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Buildings and power lines in background.

Power lines, vehicles, and forest visible in background.

Photograph depicts Iona Campagnolo's assistant posing in front of R.L. Stevenson Cottage. Trip is possibly in relation to the 1980 Winter Olympics in Lake Placid, NY.

Carvings visible on a moss covered rocky outcrop. Handwritten annotation in pencil on verso reads: “Rock carvings. Copper Mountain, Al”.

The pair stands wearing gowns; Diver on right in black, Gilbert on left in blue. Handwritten annotation on verso reads: “May Diver, Mary Stuart by Friedrich Von Schiller, Rosemary Gilbert as Elizabeth, Prod & Directed by Iona Campagnolo, 1973”.

Preceding notation on UNBC Chancellor letterhead: “my theatre days, Ionasphere group. I made personally or designed (for Blue - Rosemary Gilbert) all these costumes, May Diver - Mary Stuart by Friedrich Von Schiller, 1972” (see also items 2009.6.1.11 - 2009.6.1.17).

Photograph depicts Rosemary Gilbert as Elizabeth in blue and gold fur-trimmed gown, unidentified man in costume stands in background.

Preceding notation on UNBC Chancellor letterhead: “my theatre days, Ionasphere group. I made personally or designed (for Blue - Rosemary Gilbert) all these costumes, May Diver - Mary Stuart by Friedrich Von Schiller, 1972” (see also items 2009.6.1.11 - 2009.6.1.16).

Photograph depicts Rosemary Gilbert wearing regal red and white gown, glaring at unidentified man in fur costume.

Preceding notation on UNBC Chancellor letterhead: “my theatre days, Ionasphere group. I made personally or designed (for Blue - Rosemary Gilbert) all these costumes, May Diver - Mary Stuart by Friedrich Von Schiller, 1972” (see also items 2009.6.1.11 - 2009.6.1.17).

Item is a reel to reel recording of Prince George performers Roy Lind playing accordion and Frank Schutch on bass and vocals broadcast 'live' on CKPG radio in 1960.

Sarah Glassey stands in beaded dress and ornate headdress, holding flowers and surrounded by greenery.

Petroglyphs featuring coppers painting onto a rock face next to a lake.

Handwritten annotation in pencil on verso reads: “As seen from the R.R. track. By Harlan I. Smith. 4 poles E of 92 mile or about 1 ½ meter E. of Tyce, B.C., Red Pictograph, Note: head above and to the right at the left of log top in shadow of cedar.” Stamped annotation on verso reads: “Department of Mines Geological Survey Photographic Division, January 21 1926” – in pen above this stamped date is written “7-10-1925”.

Image depicts the old railroad building in Skagway, Alaska.

Image depicts two totem poles in Skeena Crossing, B.C.

Forest in background.

Handwritten notation included with photograph reads: “The ‘Beloved North,’ Skeena Riding (always)”.

Handwritten annotation on verso reads: “Kispiox”.

Unidentified building stands in midground, water and hill on opposite shore visible in background.

Child stands in distance beside tall totem pole. Tree stumps in foreground, forest and mountains in background.

Handwritten annotation on verso reads: "[Sanabati near Upper Queen?] Kasaan Alaska".

Photograph depicts a small totem pole in front of trees and a roadway. Photographer’s stamp on verso: “W.E. Nicholson, 268 E. 10th, Vancouver 10, B.C.”

Photograph depicts a small totem pole in front of trees and a roadway. Photographer’s stamp on verso: “W.E. Nicholson, 268 E. 10th, Vancouver 10, B.C.”

Image depicts the restored White Pass Snow Plow No.1 in Skagway, Alaska.

Image depicts a representation of the crucified Christ in the St. Joseph's Roman Catholic Church in Kamloops, B.C.

Image depicts Studio 2880 Arts Complex in Prince George, B.C. Map coordinates 53°54'36.9"N 122°46'30.3"W

Image depicts a building which is a part of the Studio 2880 Arts Complex on 15th Avenue in Prince George, B.C.

