primarily consist of photocopied articles and printed bibliographies.