Photograph of an illustration of an elderly man peering over a photograph of Prince Rupert, BC with a magnifying glass. Beaded leather tassels are affixed to the edges of the illustration. Printed annotation on recto reads: "Taken in 1911. And Today The Eyes of the World are on Prince Rupert. Craig N of Prince Rupert."

Photograph depicts three unidentified men standing in front of an Indigenous totem pole.

Photograph depicts three Indigenous totem carvings in front of various buildings on the shoreline.

Miscellaneous items are scattered in yard behind totem, house partially visible in background.

Handwritten annotation on verso reads: "Insert this illustration in Chapt. II. No. 2. 'Tlingit Totem.'"

Groups of men and women can be seen gathered on paths between two large totem poles.

Handwritten annotation on verso reads: "Totem Park Pr Rupert park."

Image depicts a totem pole at an uncertain location, possibly in Gitwinksihlkw, B.C.

Photograph depicts a totem pole and a tall wooden plant holder in front of a body of water.

Photograph depicts members of the Kispiox community carrying a totem pole. Photograph also depicts elders with black, red, and white button blankets.

Photograph depicts a totem pole standing on what appears to be a large wooden deck or boardwalk, view of the city in background.

Handwritten annotation on verso reads: "Totem pole in park in Prince Rupert".

Photograph depicts a totem pole standing amidst a forested environment. Handwritten annotations on verso read: “Raven, ?, Sea Lions, Grizzly Bear, Dzondgwa”; “Kwakiutl Pole, Alert Bay & Fort Rupert” photographer’s stamp on verso: “W.E. Nicholson, 268 E. 10th, Vancouver 10, B.C.”

Totem poles (crest poles?) stand in front of a line of houses. Sandy beach in foreground, forest on hill in background.

Handwritten annotation on verso reads: "Kai sun W. Coast Q.C.I."

Totem poles (crest poles?) stand in front of wood building, hills visible in background.

Handwritten annotation on verso reads: "Poles on QC Isl."

Totem poles (crest poles?) stand in front of remains of wood structures, forest visible in background.

Handwritten annotation on verso reads: "A deserted Village, Q.C. Islands [...]" (various notes crossed through on verso).

Totem poles (crest poles?) stand in front of remains of wood structures built along sandy shore. View from above, forest on hill in background.

Handwritten annotation on verso reads: "[? illegible] Deserted village West Coast QCIs."

Unidentified people stand around and between totem poles. A row of buildings and snowy mountain peaks are visible in the background. Location is believed to be Kingcome Indian Village

Totem poles (crest poles?) stand in front of forest trees, fallen logs on beach in foreground.

Handwritten annotation on verso reads: "Indian Totems along beach on Q.C. Islands"

Totem poles (crest poles?) stand in front of wooden houses on right. Hills on shoreline visible in background.

Handwritten annotations on verso read: "West Coast QCIs."; "[Old?] Kassan Alaska."

Photograph depicts an Indigenous totem pole. Annotation on recto of photograph states: "Totems of Old Kasaan Alaska"

Photograph depicts two Kispiox community members in black, red, and white button blankets in front of two totem poles transported by community members for the official opening of the new Kispiox Cultural Building. Photograph was taken on Campagnolo's Skeena riding tour.

Image depicts the Two Rivers Art Gallery in Prince George, B.C.

Image depicts the Two Rivers Art Gallery in Prince George, B.C.

Four women and one child stand on shore in foreground. Village buildings and totem poles (crest poles?) stand in background against forest.

Shoreline perspective of an unidentified coastal village situated on B.C.’s north coast. European style houses run parallel to a rocky shore. Seven men and one child stand within this frame and totem poles and a mortuary pole are also visible along the shoreline.

Costumed gentleman standing next to lady wearing a formal purple gown. Handwritten annotations on verso read: “To Angie, Love Donna Penner,” and “another of costumes I made”.

Preceding notation on UNBC Chancellor letterhead: “my theatre days, Ionasphere group. I made personally or designed (for Blue - Rosemary Gilbert) all these costumes, May Diver - Mary Stuart by Friedrich Von Schiller, 1972” (see also items 2009.6.1.11 - 2009.6.1.17).